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    Wyświetlanie 1-5 z 5
    Tytuł:
    STRUKTURY WYOBRAŹNI CZESŁAWA MIŁOSZA I GILBERTA DURANDA
    THE ANTHROPOLOGICAL AND ANALOGICAL STRUCTURES OF THE IMAGINARY IN THE WORKS OF CZESŁAW MIŁOSZ AND GILBERT DURAND
    Autorzy:
    Lubelska-Renouf, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/690313.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    anthropological structures of the imaginary; imagination; image; myth; symbol
    antropologiczne struktury wyobraźni; wyobraźnia; obraz; mit; symbol
    Opis:
    Gilbert Durand, the author of the classic Les structures anthropologiques de l’imaginaire (published in English as The Anthropological Structures of the Imaginary), initiated a new area of research in the humanities, first in France and then worldwide. This approach involves the morphological classification of the broadly conceived structures of the imaginary, encompassing the symbols, images, and myths that are specific to a given author or culture. Drawing on various different disciplines, Durand’s work can be seen as a vast undertaking aimed at rehabilitating the imaginary. For Durand, the imaginary is art of human intellectual life and an essential aspect of human nature. Dreams, symbols, and images together constitute a kind of “transcendental fantastic”, without which a human being cannot experience wholeness or completeness. The article argues that the works of Czesław Miłosz, in which images form veritable magnetic fields gravitating around a number of central poetic symbols, can be read as a practical implementation of Durand’s theories.
    Źródło:
    Prace Polonistyczne; 2019, 74; 29-51
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Des hallucinations forestières. Essai sur l’imaginaire de Bolesław Leśmian
    The forestry delusions. The essey of Boleslaw Lesmian’s imaginary
    Autorzy:
    Karwowska, Marzena
    Powiązania:
    https://bibliotekanauki.pl/articles/1035990.pdf
    Data publikacji:
    2015
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Bolesław Leśmian
    Klechdy polskie
    Skrzypek Opętany
    Baśń o Rycerzu Pańskim
    Gilbert Durand
    anthropolgy of imagination
    a symbol
    antropologia wyobraźni twórczej
    symbol
    Opis:
    The biography of Boleslaw Lesmian (1877–1937) shows a maladjustment of artist to reality. The Poet escapes to the world of imagination — an alternative reality where he could be settled. In Boleslaw Lesmian’s imaginary the human way leads to the archetypal forest. The image of the forest, implanted deeply in culture as a place for outlaws (Robin Hood), fugitives (Tristan and Isolde) and knights-errant (Parsifal) is transformed by Lesmian. In the Lesmian’s imaginary the forest takes a new semantic dimension and becomes one of the main symbols as the Epiphany of the Mother Earth (Tellus Mater, Pammetor Ge). The analyses, presented in this article, shows that act of wandering in the forest paths is the symbol of a human way which leads to self-knowledge. For Lesmian, who was lost in everyday life, an archetypal figure of Mother Earth has an important therapeutic value. A methodological framework for the discussion is based on the concepts offered by Gilbert Durand, a French philosopher of culture. Anthropology of imagination as a method of literary studies focuses on mundus imaginalis of the author, understood as a manifestation of symbolic powers of imagination and the artist is perceived as an imaginative phenomenon. In the anthropological and myth-critical studies a canonical definition of myth is adopted after Gilbert Durand, where myth is a dynamic system of symbols (mythical figures), archetypes and imagery constituting narrations permanently incorporated into the culture. In Durand’s perspective, mythical figure (figure mythique) is an archetype imagery (image archétype) capable of being expressed at the language level. Imagination is understood as the Consciousness Breeding Imagery. Imagery provide a structure capable of transformations, enabling decomposition and transformation of imagery in cultural texts and their literary palingenesis.
    Źródło:
    Prace Polonistyczne; 2015, LXX; 119-127
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    TRANSPOZYCJA STRUKTUR MITYCZNYCH W DOLINIE ISSY CZESŁAWA MIŁOSZA
    THE TRANSPOSITON OF MYTHICAL STRUCTURES IN THE ISSA VALLEY BY CZESŁAW MIŁOSZ
    Autorzy:
    Karwowska, Marzena
    Powiązania:
    https://bibliotekanauki.pl/articles/690284.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Czesław Miłosz; The Issa Valley; Gilbert Durand; myth criticism; myth; symbol; anthropological structures of the imaginary
    Czesław Miłosz; Dolina Issy; Gilbert Durand; mitokrytyka; mit; symbol; antropologiczne struktury wyobraźni
    Opis:
    The author reads Czesław Miłosz’s novel The Issa Valley through the prism of myth criticism, which was introduced to the humanities by Gilbert Durand. In particular, she focuses on the palingenesis of literary mythemes and the transposition of myth cal structures which can be found in various aspects of the text, including the novel’s chronotope and character construction. Moreover, The Issa Valley features processed paradigms of mythical time, mythical models of space, and individual mythemes transformed by Miłosz’s imaginary. The writer semantically inverts or demythologizes the myths of Tellus Mater, Pammetor Ge, and Arcadia, the mythologem of childhood, and the mythologem of family home, which have been deeply rooted in tradition. Miłosz addresses the given problem in an antithetical manner. He avoids simple answers. Instead, he poses questions, and thus opens the text to the individual hermeneutics of symbolic paths. Miłosz perceived the imaginary that has symbolic and mythical foundations as endowed with redemptive potential. In myth criticism, the symbolic modelling that takes place in the artistic imaginary is closely connected with the therapeutic role of an image. It helps an individual regain the state of internal balance which Gilbert Durand defines as anthropological balance. And, as Ernst Cassirer posits, this balance is a manifestation of human symbolic intelligence.
    Źródło:
    Prace Polonistyczne; 2019, 74; 53-69
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MITOANALIZA JAKO SZTUKA SZEROKIEGO WIDZENIA. PRZYCZYNKI DO STUDIÓW NAD WYOBRAŹNIĄ PONOWOCZESNĄ
    MYTH ANALYSIS AS THE ART OF SEEING THE BIG PICTURE: REMARKS ON POSTMODERN IMAGINATION STUDIES
    Autorzy:
    Jasionowicz, Stanisław
    Powiązania:
    https://bibliotekanauki.pl/articles/690309.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Gilbert Durand; myth; myth analysis; postmodernism; postmodernity; tradition; structures of the imaginary; postmodern imagination
    Gilbert Durand; mit; mitoanaliza; postmodernizm (ponowoczesność); tradycja; struktury wyobraźni; wyobraźnia ponowoczesna
    Opis:
    The article examines the possibility of applying Gilbert Durand’s concept of the creative imagination and, in particular, the interrelated methods for the analysis of cultural texts (myth criticism and analysis) to the study of texts and artefacts created in the “postmodern moment” of Western culture. Questioning both the traditional systems of connotation developed in Western culture as well as those constructed in opposition to it as part of the Enlightenment project of modernity, the postmodernist worldview is still grounded in the imaginary. The effect of the “imaginational reaction” on the current state of Western civilization can be either a deepening of the present stagnation or an injection of new, invigorating impulses. The “paradoxical” figure of the New Traditional Man and the concept of the New Anthropological Spirit suggest possibilities for emerging from the impasse that has been affecting the humanities, if the makers and scholars of culture would be willing to recognize the necessity of the existence of an “antagonistic tension between dichotomous and non-dichotomous structures of the imaginary.” The ability to “see the big picture” thus appears to be tantamount to accepting the mythanalitical perspective in cultural studies, as postulated by Durand.  
    Źródło:
    Prace Polonistyczne; 2019, 74; 13-28
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MIĘDZY UPŁYWAJĄCYM CZASEM A WIECZNOŚCIĄ. MIŁOŚĆ BEZ JUTRA TADEUSZA GAJCEGO W ŚWIETLE ANTROPOLOGII GILBERTA DURANDA
    BETWEEN PASSING TIME AND ETERNITY: TADEUSZ GAJCY’S MIŁOŚĆ BEZ JUTRA (LOVE WITHOUT TOMORROW) IN THE CONTEXT OF GILBERT DURAND’S ANTHROPOLOGY OF THE IMAGINARY
    Autorzy:
    Brasse, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/690286.pdf
    Data publikacji:
    2019
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Tadeusz gajcy; sacralization of time; mythical figures; epiphany of eternity
    Tadeusz Gajcy; sakralizacja czasu; figury mityczne; epifania wieczności
    Opis:
    Drawing inspiration from Gilbert Durand’s anthropology of the imaginary, the article offers an interpretation of Tadeusz Gajcy’s poem entitled Miłość bez jutra (Love without Tomorrow). It examines the paradigms of mythical time processed by imagination and the revival of images that have their roots in biblical cosmogony. Using the research method proposed by Durand, the author argues that the imaginary metaphorically transforms symbolic signs that are deeply rooted in history and culture, adjusting them to the personal situation of the dreaming speaker. In Miłość bez jutra the dream of carnal and spiritual fulfillment makes one experience time in relation to certain mythical objects, such as a plant, a book, or a chalice. The return to the mythical beginning, perceived as a refuge that guarantees spiritual revival, is associated with coming to terms with the inevitability of death. In this way, the palingenesis of eternal return (or, in other words, cosmic annihilation and rebirth) that is present in the Gajcy’s poem shapes the way of experiencing time. The author argues that the transformation and sacralization of mythical time in the poem are achieved through the image of a book (cloud) and a plant. Moreover, he shows that Gajcy’s allusions to the Genesis are intertwined with an apocalyptic vision in which various elements of the world are burnt, while the epiphanies of love and death are presented as a return to the state of original innocence and purity, experienced in symbolic projections.
    Źródło:
    Prace Polonistyczne; 2019, 74; 71-92
    0079-4791
    Pojawia się w:
    Prace Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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