Temat: the Vistula - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Wisła Czesława Miłosza (widzenia poetyckie)
Czesław Miłosz’s Vistula (poetic seeing)
Autorzy:: Wójcik, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/2012586.pdf
Data publikacji:: 2015-06-01
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Czesław Miłosz
Wisła
rzeka
poezja
motyw
the Vistula
river
poetry
theme
Opis:: The article aims at describing the forms of the theme of the Vistula River in Czesław Miłosz’s poetry. For this purpose, it transpires to be necessary to take account of Miłosz’s biographical conditions and consider the attitude of the writer towards the poetic tradition of the theme. Above all, the article is an attempt to reflect on its symbolic meanings and metaphysical functions. Reading poems or fragments of poems dedicated to the Vistula River (from the 40s and 50s) enables the development of the following thesis: the presence of this theme serves as means to identify the specificity of Polish history and diagnose the essence of Polish historical fate.
Źródło:: Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 393-404
2084-6045
2658-2503
Pojawia się w:: Prace Filologiczne. Literaturoznawstwo
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Rzeki w „Królu-Duchu”
Rivers in “The Spirit King”
Autorzy:: Samsel, Karol
Powiązania:: https://bibliotekanauki.pl/articles/2012568.pdf
Data publikacji:: 2015-06-01
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Juliusz Słowacki
wyobraźnia akwatyczna
Wisła
Niemen
Nil
Lete
aquatic imagination
the Vistula
the Neman
the Nile
the Lethe
Opis:: The river theme is one of the most outstandingly presented aquatic themes of The Spirit King. It is accumulated in four scenes of the poem. In the first rhapsody: in the symptomatic descent of Her-Armenian to the Styx, Lethe or Neman; next, in Popiel’s civil war at the Vistula. In the third rhapsody (as in Juliusz Kleiner’s edition), the theme is situated in Dobravna’s dream depicting her journey by the subterranean river to sunlit Jerusalem; and also in Bolesław Śmiały’s passages across the Bug and Dnieper. Rivers in genesian landscapes become mainly conceptualised as a part of genesian psychomachia, a battle of spirits included in the realistic/historic domain of conquests, passages, massacres and attacks. As the essentials of a prewar scenery in The Spirit King, they rarely happen to be an aspect of domestic life or Slavic hierophanies. In Slavic genesian calendar, water appears to be only a companion of the mystic fire ceremonies, like the rite of St. John’s Eve or the wedding of Mieczysław and Dobrawna (L. Nawarecka). That is also the reason why the interpretation of aquatic context of The Spirit King as yet another immanent context of the ‘great Slavic epic’ seems to be a form of reductionism, as it does not consider the ‘mystic structure of Słowacki’s imagination’ (M. Cieśla-Korytowska). The Vistula is a Polish Nile, the Neman becomes a Polish Lethe and the scene of cleaning the wounds by Her-Armenian on the banks of the Neman inherits somehow (right after the poem Beniowski) the dimension of the bards’ antagonism (Mickiewicz against Słowacki). The mythical hero of the poem may be seen, in a deeply intermediary manner, as the surpassing and overcoming of Mickiewicz’s Konrad from Dziady, Part III.
Źródło:: Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 479-505
2084-6045
2658-2503
Pojawia się w:: Prace Filologiczne. Literaturoznawstwo
Dostawca treści:: Biblioteka Nauki

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