Temat: Rijeka - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: O talijanskom futurizmu u Rijeci 1919. godine
About Italian Futurism in Rijeka on 1919
Autorzy:: Lukežić, Irvin
Powiązania:: https://bibliotekanauki.pl/articles/636096.pdf
Data publikacji:: 2020
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Italian
literature
avangardism
futurism
DʼAnnunzio
Rijeka
Opis:: The article discusses the short-lived emergence of Italian futurism in Rijeka, just after the end of World War I, in the context of the political adventure of Gabrielle DʼAnnunzio, who, with the help of his supporters, an ardite, tried to annex the city to the Kingdom of Italy. At that moment, the avant-garde spirit of Italian futurism could manifest itself here in all its main features: activism, antagonism, nizilism and agonism. In addition to the founder of Italian futurism, Filippo Tommas Marinetti, Mario Carli, Guido Keller and Giovanni Comisso stayed and worked in Rijeka during 1919. The article seeks to describe their actions on the basis of newspaper reports in the Rijeka daily La Vedetta dʼItalia.
Źródło:: Poznańskie Studia Slawistyczne; 2020, 18; 225-233
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Rijeka i oko nje kod Matoša
Rijeka and Suroundings in Matoš’s Work
Autorzy:: Sorel, Sanjin
Powiązania:: https://bibliotekanauki.pl/articles/635659.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Antun Gustav Matoš
Rijeka
ideology
colonialism
landscape
Opis:: The article discusses the relationship between A.G. Matoš and the city of Rijeka, which can be seen in his work „Oko Rijeke”. The focus of the analysis is in the ideology by which the discourse subject observes the city. From the viewpoint of patriotic ideology, the subject comments on the colonialist relations that occur at the time in Rijeka, but his idealization of patriotic culture, as opposed to „negative” historic, landscape and political status of the city, impede his ability to give an accurate insight. Therefore, his work is inclined to be more political than literary.
Źródło:: Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Gabriele D’Annunzio i dva suvremena umjetnička projekta
Gabriele D’Annunzio and Two Contemporary Art Projects
Autorzy:: Badurina, Natka
Powiązania:: https://bibliotekanauki.pl/articles/951727.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Gabriele D’Annunzio
Rijeka
fascism
anarchism
Janez Janša
Damir Stojnić
Opis:: The centennnial of D’Annunzio’s occupation of Rijeka (September 1919 – January 1921) confronts the professions dealing with it – historiography, memory studies, public history, cultural management – with the problem of very different, often conflicting and mutually exclusive interpretations. The process of defining national borders after World War I, territorial claims and the unrealised plans of a new social order are parts of this historical episode still preoccupying interpreters. Here we will try to explain how D’Annunzio’s rule in Rijeka came to be interpreted in view of its similarity to the western hippie movement of 1968, and we will describe two recent artistic products of that interpretation: projects by Janez Janša (Il porto dell’amore) and Damir Stojnić (1:1). Both are interactive urban interventions in the city of Rijeka, and the latter is directly linked to the Rijeka – European Capital of Culture 2020 project.
Źródło:: Poznańskie Studia Slawistyczne; 2019, 16; 33-48
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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