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Wyświetlanie 1-3 z 3
Tytuł:
Matošev Cvijet sa raskršća – alegorijom do konfiguracije sebstva
Matošʼs Cvijet sa raskršća [Flower from the Crossroads] – Through Allegory to the Configuration of Self
Autorzy:
Pšihistal, Ružica
Powiązania:
https://bibliotekanauki.pl/articles/635780.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Cvijet sa raskršća
self
allegory
flaneur’s subjectivity
Opis:
Flower from the Crossroads (1902) belongs to the group of Matoš’s symbolistic novellas, rendered by the symbolically coded title, teleogenetic plot, characters as personified abstractions, motive topography (path, crossroads, garden) and especially the name of the protagonist (Solus). The name Solus, as an autofictional figure, contains its own glossary and reading instructions towards the solipsistic narrative matrix, which is supported by the diegetic level of the story through unusual events bordering dream and reality. With the help of the basic guidelines of Paul Ricoeur on storytelling as a hermeneutical mediation of the self and narrative analysis of the story, the main question of the allegorical interpretation in this study is: which model of self is offered by the narrative identity of Solus?
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Iskustvo Beograda Augustina Tina Ujevića
Augustin Tin Ujević’s Experience of the Belgrade
Autorzy:
Nowak-Bajcar, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/636032.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
flaneur figure
walking; perception of urban space
inclusion and exclusion
Opis:
The subject of the analysis in this article are the texts of Augustin Tin Ujević created during his stay in Belgrade. The way of experiencing this city by the poet is reflected through the relationship between the subject and the urban space, through the language of the lyrical expression and through poetics. The interpretive key to its reading is the flaneur figure, treated not as a prototype, but as a reference point.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 145-157
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Život kao artefakt: Matoševo autorstvo. Povodom knjige Dubravke Oraić Tolić Čitanja Matoša
Life as a Work of Art: Matoš’ Authorship. Regarding Dubravka Oraić Tolić’ book Čitanja Matoša
Autorzy:
Protrka Štimec, Marina
Powiązania:
https://bibliotekanauki.pl/articles/635728.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
authorship
critical reception
Croatian literature
Dubravka Oraić Tolić
flâneur
dandy bohem
nation
identity
Opis:
Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologist, what influenced reception of his work until recent period. Critical and historiographic, as much as other literary works related to AGM follow this „author-centered” positions regarding his life as a work of art, as much as his literary texts as a reflection of his life. Latest Croatian „Matosiana” book, Dubravka Oraić Tolić̕ Reading Matoš (Čitanja Matoša, 2013), attests some traditional critical assumptions regarding authorship of this canonical writer end expands them in a new context. Different theories of literary canon formation, especially those grounded on feminist or psychoanalytical approach, call in question usual strategies in creation and understanding AGMs authorship, aestheticism and anti-modernism.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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