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    Wyświetlanie 1-5 z 5
    Tytuł:
    Дигитална хуманистика и завере (не)читања. Пројекат Књиженство, теорија и историја женске књижевности на српском језику до 1915. године
    Digital Humanities and Conspiracies of [Non]Reading
    Autorzy:
    Дојчиновић, Биљана
    Powiązania:
    https://bibliotekanauki.pl/articles/951728.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    innovation
    digital humanities
    literary theory
    women’s writing
    women writer
    Opis:
    The article tries to answer the following question: “what is the potential of digital data bases in research of the history and theory of marginal literatures”, that is, in the research of women’s writing? The focus of the text is on the data base Knjiženstvo, as well as on the complete project Knjiženstvo, theory and history of women’s writing in Serbian language until 1915 which connects its topic with European context in an innovative way.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 11; 321-333
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ambiguity of Interpretation: the Gender-Conscious Attitudes in the Dissident Works of the Czech Writer Lenka Procházková
    Autorzy:
    Stohler, Ursula
    Powiązania:
    https://bibliotekanauki.pl/articles/635592.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    gender studies
    Czechoslovakia
    dissident literature
    women’s writing
    communism
    literary traditions
    Opis:
    This paper explores the presence of gender-conscious attitudes in the works of the Czech author Lenka Procházková (born 1951), a member of the dissident movement during the communist regime. It argues that her writings took issue with patriarchal social structures, yet sometimes camouflaged these challenges behind criticism of the totalitarian rule. These expressions, which one might be tempted to consider as feminist from a Western and 21st-century point of view, emerged within East European dissident culture and probably without exposure to Western feminist concepts. Procházková developed a model of an inner exile for dissidents that originated in a canonical work of Czech literature by Božena Němcová and from which one of her female protagonists draws strength. Thus, her works suggest that Western gender theories are limited in their potential to assess East European dissident women’s writing, when they fail to include local literary traditions.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 11; 291-306
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polish and Czech “literary reciprocity” in the second half of the 19th century: Eliza Orzeszkowa’s reception by the Czechs and Karolina Světlá’s reception by the Poles
    Polsko-czeska „literacka wzajemność” w drugiej połowie XIX wieku. Czeska recepcja Elizy Orzeszkowej oraz polska recepcja Karoliny Světlej
    Autorzy:
    Fournier Kiss, Corinne
    Powiązania:
    https://bibliotekanauki.pl/articles/635596.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish and Czech literature
    literary reciprocity
    women’s writing
    Eliza Orzeszkowa
    Karolina Světla
    reception
    nation
    education
    female emancipation
    Opis:
    The aim of the article is to describe the extraordinarily animated and extensive relationships between Polish and Czech literature in the second half of the 19th century. Literary correspondence is extremely clearly revealed with regard to the Czech writer Karolina Světla and her reception in Poland and the Polish writer ElizaOrzeszkowa together with her reception in Czech. The article attempts to indicate the reasons for their popularity in these neighbouring countries in the last decades of the 19th century. Thus the subsequent reflection explores a shared viewpoint of both writers concerning national questions, combined with the necessity of women’s liberation, including their accessibility to education. By exploring the critical  possibilities  of  literature,  Světla  and  Orzeszkowa  were  exposing  the  imperfections  of their own nations regarding patriotism and emancipation. At the same time, it is worth stressing that both writers regarded their neighbouring nation as a model.
    The aim of the article is to describe the extraordinarily animated and extensive relationships between Polish and Czech literature in the second half of the 19th century. Literary correspondence is extremely clearly revealed with regard to the Czech writer Karolina Světla and her reception in Poland and the Polish writer ElizaOrzeszkowa together with her reception in Czech. The article attempts to indicate the reasons for their popularity in these neighbouring countries in the last decades of the 19th century. Thus the subsequent reflection explores a shared viewpoint of both writers concerning national questions, combined with the necessity of women’s liberation, including their accessibility to education. By exploring the critical  possibilities  of  literature,  Světla  and  Orzeszkowa  were  exposing  the  imperfections  of their own nations regarding patriotism and emancipation. At the same time, it is worth stressing that both writers regarded their neighbouring nation as a model. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 2
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Tijelo pamćenja je pčela koja me bode.“ Emancipatorne prakse ženskog pisma 80-ih
    “The body of recollection is a bee which stings me.” Emancipatory practices of women’s writing in Croatian literature of the 1980’s
    Autorzy:
    Protrka Štimec, Marina
    Dakić, Mirela
    Powiązania:
    https://bibliotekanauki.pl/articles/636140.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    The Deadly Sins of Feminism
    Slavenka Drakulić
    The Silk
    the Shears
    Irena Vrkljan
    women’s writing
    politics of literature
    Opis:
    The book of essays Smrtni grijesi feminizma (The Deadly Sins of Feminism), written by Slavenka Drakulić, and Irena Vrkljan’s novel Svila, škare (The Silk, the Shears), both published in 1984, became the samples of feminist activism and the poetics of l’écriture féminine in Croatian literature. Considering their generic aspects and their narrative strategies focused on revealing the conflict between public/historical/political and personal/everyday/trivial, in our paper we will discuss Vrkljan’s novel as outstanding example of the emancipatory changes in the cultural field of the 1980’s. “Trivial as political” in Slavenka Drakulić’s writing, articulated through Irena Vrkljan’s autobiographical narrative, incites the emancipatory power of l’écriture féminine that simultaneously reflects the Other in itself, produces its own difference and writes without inscribing itself. This type of women’s writing, as previously defined by Hélène Cixous, is presented in Irena Vrkljan’s text as writing its own life that is “always in-between” and that undermines declared democratic values as much as the politics of literature, as understood by Jacques Rancière. Revealing discordances between poetic and social hierarchies, women’s writing makes changes in the partition of the visible and the sayable, in the intertwining of being and writing, body and words.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 16; 243-255
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Women and the Canon. Are We Justified to Speak of a Female Literary Canon Nowadays?
    Autorzy:
    Kirova, Milena
    Powiązania:
    https://bibliotekanauki.pl/articles/635407.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    women’s literature
    women’s literary canon
    female writing
    Bulgarian literature
    alternative canon
    feminist criticism
    Opis:
    The paper is initiated by a brief outline of the development of women’s literature in the ex-“East European” countries since 1989. Then it turns to feminist literary theory tracking two different periods of its reception by, and adaption to, literary criticism in post-communist academic research. The concepts of women’s generations and women’s literary canon, vital for the western tradition of gynocriticism, are closely analyzed in line with their relevance to present-day women’s literature in post-communist culture. The paper ends with a presentation of a threefold model of the prospective to speak of women’s literature imbedded in, or in counter stance to, the traditional literary canon.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 11; 171-187
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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