Temat: Seneca - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Jan Andrzej Morsztyn and Votum z Seneki; or, A scorpion and his stings
Jan Andrzej Morsztyn i Votum z Seneki; albo Skorpion i jego użądlenia
Autorzy:: Jakielaszek, Jarosław
Powiązania:: https://bibliotekanauki.pl/articles/2012620.pdf
Data publikacji:: 2015-06-01
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Jan Andrzej Morsztyn
Seneka
Horacy
epigram
stoicyzm
Seneca
Horatius
Stoicism
Opis:: The present paper investigates the relevance of structural and intertextual information for an interpretation of Votum z Seneki dla Jegomości Pana Chorążego Wielkiego Księstwa Litewskiego by Jan Andrzej Morsztyn. Placing both the structural and intertextual properties of the text against a wider context of the literary practices of the period, of the contemporaneous philosophical discussions and tendencies, as well as philological discussions of relevant hypotexts, allows one, it is argued, to uncover at least two distinct, although closely intertwined, layers of irony and scepticism in Morsztyn’s piece.
Źródło:: Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 149-166
2084-6045
2658-2503
Pojawia się w:: Prace Filologiczne. Literaturoznawstwo
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Dwie lub trzy Kasandry i co o nich wiem. Kilka uwag
Two or three Cassandras and what I know about them. Some observations
Autorzy:: Wesołowska, Elżbieta
Powiązania:: https://bibliotekanauki.pl/articles/2013686.pdf
Data publikacji:: 2014-06-02
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Homer
Ajschylos
Eurypides
Seneka
wieszczenie
wykluczenie
niedowierzanie
motyw zemsty
Aeschylos
Euripides
Seneca
foretelling
isolation
disbelief
motif of revenge
Opis:: Cassandra is a peculiar female character in ancient mythology and literature. She appears as early as Homer’s epic, and then incidentally in Aeneid. A would-be lover of Apollo, seer, doomed to disbelief, concubine of Agamemnon, and killed with him on their arrival to Mycenae, she is tragic and it is the tragedy, where she is presented most fully, i.e. in plays by Aeschylus, Euripidesand Seneca. However, her personality traits are so poorly determined that it leaves room for the authors’ actions organising her profile anew. Andso, in Aeschyluss he is a prophetess of her impending death, but she does not try to defend herself. In Seneca, she relates what is covered from spectators’ eyes. She happens to be the symbol of reconciliation, but in Euripides’ Helen she personifies the element of revenge. She is Apollo’s medium, and at the same time she apparently discredits his prophetic power since she was able to cheat him on some occasions. Her attitude towards Agamemnon is vague, because she bemoans his death the same way Helen, whom she hates, mourns Hector’s death. Only the Greek Troades provides an opinion on the beauty of the prophetess. Afterall, Helenand Cassandra’s fatesare mysteriously intertwined. We have the right to suppose that Clytaemestra’s calling Cassandraa female swan is not accidental, although it formally seems to refer to her stage “muteness”.
Źródło:: Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 35-46
2084-6045
2658-2503
Pojawia się w:: Prace Filologiczne. Literaturoznawstwo
Dostawca treści:: Biblioteka Nauki

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