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    Wyświetlanie 1-7 z 7
    Tytuł:
    Mono-kronološki ‘post’: sinkronizacija međuvremena nacija u povijestima jugoslavenske književnosti Antuna Barca i Pavla Popovića i (post)-jugoslavenska književnost
    Mono-Chronological ‘Post’: Synchronization of the Meanwhiles of Nations in Antun Barac’s and Pavle Popović’s Histories of Yugoslav Literature and the (Post)-Yugoslav Literature
    Autorzy:
    Mijatović, Aleksandar
    Powiązania:
    https://bibliotekanauki.pl/articles/635805.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literature
    nation
    (post)-Yugoslav literature
    temporality
    Opis:
    In this paper, I approach to the relationship between the art and the democracy via discussion of two histories of Yugoslav literatures. I propose and try to defend a thesis that both accounts of the history of Yugoslav literatures synchronize temporalities of the different national literatures, reducing thereby differences between them. Both histories substantialize Yugoslav literature as a remnant of the lost community. They argue that immediacy of that community had dissolved into the variety of nations, which led separate lives under the rule of empires. In the name of that mythical past, heterogeneous temporalities are synchronized to the single temporal flow. However, the similar substantializing operation and synchronization is present in the more recent concept of (post)-Yugoslav literature.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 127-143
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Publicistički diskurs A.G. Matoša – od stila do političkog imaginarija
    Journalistic Discours of A.G. Matoš – from Style to Political Imagery
    Autorzy:
    Beck, Boris
    Powiązania:
    https://bibliotekanauki.pl/articles/635448.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    figuration
    irony
    political imaginary
    liberalism
    revolution
    nation
    body
    Opis:
    In the newspaper articles and feuilltons, Antun Gustav Matoš uses a variety of procedures analogous to his artistic creation and develops a rich figuration and characteristic irony. The journalistic discourse constructed in that way consistently creates political and social imaginary which confirms oppositions: nationally/internationally, individual/collective, tradition/modernity and Croat/Serb, where the author clearly states his preference. Although Matoš consistently promote Starčevićʼs heritage, liberalism and individualism, he does not simply convey a political message, but adds meaning to agitation, which boosts its suggestivness, but also causes that it becomes relative.
    In the newspaper articles and feuilltons, Antun Gustav Matoš uses a variety of procedures analogous to his artistic creation and develops a rich figuration and characteristic irony. The journalistic discourse constructed in that way consistently creates political and social imaginary which confirms oppositions: nationally/internationally, individual/collective, tradition/ modernity and Croat/Serb, where the author clearly states his preference. Although Matoš consistently promote Starčevićʼs heritage, liberalism and individualism, he does not simply convey a political message, but adds meaning to agitation, which boosts its suggestivness, but also causes that it becomes relative.
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 7; 37-48
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Uzroci sekularizacije prema Christopheru Dawsonu
    The Causes of Secularization by Christopher Dawson
    Autorzy:
    Bartulica, Stephen Nikola
    Powiązania:
    https://bibliotekanauki.pl/articles/951760.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    secularization
    Renaissance
    Protestant Reformation
    nation-state
    Christianity
    culture
    religion
    Opis:
    The article examines the root causes of the secularization of European culture by focusing on the writings of the English historian Christopher Dawson. Dawson’s central argument is that every human culture is based on religion and, thus, European culture on Christianity. He identifies the root causes of secularization to be found in the Renaissance and Protestant Reformation movements, both of which facilitated the emergence of the modern nation-state, but in different ways. The Renaissance marked the coming of a new culture – a new way of life – which had its roots deep in the past and had been developing for centuries in the Mediterranean world. The Protestant Reformation, on the other hand, brought an end to the religious unity which had existed for centuries in Western Europe, and subsequently divided Europe along religious lines. These two movements essentially laid down the foundations of an alternative culture, one often unbeknown to its architects: a culture which was still very much influenced by Christian origins, but would become over time first the rival and later the successor of Christianity.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 10; 389-401
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Život kao artefakt: Matoševo autorstvo. Povodom knjige Dubravke Oraić Tolić Čitanja Matoša
    Life as a Work of Art: Matoš’ Authorship. Regarding Dubravka Oraić Tolić’ book Čitanja Matoša
    Autorzy:
    Protrka Štimec, Marina
    Powiązania:
    https://bibliotekanauki.pl/articles/635728.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Antun Gustav Matoš
    authorship
    critical reception
    Croatian literature
    Dubravka Oraić Tolić
    flâneur
    dandy bohem
    nation
    identity
    Opis:
    Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologist, what influenced reception of his work until recent period. Critical and historiographic, as much as other literary works related to AGM follow this „author-centered” positions regarding his life as a work of art, as much as his literary texts as a reflection of his life. Latest Croatian „Matosiana” book, Dubravka Oraić Tolić̕ Reading Matoš (Čitanja Matoša, 2013), attests some traditional critical assumptions regarding authorship of this canonical writer end expands them in a new context. Different theories of literary canon formation, especially those grounded on feminist or psychoanalytical approach, call in question usual strategies in creation and understanding AGMs authorship, aestheticism and anti-modernism.
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 7
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polish and Czech “literary reciprocity” in the second half of the 19th century: Eliza Orzeszkowa’s reception by the Czechs and Karolina Světlá’s reception by the Poles
    Polsko-czeska „literacka wzajemność” w drugiej połowie XIX wieku. Czeska recepcja Elizy Orzeszkowej oraz polska recepcja Karoliny Světlej
    Autorzy:
    Fournier Kiss, Corinne
    Powiązania:
    https://bibliotekanauki.pl/articles/635596.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish and Czech literature
    literary reciprocity
    women’s writing
    Eliza Orzeszkowa
    Karolina Světla
    reception
    nation
    education
    female emancipation
    Opis:
    The aim of the article is to describe the extraordinarily animated and extensive relationships between Polish and Czech literature in the second half of the 19th century. Literary correspondence is extremely clearly revealed with regard to the Czech writer Karolina Světla and her reception in Poland and the Polish writer ElizaOrzeszkowa together with her reception in Czech. The article attempts to indicate the reasons for their popularity in these neighbouring countries in the last decades of the 19th century. Thus the subsequent reflection explores a shared viewpoint of both writers concerning national questions, combined with the necessity of women’s liberation, including their accessibility to education. By exploring the critical  possibilities  of  literature,  Světla  and  Orzeszkowa  were  exposing  the  imperfections  of their own nations regarding patriotism and emancipation. At the same time, it is worth stressing that both writers regarded their neighbouring nation as a model.
    The aim of the article is to describe the extraordinarily animated and extensive relationships between Polish and Czech literature in the second half of the 19th century. Literary correspondence is extremely clearly revealed with regard to the Czech writer Karolina Světla and her reception in Poland and the Polish writer ElizaOrzeszkowa together with her reception in Czech. The article attempts to indicate the reasons for their popularity in these neighbouring countries in the last decades of the 19th century. Thus the subsequent reflection explores a shared viewpoint of both writers concerning national questions, combined with the necessity of women’s liberation, including their accessibility to education. By exploring the critical  possibilities  of  literature,  Světla  and  Orzeszkowa  were  exposing  the  imperfections  of their own nations regarding patriotism and emancipation. At the same time, it is worth stressing that both writers regarded their neighbouring nation as a model. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 2
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Чешская доля: иллюзии и реальности (полемика Милана Кундеры и Вацлава Гавела)
    The Czech Lot: Illusions and Realities [Milan Kundera and Václav Havel Polemics]
    Autorzy:
    Григорьевна Задорожнюк, Элла
    Powiązania:
    https://bibliotekanauki.pl/articles/636004.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the Czech lot
    the Czech question
    the Prague Spring
    small nation
    ethnical identity
    dissidents
    socialism with human face
    regime of normalization
    Opis:
    The article is devoted to the analysis of the M. Kundera and V. Havel polemics over the fate and fortunes of the Czech ethnical identity, Czechoslovakian nationhood and ways of Czechoslovakian society development after the August, 1968. This polemic, together with the Prague Spring reflection, caused broad resonance, and some of its statements are still timely. The acceptability of the paradox of Havel being a spokesman of „the Czech lot” while at the same time being its critic in the polemic was proven.
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 6
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O povijesno-književnim (re)konstrukcijama Matoša
    About the [Re]Constructions of Matoš in Histories of Literature
    Autorzy:
    Škvorc, Boris
    Powiązania:
    https://bibliotekanauki.pl/articles/635663.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Antun Gustav Matoš
    narration
    nation
    history and story
    ideologemes and mythologemes
    philological level of analytical process
    reconstruction and deconstruction in reading literary history
    Opis:
    This article deals with the constructions of „Matoš” in Croatian histories of literature. Central for the study is Alum Munslow’s thesis that history cannot be „non-narrative”. In that respect the relationship between hi/story and narrative genre is studied on examples of how the „character” of Antun Gustav Matoš, one of the most famous Croatian writers from the beginning of twentieth century, is both perceived and constructed in historical narrative and in philological context that is discursively circled by the narrative.
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 7
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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