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Wyszukujesz frazę "Postmodernism" wg kryterium: Temat


Wyświetlanie 1-6 z 6
Tytuł:
Art After Democracy, Art Before Democracy
Autorzy:
Mizerkiewicz, Tomasz
Anessi, Thomas
Powiązania:
https://bibliotekanauki.pl/articles/951464.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
democracy
art
book-art
postmodernism
Opis:
The paper describes today’s new situation of art facing antidemocratic processes. The powerful metaphor of Parthenon of books is used, which once was the name of an installation by Marta Minujín presented just after the fall of Argentinian brutal regime in the early eighties and reinstalled again few years ago. The author points that popular “posts” of humanities (postmodernism, postsecularism etc.) need to be replaced by the philosophy of art being after some definite change. The new temporal and public condition of art being after is the result of its dramatic contemporary and future challenges.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 15-21
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Varijacije, odjeci i tragovi matoševskog flanerizma u izboru iz suvremene hrvatske proze
Variations, Reverbaration and Traces of Matoš’s flâneurism in the Selection of Contemporary Croatian Prose
Autorzy:
Gajin, Igor
Powiązania:
https://bibliotekanauki.pl/articles/635464.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
fl âneurism
transition
postmodernism
mediasphere
strategies
trajectories
Opis:
In his book, Čitanje grada (Reading the City), Krešimir Nemec stated that A.G. Matoš has „modeled after Baudelaire, introduced to the Croatian literature a figure of an idle observer, a curious pedestrian or a flâneur, a typical impressionist product of urban culture and aesthetics of the street”. As a reference and a starting point for reflection on flâneurism’s motifs in contemporary Croatian literature, A.G. Matoš is used as a factor of distinction in outlining one of the most characteristic aspects of the so-called transitional literature. Having said that, a common conclusion is that flâneurism has, in the Croatian contemporary prose, moved from thestreets to the shopping malls. However, contemporary Croatian prose offers the reading of other flâneurism practices as a movement that reflects the changes in categories of urban life, space, daily life and discourse in the transition period from the 20th to the 21st century due to the transformative processes such as a transition, globalization and media revolution. Ultimately, Nemec writes: „If he had experienced the present era of electronics and virtual reality, Matoš probably would have called the tireless surfers of the endless Internet sphere electronic flâneurs”.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmodernistyczne wymazywanie Zagłady (Raymond Federman, Georges Perec, Anatol Ulman)
Postmodern Erasing of the Shoah [Raymond Federman, Georges Perec, Anatol Ulman]
Autorzy:
Tomczok, Marta
Powiązania:
https://bibliotekanauki.pl/articles/635639.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
postmodernism
testimony
play
rhetorical figures
narrative
Opis:
The article presents three strategies elaborated in the seventies of the last century by the postmodern prose, in order to tell us about the genocide. To name these strategies, the authoress makes use of the terms of blurring, patch, and “sous rapture”, which serve discussing Double or Nothing by Raymond Federman, W, or the Memory of the Childhood by Georges Perec, and Cigi de Montbazon by Anatol Ulman. The essential part in the discussion on the genocide is the reception of the above mentioned novels reconstructed among others on the base of works by Susan Rubin Suleiman along with her conception of the “1.5 generation”. The article also aims at a presentation of the interference between Cigi de Montbazon and European postmodernism exposed in Brian McHaleʼs idea of “worlds under erasure”. It is worth adding that the indicated presentation has not been yet considered.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 299-315
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matoš i postmoderna, A.G.M. kao matrix hrvatske književnosti
Antun Gustav Matoš and Croatian Postmodernism
Autorzy:
Rem, Goran
Powiązania:
https://bibliotekanauki.pl/articles/635782.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernism
expressionism
dadaism
surrealism
futurism
constructivism
existentialism
Opis:
The article Matoš and Croatian Postmodernism shows that it was Boro Pavlović (1921–2001), the anticipator and „the father” of Croatian postmodernism, the author of fifty collections of poems and numerous media creations of Walter Benjaminʼs provenance in the 50ʼs (exhibition of poems We in 1942, collection News in 1954, the project-exhibition Encyclopedia poetica in 1957/1958, and computer poem MOrpheus in 1978), who figuratively, impressively, but accurately summed up the importance of the impressionist, symbolist and Art Nouveau author A.G.M. for the overall Croatian literature.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Avangarda poslije avangarde u hrvatskoj poeziji
Avant-garde After the Avant-garde in Croatian Poetry
Autorzy:
Oblučar, Branislav
Powiązania:
https://bibliotekanauki.pl/articles/636036.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
avant-garde
neo-avant-garde
post-avant-garde
postmodernism
poetry
Croatian literature
Opis:
The article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary experiments of the neo and post-avant-garde as a part of a long avant-garde tradition. The analysis brings forward the different perceptions of avant-garde in the works of Radovan Ivšić and Josip Sever, and post-avant-garde poets of 1970s and 80s.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 159-173
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Professor Halina Janaszek-Ivaničková as an Advocate of Modern Comparative Studies During Hopeless, Hard and Critical Times
Profesor Halina Janaszek-Ivaničkova jako orędowniczka komparatystyki nowoczesnej w czasach beznadziejnych, trudnych i przełomowych
Autorzy:
Zieliński, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/635855.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Halina Janaszek-Ivaničková
comparative studies
postmodernism in Poland
Revolutions of 1989 in Poland
Opis:
Scientific work of Professor Halina Janaszek-Ivaničková (1931–2016) can be placed in three postwar periods of Poland’s history, albeit her scientific and organizational work with regard to comparative studies was carried out on a few continents. Her scientific programme, methodological inspirations and message in each of those periods were aimed against regime limitations, but simultaneously pointed to a positive programme suggesting what can be done and what is right. Initially her programme could be placed with positivistic message and Bakhtin methodology (studies on Stefan Żeromski and Karol Čapek), only for the first lady of Polish comparative studies to become after a breakthrough Revolutions of 1989 a promotor of postmodernism in Poland and other Slavic countries (“From modernism to postmodernism”, 1996). Later she pointed to a “change of paradigm” and foresaw the decline of postmodern formation (“New face of postmodernism”, 2002).With a sharp mind she anticipated a radical “turn to the right” which we are now witnessing. In her last years she was working on a monography on Warsaw Uprising (1 August – 3 October 1944) during which her father, colonel Jan Wacław Janaszek, a soldier of antifascism Home Army, died.
Scientific work of Professor Halina Janaszek-Ivaničková (1931–2016) can be placed in three postwar periods of Poland’s history, albeit her scientific and organizational work with regard to comparative studies was carried out on a few continents. Her scientific programme, methodological inspirations and message in each of those periods were aimed against regime limitations, but simultaneously pointed to a positive programme suggesting what can be done and what is right. Initiallyher programme could be placed with positivistic message and Bakhtin methodology (studies on Stefan Żeromski and Karol Čapek), only for the first lady of Polish comparative studies to become after a breakthrough Revolutions of 1989 a promotor of postmodernism in Poland and other Slavic countries (“From modernism to postmodernism”, 1996). Later she pointed to a “change of paradigm” and foresaw the decline of postmodern formation (“New face of postmodernism”, 2002). With a sharp mind she anticipated a radical “turn to the right” which we are now witnessing. In her last years she was working on a monography on Warsaw Uprising (1 August – 3 October 1944) during which her father, colonel Jan Wacław Janaszek, a soldier of antifascism Home Army, died.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 14
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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