Temat: ILLUSION - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Druže Tito svi smo mi – ti
Comrade Tito, All of Us Are – You
Autorzy:: Sorel, Sanjin
Powiązania:: https://bibliotekanauki.pl/articles/635750.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Tito
poetry
image
illusion
Opis:: The article describes different ways of depicting Josip Broz Tito in poems which embody socialistic values. The notion of the Government relies on the idea of the abscence, and the exact abscence requires the image in order to be effective. This is the key role of poetry, which conveyed the constructs of both individual and social illusion.
Źródło:: Poznańskie Studia Slawistyczne; 2013, 5
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Magična moćmaski kao paradigma iluzije stvarnosti u drami Ive Vojnovića „Maškarate ispod kuplja”
Magical Power of Masks in Ivo Vojnović’s Drama. Maškarate ispod kuplja as Paradigm of the Illusion of Reality
Autorzy:: Pivac, Antonela
Powiązania:: https://bibliotekanauki.pl/articles/635677.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: mask
carnival
persona
alienation
Vojnović
maškarate
grotesque
illusion
deformation
Opis:: The present paper analyses Ivo Vojnović’s drama Maškarate ispod kuplja by intending to emphasize the importance of carnival masks considered as instruments of liberation of individuals from social conformism. The protagonists of Vojnović’s Maškarate show their non-conformist faces and experience freedom only incarnival season. The carnival is described as the allegory of surreal and phantasmagoric world displaying pseudo-realistic situations that represent the deformed face or, rather, the alter of the masked reality. Masks are, therefore, perceived as shields from the frustrating reality and external influences, whereas life under masks is understood as the perfect model of concealing internal weaknesses and insecurities. The enchanting carnival atmosphere enables the protagonists to openly show the suppressed personality and personal choices. The clear model of searching for the illusion of the truth and the truth of the illusion is also shown, notwithstanding the complicating conditions of the emotional world of the protagonist-symbol who creates false identity provoked and conditioned by external factors. The influence of the Italian grotesque theatre has been reported as well, whereas the similarities have been perceived in particular in the behavioral pattern of the protagonists and perception of time and place as metaphysical categories. The determination of the level of interdependence between the Croatian author and the Italian role models has also been possible. The comparison with the Italian literary contemporaries has been performed by examining the intertextual correspondences in particular related to the selection of the „carnivalesque” motives.
Źródło:: Poznańskie Studia Slawistyczne; 2013, 4
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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