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Wyszukujesz frazę "world-literature" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
Decentred Geographies: Poetics and Politics of the Avant-garde
Autorzy:
Božić Blanuša, Zrinka
Powiązania:
https://bibliotekanauki.pl/articles/951492.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
world literature
centres
peripheries
progress
simultaneity
Opis:
Thanks to the work of Pascale Casanova, Franco Moretti, David Damrosch and many others, over the past two decades, the concept of world literature has once again become the subject of thorough examination within the field of literary studies, especially in relation to cosmopolitanism and globalization. When it comes to the study of individual national literatures and specific regional contexts, as well as to the definition of comparative literature as a discipline, debates regarding its background, its reach and limitations could not be ignored. World literature thus appears as a heterogenous entity – always manifesting in different contexts in different forms – consistently in dialogical exchange with specificities of a particular literature and culture. Instead of discussing the problematic relation between centre and periphery or criticizing the idea of global literary and cultural canon, the avant-garde as an international and global phenomenon that appears even more radically on the so-called periphery is what is of primary interest to me. Therefore, the purpose of this paper is to demonstrate that avant-garde (in its various forms and radical expressions) simultaneously challenges art as an institution and introduces the idea of a decentred geography of world literature.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 49-66
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
House of Memories and Oblivion by Filip David: Literature, Memory and Death
Kuća sećanja i zaborava Filipa Davida: književnost, pamćenje i smrt
Autorzy:
Nikolić, Časlav V.
Powiązania:
https://bibliotekanauki.pl/articles/635700.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
literature
memory
оblivion
pain
world
death
Opis:
The aim of this paper, is to determine the status of the Holocaust themes in contemporary Serbian literature. Philip David’s novel House of memories and oblivion contains resonances of the civilization after World War II considering the fate of Jewish people in this war. The attempt to highlight the work and the way of Western civilization to define itself in respect of the Holocaust was made. David’s novel is an example of a literary text which tests the boundaries of narrative regarding life of those who survived the Holocaust and tryed to find their identity. Literary discourse also allows to search for the truth about the crime in the gaps of the symbolic order of our world.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 241-258
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bezradność słów. Ante Kesicia „fikcja” o Zagładzie
Helplessness of Words. Ante Kesić’s “Fiction” on the Holocaust
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/636132.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ante Kesić
Croatian literature
representation of World War Two
the Holocaust literature
concentration camps
Opis:
In the article one book written by the Croatian author, Ante Kesić, is taken into consideration. The novel Black Snow, published in 1957, narrates about a Slovenian young woman, Breda, who was caught by the Germans in Ljubljana (for her contacts with communist partisans) and sent to the Dachau Concentration Camp. Although not of Jewish origins she encounters the Holocaust of the Jews in the camp and gets pregnant with a Jewish artist. The novel conceptualizes tragedy of war and the Holocaust in a very experimental way, by using a range of modernist, avant-garde or even surrealist literary techniques. The author attempts to invent a new language with a new grammar that would enable to express something that is not expressible.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 61-77
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between Freedom and Imprisonment. The Shanghai Ghetto from the Perspective of the Bulgarian Writer Angel Wagenstein
Autorzy:
Kuczyńska, Marzanna
Powiązania:
https://bibliotekanauki.pl/articles/30148727.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Angel Wagenstein
Bulgarian literature
roman
China
Shanghai
World War II
Opis:
Angel Wagenstein’s novel Farewell, Shanghai is this article’s focal point. The attention focuses on the literary picture of the Shanghai ghetto (Hongkew district) during the Second World War. Wagenstein shows the ghetto as symbol of the end of the Jews’s eternal wandering, where they found autonomy from other nations, and reunification based on sufferings and religion. Before them there stands the long-awaited promised land, where they themselves will govern themselves.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 24; 117-130
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pieśni rozpaczy w czasach pogardy Wokół cyklu poetyckiego Márciustól márciusig Istvána Vasa
Songs of Despair in Times of Contempt. On the Poetic Cycle of Márciustól Márciusig by István Vas
Autorzy:
Piotrowiak-Junkiert, Kinga
Powiązania:
https://bibliotekanauki.pl/articles/636210.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
István Vas
Hugarian Jewish literature
II World War in Hungary
Siege of Budapest
Opis:
The article offers an interpretation of the poetic cycle Od marca do marca [From March to March] by István Vas, a Hungarian poet and writer of Jewish origin. The author treated each of his poems as a notebook, where he recorded his reflections on the situation of Hungarian Jews, the human condition, the siege of Budapest, etc. For Vas, each piece is a separate testimony to the time of the war. The entire cycle is steeped in irony and a harsh judgement of the society’s moral fall. Vas wrote his poems during the period of Nazism but published them during the communist regime, when he wanted to answer a question about the role of art in the process of recovering historical memory, and whether a literary text could offer protection from the hostile reality.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 209-220
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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