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Tytuł:
Magiczny cmentarz Słowacja. Powieść Dušana Mitany „Mój rodzinny cmentarz”
Slovakia: a Magic Cemetery. Dušan Mitana’s novel „My Home Cemetery”
Autorzy:
Roberts, Dagmar Kročanová
Powiązania:
https://bibliotekanauki.pl/articles/2012205.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
literatura słowacka
Dušan Mitana
postmodernizm
groteska
mitologia narodowa
Slovak literature
postmodernism
grotesque
national mythology
Opis:
Dušan Mitana’s book My Home Cemetery (Môj rodný cintorín, 2000) is centred on banal scenes from everyday life that could happen in any Slovak village in the 1960s, such as family relations, village gossips, political and theological disputes in pubs and at home, building homes, working in a local cooperative, supporting a local football team, etc. However, the narration denies any similarity with Realism. Instead, the story is bizarre, hyperbolized, and grotesque; very much along the tradition of Magic Realism. Mitana’s writing is Postmodern; he uses different languages, genres, approaches and quotations in his book. Cemetery in Mitana’s story is both space and place; it is both pars and totum; it is one (real/fictional) cemetery and entire Slovakia. Even though this cemetery is situated on the outskirts of the village, it is the centre (navel); its eccentric location is a song of human disrespect towards eternity. Besides being the centre, the cemetery is also a middle world where reality meets fi ction, banal meets high, fl esh meets spirit, Christianity meets paganism, banal everyday routines mix with dreams, visions and prophecies, and those who are alive coexist happily with those who are dead. It is also a nodal point between past and (Messianic) future, since it is the home place of the writer himself, and this writer is a Slovak writer. Whereas the writer has a mission to revive the dead by weaving stories about them, his nation’s mission is to spread the Slovak word in the world. In this way, Mitana’s book also mocks manifestations of Slovak nationalism in the 1990s, which was still partially using concepts and rhetoric of Romantic Messianism.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2012, 2(5); 271-281
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czytanie Süskinda
Reading Süskind
Autorzy:
Jokiel, Irena
Powiązania:
https://bibliotekanauki.pl/articles/2012651.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
śmierć
fantazmat
metafory końca
groteska
ironia
death
interpretation
phantasm
metaphors of the end
grotesque
irony
Opis:
Plots created by Patrick Süskind are transparent and uncomplicated; they follow a conventional path, seemingly aloof from formal modernist experiments, and close with distinctive endings; in popular reception, they give a sense of confidence that even the most fantastic worlds, derived from the corners of imagination, may be set into a familiar and closed whole. Perhaps this simplicity makes it easy to be satisfied by their seductive plot and steer clear off tracks leading to the content encrypted within the deep structure. The author of the present paper attempts to interpret the short stories: Maître Mussard's Bequest and The Story of Mr Sommer as a metaphorical and grotesque vision of man's existential death anxiety.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2016, 6(9); 339-350
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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