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Wyświetlanie 1-3 z 3
Tytuł:
Маска „одеського бомонду”: поезія Бориса Нечерди
The Mask of the ‟Odessa Beaumond”: Poetry of Borys Necherda
Autorzy:
Polishchuk, Yaroslav,
Powiązania:
https://bibliotekanauki.pl/articles/636092.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poet
experiment
socialistic realism
underground
slang
Opis:
There are analysed in the article writings of the Ukrainian poet Borys Necherda (1939-1998). He was the original writer of the generation of 1960th and made brave experiments with the artistic word. Necherda as an author balanced between the official literature and the literature of the underground. There are a lot of unconventional features in his poems such as colloquial vocabulary, elements of slang, journalism, mixing of discourses and various means of rhetoric. That was a reason that Necherda’s writings were not appreciated during his life. Only nowadays after the poet’s death we have the possibility to re-read it from new points of view. This writings evidence a process of vanguard experimenting. In an original way they present a local peculiarity of a place: the poet become the voice of the „Odessa beaumond”, choosing masks for his lyrical subject.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 195-208
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Етика інтерпретації знакових текстів
Ethics of Interpretation of Symbolic Texts
Autorzy:
Polishchuk, Yaroslav
Powiązania:
https://bibliotekanauki.pl/articles/15582271.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ukrainian literature
author
interpretation
history
poet
Opis:
The main subject of the review is Mykola Ilnytskyi’s book Reading and Re-reading…, which is very important research on Ukrainian literature in contemporary humanities. The book includes four chapters in all of which fundamental interests of the researcher are described. Mykola Ilnytskyi reviews the classic texts of Taras Shevchenko, Ivan Franko ( chapter 1 ), and the literature of the first part of the 20th century ( chapter 2 ), as well as contemporary texts ( chapters 3, 4 ). This book is not an extensive view of the history of literature of the 20th century. Its main peculiarity is the delivery of important fragments and episodes of literary history. The essays combine a liberal understanding of the subject and an unobtrusive interpretation of the texts, which reflects the unique ethical culture of the researcher. Mykola Ilnytskyi is clearly aware of the multiplicity of meanings offered byfiction, and therefore does not insist on his own right to the truth, but only offers well-founded and personally verified versions of literary plots.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 407-419
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dekonstrukcja mitów romantycznych w literaturze słoweńskiej po France Prešernie
Deconstruction of the Romantic Myths in Slovenian Literature after France Prešeren
Autorzy:
Cmiel-Bażant, Marta
Powiązania:
https://bibliotekanauki.pl/articles/30148676.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
romantic myth
national poet
Prešeren structure
parody
anxiety of influence
Opis:
The main aim of this article is to present the methods in which Slovenian myths of Romantic provenience, present in France Prešeren’s poetry, are deconstructed since the fifties of nineteenth century. Prešeren (1800−1849) is regarded as the national poet, who enabled the Slovenian community and competed with the canon of European literature. Parallelly to the process of his canonization occurred the reverse of it, The Anxiety of Influence, described by Harold Bloom. Poets Simon Jenko (1835−1869) and Oton Župančič (1878−1949) had been deconstructing the myths of Romantic love, mythical conception of poetry, poets and nation in the period of realism and modernism, as well as the poet Veno Taufer in the period of neo-avantgarde (1933−). The intertextual analysis of their poems shows several ways of contesting the influence of the main topics and aesthetic codes from Prešeren’s poetry, determined by the role of poetry in Slovenian culture, described in the late sixties of twentieth century as Prešeren structure.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 75-89
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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