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    Tytuł:
    Mono-kronološki ‘post’: sinkronizacija međuvremena nacija u povijestima jugoslavenske književnosti Antuna Barca i Pavla Popovića i (post)-jugoslavenska književnost
    Mono-Chronological ‘Post’: Synchronization of the Meanwhiles of Nations in Antun Barac’s and Pavle Popović’s Histories of Yugoslav Literature and the (Post)-Yugoslav Literature
    Autorzy:
    Mijatović, Aleksandar
    Powiązania:
    https://bibliotekanauki.pl/articles/635805.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literature
    nation
    (post)-Yugoslav literature
    temporality
    Opis:
    In this paper, I approach to the relationship between the art and the democracy via discussion of two histories of Yugoslav literatures. I propose and try to defend a thesis that both accounts of the history of Yugoslav literatures synchronize temporalities of the different national literatures, reducing thereby differences between them. Both histories substantialize Yugoslav literature as a remnant of the lost community. They argue that immediacy of that community had dissolved into the variety of nations, which led separate lives under the rule of empires. In the name of that mythical past, heterogeneous temporalities are synchronized to the single temporal flow. However, the similar substantializing operation and synchronization is present in the more recent concept of (post)-Yugoslav literature.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 127-143
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Simuliranje demokracije: emancipacija demokratske krize u esejistici Dubravke Ugrešić
    Simulating Democracy: Emancipation of Democracy Crisis in Dubravka Ugrešić’s Essays
    Autorzy:
    Marot Kiš, Danijela
    Powiązania:
    https://bibliotekanauki.pl/articles/635808.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Dubravka Ugrešić
    democracy
    ideology
    post-Yugoslav society
    exile
    Opis:
    One of the central notions of the post-Yugoslav literature is the status of democracy in national states formed after the breakup of Yugoslavia. From the perspective of the exile, not only as banishment, but also as a liberating outside view into the once common social, cultural and political space, the post-Yugoslav writers question the social democracy praxis in their former home states comparing it to the social practices in the states of their current residence. In her books of essays, Dubravka Ugrešić ironizes different forms of social ideology in Croatia from the beginning of nineteen-nineties. Her writing recognizes the standards of European democracy accompanied with the ideological view into the questions of social rights, religion and language as the stumbling block of modern society. Ugrešić describes democracy as a notion hiding different things: the praxis of ruthless capitalist exploitation, loss of media freedom, media manipulation, the censorship of corporate capitalism, production of lies, modern slavery... (Don’t take it personal, 2014), validating in her essays the importance of literature in disclosure of autocracy masked as democracy.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 101-116
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dosezi i granice simboličkog otpora. „Proza u trapericama” u kontekstu jugoslavenskog socijalizma
    Reaches and Limits of the Symbolic Resistance. „Jeans Prose” in the Context of Yugoslav Socialism
    Autorzy:
    Kolanović, Maša
    Powiązania:
    https://bibliotekanauki.pl/articles/635385.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    jeans prose
    resistance
    popular culture
    Yugoslav socialism
    Opis:
    The main thesis of the paper implies the historically changeable characteristics of symbolical resistance in the texts of „jeans prose” (Flaker). Using jeans as a symbol of global popular culture, freedom, casualness, the American lifestyle, resistance to forms, rules, and high culture etc., jeans prose had its specific life in Yugoslav socialism which dynamically changed during the last three decades of socialist Yugoslavia. In the early sixties it was a symbolic place of critique of dominant socialist ideology and in later period, in a more commercial orientated Yugoslav society when jeans as commodity became a part of everyday life, jeans prose lost its primal rebel energy and malted into the culutral mainstream.
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 6
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    My Four Dogs: Urban Ecology in Vjeran Miladinović Merlinka’s Terezin sin
    Autorzy:
    Filipović, Andrija
    Powiązania:
    https://bibliotekanauki.pl/articles/15588115.pdf
    Data publikacji:
    2022-11-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    urban ecology
    animal
    infrastructure
    queer
    ( post- )Yugoslav literature
    Opis:
    In this article, I analyze the relations between humans, non-humans, and infrastructure in Vjeran Miladinović Merlinka’s fictionalized autobiography Terezin sin. I argue that queer humans and non-humans share a particular ontological and axiological space and time in urban ecology in relation to the built environment of cis-heteronormative socius grounded in reproductive heterosexuality.The fictionalized autobiography that is explored in this article offers a particular view of minoritarian relation as it depicts a queer form of relationality that is lived sideways to the cis-heteronormativity and reproductive heterosexuality as an oppressive form of life that creates a specific kind of infrastructural intimacy for itself in the urban built environment. Relations between queer humans andnon-humans under these conditions are decidedly messy, as they are described as both caring and exploitative in Terezin sin.
    Źródło:
    Poznańskie Studia Slawistyczne; 2022, 22; 141-159
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zmierzch bogów w Dubrowniku
    Twilight of the Gods in Dubrovnik
    Autorzy:
    Pająk, Patrycjusz
    Powiązania:
    https://bibliotekanauki.pl/articles/635746.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zafranović
    Dubrovnik
    Croatian film
    Yugoslav film
    power
    fascism
    aristocracy
    communism
    Opis:
    The Croatian film Occupation in 26 pictures (1978), directed by Lordan Zafranović is considered as one of the most controversial vision of the Second World War in Yugoslav cinema. The director uses the ornamental style, modeled on Italian cinema, to portray the change of power in Dubrovnik in 1941 – at the beginning of the fascist occupation of the city. He juxtaposes the licentiousness of Italian, German and Croatian fascists and the fall of the Dubrovnik aristocracy and the rebellion of communists. The political changes in the city are presented against the background of its rich cultural tradition. Zafranović highlights the beauty of Dubrovnik’s architectural and natural landscape that fascists desecrate. Decadent poetics with its aesthetic excess allows him to refresh and deepen the communist interpretation of the fascist occupation.
    Źródło:
    Poznańskie Studia Slawistyczne; 2013, 5
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mała wielka kinematografia. Patrycjusz Pająk, Arcydzieła chorwackiego filmu fabularnego, Wydział Polonistyki Uniwersytetu Warszawskiego, Warszawa 2018, 395 s..
    Little Big Cinematography
    Autorzy:
    Darasz, Zdzisław
    Powiązania:
    https://bibliotekanauki.pl/articles/635953.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Croatian cinematography
    Yugoslav cinematography
    Croatian film canon
    film modernism
    cinematic language
    Opis:
    In his book, Patrycjusz Pająk composes a Croatian film canon. His top list of the best Croatian feature films contains 15 pictures: Concert (1954) by Branko Belan, H–8... (1958) by Nikola Tanhofer, Train Without a Timetable (1959) by Veljko Bulajić, Rondo (1966) by Zvonimir Berković, The Birch Tree (1967) and Gold, Frankincense and Myrrh (1971) by Ante Babaja, Kaya (1967) and An Event (1969) by Vatroslav Mimica, Handcuffs (1969) by Krsto Papić, Occupation in 26 Pictures (1978) by Lordan Zafranović, The Rhythm of Crime (1981) by Zoran Tadić, The Melody Haunts My Memory (1981) by Rajko Grlić, What Iva Recorded (2005) by Tomislav Radić, Buick Riviera (2008) by Goran Rušinović, The Blacks (2009) by Goran Dević and Zvonimir Jurić. As a main criterion for building his own canon, the author takes the innovative character of the cinematic language and the rich symbolic imagery of the story.
    Źródło:
    Poznańskie Studia Slawistyczne; 2018, 15
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Između zvanične istine i ličnog sećanja: Usmene istorije civila i vojnika o post- -jugoslovenskim ratovima 1991–1995
    Between Official Truth and Personal Memory: Oral Histories of Civilians and Soldiers in the Post-Yugoslav Wars 1991–1995
    Autorzy:
    Petrović, Nebojša
    Lazić, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/636143.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    oral history
    post-Yugoslav wars
    reconciliation
    rehumanization
    collective memory
    thematic analysis
    Opis:
    In times of violent conflicts, societies tend to promote narratives that enable successful coping with the situation. Official collective memory can thus provide foundation for a group’s belonging, mobilization, persistence. On the other hand, it often perpetuates the animosity by, for example, delegitimizing (and often dehumanizing) the other side. In this article, we explore whether unofficial personal memories of a violent conflict could mitigate the damage in intergroup relations done by the dominating narratives. We conducted a secondary thematic analysis of 38 interviews with civilians and soldiers in the Post-Yugoslav wars (1991–1995). The themes we report here offer deeply personal and humanizing accounts of the war experience, which have largely remained outside traditional historiography.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 16; 227-241
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Od postkolonijalizma do transnacionalizma: izazovi postsocijalističke feminističke teorije
    From Post-Colonialism to Transnationalism: the Challenges for Post-Socialist Feminist Theory
    Autorzy:
    Jambrešić Kirin, Renata
    Powiązania:
    https://bibliotekanauki.pl/articles/635612.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    postcolonial studies
    transnational feminism
    post-Yugoslav feminisms
    Madina Tlostanova
    Biljana Kašić
    Marina Gržini
    Opis:
    The article offers a reflection on the utility of postcolonial studies and transnational feminism for the analysis of women’s post-socialist experiences, with a special emphasis on Croatian academic and social space. After general considerations about the epistemological profile and etico-political agenda of transnational feminism – as illustrated by the results of the feminist seminar in Dubrovnik (2007–2015) – the author presents three theoretically most challenging feminist authors: Madina Tlostanova, Biljana Kašić and Marina Gržinić. Each of them in its own way demonstrates that theoretical voices from the “global South” are the most productive tool to oppose academic “global feminism” and to inspire “women’s struggles for sociopolitical justice, especially in colonial and neocolonial contexts” (Swarr, Nagar 2010: 4). The radical call for the decolonization of gender, human being and knowledge (Tlostanova 2013), the appreciation of woman’s public voices and counter-discourses (Kašić), and the critique of racialization in the production of knowledge (Gržinić 2015) are intertwined and linked to the final thesis about the importance of distinguishing the biopolitical form of women’s memory vs. the necropolitical formation of institutionalized history in post-socialist context.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 11; 23-41
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Is There the Holocaust without a Film Music? Analyzing a Croatian and a Serbian Film about the Holocaust
    Ima li holokausta bez filmske glazbe? Tragom jednog hrvatskog i jednog srpskog filma o holokaustu
    Autorzy:
    Jambrešić Kirin, Renata
    Powiązania:
    https://bibliotekanauki.pl/articles/635715.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the reception of post-Yugoslav films on the Holocaust
    music and the Holocaust
    affective regime
    Lea Deutsch (1927–1943)
    Filip David (1940)
    Opis:
    This article implies that the impact of cinematic fiction on the capability to imagine and comprehend the trauma of the Holocaust is formed at the intersection of aesthetic, moral, social and ideological frames in particular society. Cinema had a special role for the unification of the Holocaust memory since 1990. In the post-Yugoslav cinema two feature films (Lea and Darija, 2011 and When Day Breaks, 2012) represent the cinematic paradigm shift in dealing with the difficult heritage of the Holocaust in Croatia and Serbia following the break of communism. Although they suffer from apolitical approach to historical issues and mitigate the consequences of local collaboration with the Nazis, as well as take the child as „the figure of infantilization” of the Holocaust (Hirsch 2012), their influence on the “postmemory generation” and the pedagogy of trauma in the region is significant and socially relevant.
    Źródło:
    Poznańskie Studia Slawistyczne; 2017, 12; 181-195
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Linguistic Processes in the Kaleidoscope of Spoken Language namely, on the Most Recent Trends in the Development of Russian and Ukrainian Languages
    Procesy językowe w kalejdoskopie żywej mowy, czyli o najnowszych tendencjach w rozwoju języka rosyjskiego i ukraińskiego
    Autorzy:
    Horniatko-Szumiłowicz, Anna
    Monachowa, Tetiana
    Powiązania:
    https://bibliotekanauki.pl/articles/635958.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Croatian cinematography
    Yugoslav cinematography
    Croatian film canon
    film modernism
    cinematic language
    linguistic processes
    spoken language
    Russian language
    Ukrainian language
    word manipulation
    lexicography
    linguistic gender studies
    academic language
    language of teaching
    sociolinguistics
    Opis:
    The paper looks into the current trends in the development of Russian and Ukrainian languages as discussed in the latest book authored by prof. Tetyana Kosmeda. The focus is on five aspects (distinguished by the above named researcher) of linguistic processes taking place at the moment within the Russian and Ukrainian language systems themselves such as: word manipulation, lexicographic issues, linguistic gender studies, the issue of spoken academic language and the language of teaching, and sociolinguistics. The validity of the research and the conclusions reached by prof. Tetyana Kosmeda were affirmatively verified, with great appreciation on the part of the author for the amazing precision and research skills of the Ukrainian linguist.
    In his book, Patrycjusz Pająk composes a Croatian film canon. His top list of the best Croatian feature films contains 15 pictures: Concert (1954) by Branko Belan, H–8... (1958) by Nikola Tanhofer, Train Without a Timetable (1959) by Veljko Bulajić, Rondo (1966) by Zvonimir Berković, The Birch Tree (1967) and Gold, Frankincense and Myrrh (1971) by Ante Babaja, Kaya (1967) and An Event (1969) by Vatroslav Mimica, Handcuffs (1969) by Krsto Papić, Occupation in 26 Pictures (1978) by Lordan Zafranović, The Rhythm of Crime (1981) by Zoran Tadić, The Melody Haunts My Memory (1981) by Rajko Grlić, What Iva Recorded (2005) by Tomislav Radić, Buick Riviera (2008) by Goran Rušinović, The Blacks (2009) by Goran Dević and Zvonimir Jurić. As a main criterion for building his own canon, the author takes the innovative character of the cinematic language and the rich symbolic imagery of the story.
    Źródło:
    Poznańskie Studia Slawistyczne; 2018, 15
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-10 z 10

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