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Wyświetlanie 1-2 z 2
Tytuł:
Od postkolonijalizma do transnacionalizma: izazovi postsocijalističke feminističke teorije
From Post-Colonialism to Transnationalism: the Challenges for Post-Socialist Feminist Theory
Autorzy:
Jambrešić Kirin, Renata
Powiązania:
https://bibliotekanauki.pl/articles/635612.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postcolonial studies
transnational feminism
post-Yugoslav feminisms
Madina Tlostanova
Biljana Kašić
Marina Gržini
Opis:
The article offers a reflection on the utility of postcolonial studies and transnational feminism for the analysis of women’s post-socialist experiences, with a special emphasis on Croatian academic and social space. After general considerations about the epistemological profile and etico-political agenda of transnational feminism – as illustrated by the results of the feminist seminar in Dubrovnik (2007–2015) – the author presents three theoretically most challenging feminist authors: Madina Tlostanova, Biljana Kašić and Marina Gržinić. Each of them in its own way demonstrates that theoretical voices from the “global South” are the most productive tool to oppose academic “global feminism” and to inspire “women’s struggles for sociopolitical justice, especially in colonial and neocolonial contexts” (Swarr, Nagar 2010: 4). The radical call for the decolonization of gender, human being and knowledge (Tlostanova 2013), the appreciation of woman’s public voices and counter-discourses (Kašić), and the critique of racialization in the production of knowledge (Gržinić 2015) are intertwined and linked to the final thesis about the importance of distinguishing the biopolitical form of women’s memory vs. the necropolitical formation of institutionalized history in post-socialist context.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 23-41
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Abramović – Ulay 1980–1988: Desert Storm Survivors
Autorzy:
Racanović, Svetlana
Powiązania:
https://bibliotekanauki.pl/articles/951605.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Marina Abramović
Ulay
performance in the 1980s
distant journeys
simplicity of forms
perfecting stillness
refining presence
reaching for the higher Self
Nightsea Crossing
Opis:
The twelve-year collaborative practice of Marina Abramović and Ulay (Franck Uwe Laysiepen), started with extreme, rapturous and unflinching explorations of capacities of the body in their early performances (a phase they called The Warriors), that corresponded to the fury of the 1970s. In an environment hostile to the living, phenomenological body (in arts, in theoretical discourse) of the 1980s, the two artists recalibrated their living and artistic strategy. During their extensive journeys into distant lands (deserts of Asia, Africa, Australia), they were introduced to and embraced the practices of Eastern meditation techniques, which secured and procured their escape from the limitations of their own culture and their relationship. They also significantly influenced and modified forms and functions of their joint performances. The refined simplicity and stillness of the form of their many-times (re)enacted performance Nightsea Crossing focussed and spurred their inner forces towards self-perfection and the unfolding of more sophisticated lines of connection with the outside, with otherness. The legacy of this performance has affected the direction and function of their later, individual careers.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 13; 361-373
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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