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Wyszukujesz frazę "Pieniażek-Marković, Krystyna" wg kryterium: Autor


Tytuł:
„Kao misnik” i „kao Turci iz Smail-age”. Funkcja pokarmów w nowoczesnej i ponowoczesnej narracji Lepszej połowy odwagi Ivana Slamniga
„Kao misnik” i „kao Turci iz Smail-age”. A Function of Food in the Modern and Postmodern Narration of The Better Half of Courage by Ivan Slamnig
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/635920.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
food
Croatian literature
liminal rites
gluttony
guardedness
Opis:
In the novel entitled The Better Half of Courage, Ivan Slamnig elaborates on two types of narrative namely, a traditional internal story derived from the poetics of realism and a postmodern frame story streaked with the elements of the jeans prose. In the article, culinary motifs presented in both narratives are taken into consideration in order to expose their function in Slamnig’s novel. The article also tries to answer the question whether the dietary code is subordinated to the both forms of discourse. The analysis of the culinary themes reveals a process of braking off with tradition in the so-called traditional narrative, and attempts of retaining tradition in the postmodern narrative. In consequence, an apparently traditional modern pilgrim, who does not respect the order of traditional rituals and remains cautious in his consumption behaviour, turns out to be condemned to painful results of his choices while a postmodern vagrant as an unfulfilled consumer-glutton keeps drawing from tradition as well as from the present day what provides him with various pleasures. Furthermore, the analysis of the culinary code of the novel allows the authoress to confirm a thesis on the presence of postmodern effects in the both “parts” of the novel.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 13
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Augusta Cesarca (nie)realistyczny portret przygłuchej Tonki
A [Non]realistic Portrait of the Half-deaf Tonka by August Cesarec
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/636034.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
new objectivity
expressionism
Zagreb
disability
handicap
Opis:
In the centre of the article’s interest, there are the expressionist ideas present in the work by Croatian writer from the inter-war period (1893–1941). The mini-novel/novella in question entitled Tonkina jedina ljubav (1931) is considered the work belonging to the epoch of the new/social realism which dominated in the 1930s, however, the author, as is shown on the basis of the article’s research, did not managed to free himself from influence of expressionism that shaped the most Croatian consciousness as for the avant-garde historical time (1910–1930). Focusing attention on a disabled woman along with her small-town environment of Zagreb before the World War I, the author draws her exaggerated, cartoonish portrait which has little to do with the realistic and mimetic reflection of reality. The work is a kind of aesthetic and ethical provocation, and serves as unmasking the idyllic image of Zagreb which turns out to be a city inhabited by intolerant and narrow-minded society convinced, however, of its civilisation superiority. The titular character is a victim of this society, and at the same time she remains its part. The aesthetic and ethical provocation concerns the disabled woman together with „inefficient” society living in the terrifying city.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 173-193
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od redakcji
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/636194.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Źródło:
Poznańskie Studia Slawistyczne; 2013, 4; 11-13
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Śladem romantycznej kreacji bohatera w chorwackiej poezji końca XX wieku. Od wampira do konsumenta
Tracing the Romantic creation of character in Croatian poetry of the end of the 20th century. From vampire to consumer
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/635482.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
vampire
consumption
Croatian poetry
war lyric poetry
Maleš
neo-romanticism
Opis:
One of the distinctive traits of Romantic literature was its frenetic feverishness and frightening otherness, the embodiment of which was, among many other beings, the vampire. This character in neo-Romantic contexts was sometimes invoked by the representatives of Croatian poetry of the late twentieth century. However, in its different currents it performed a different task. War and martyrdom poetry collected in the anthology “U ovom strašnom času” used the specter for the creation of a portrait of the enemy, while using the familiar clichés of Renaissance variant of Croatian romanticism. Branko Maleš’ vampiric themes merge into an indivisible whole with references to contemporary consumerism and co-create an ironic self-portrait of a postmodern neo-Romanticist. Maleš reaches for the themes of romantic strangeness and deconstructs them in a ludic manner.
Źródło:
Poznańskie Studia Slawistyczne; 2011, 1
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Podróż wokół pstrągów: Put na Plitvice Adolfa Vebera Tkalčevicia. Tekstotwórcza rola motywów kulinarnych
The Journey Towards the Trouts: Put na Plitvice by Adolf Veber Tkalčević. The Text-Formative Role of Culinary Motifs
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/15582260.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Croatian Romanticism
travel writing
Plitvice Lakes
culinary narratives
hunger
Opis:
Adolfo Veber Tkalčević (1825–1889) a Croatian philologist, writer, passionate traveler and a Catholic clergyman is the author of the first Croatian account of the travel to the Croatian “Lake District” Put na Plitvice (Road to Plitvice, 1860). As a travel narrative, this book has a “worldbuilding” potential, introducing the Plitvice Lakes to Croatian culture, to the national landscape. In this article, I focus on the culinary theme of the trip. One of its side goals was savouring the trouts, but throughout the entire trip the tables of wanderers did not want to fill with them, offering the text-forming abundance instead. The journey “around the empty table” is a kind of self-portrait of “explorers” ready for a “heroic” attitude for the common good. Bearing in mind the specificity of Croatian Romanticism, which this work represents, I read the text in a cultural, anthropological and identity context, referring to the classics of discourse, and devoting less attention to travel studies.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 23; 111-128
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
And There Were the Plitvice Lakes. The Landscapes of the Croatian Lake District in the Romantic Journey Put na Plitvice
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/30148696.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Croatian Romanticism
travel writing
Plitvice Lakes
the picturesquer
sublimity
ecological sensitivity
forge of nature
Opis:
Put na Plitvice (The Road to Plitvice, 1860) is the first of the travelogue in Croatian language describing an expedition to the Croatian Lake District. The work of art is of significant “world-creating” and “culture-creating” value, introducing the Plitvice Lakes into the Croatian national text and into the national landscape, hence the biblical allusion in the title. It will therefore be a world-creating narrative, of bringing into existence and therefore giving a symbolic dimension of the work of art.I focus on the landscape-painting aspects of the text, understanding landscape as the manner of constructing and formulating the world, as a way of perceiving and incorporating it into cultural traditions. It is therefore rough, monumental, wild like a traversed space, which should be included in the category of picturesque and sublimity. Veber’s representation of nature illustrates how it was seen at the time within the framework of the national-revival programmes
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 277-297
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od redakcji
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/636122.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7; 9-11
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polish Interwar [Non]Democracy from the View-Point of Julije Benešić
Poljska međuratna (ne)demokracija Benešićevim očima
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/636208.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Second Polish Republic
Julije Benešić
autocracy
intimist literature
Opis:
In the article, the image of Polish democracy/autocracy during the Second Republic has been reconstructed. The subject of the analysis were the autobiographical notes entitled Osam godina u Varšavi written by Julije Benešić who stayed in Warsaw in the years 1930–1938 as a delegate of the Yugoslavian Department of Eductaion and Science. From his currently updated notes, a picture of Poland emerged as a state in which the basic civil rights were regularly broken including those guaranteed by the Constitution. The most glaring examples of the non-democratic actions regarded the problems of the national minorities (specifically the Polish-Ukrainian and Polish-Jewish relationships) as well as the prisons for the political opponents (Bereza Kartuska and Brześć). What is more, the observations made by the Croatian translator, writer and linguist illuminate in the form of interesting conotations the Polish mentality.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 191-207
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od redakcji
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/635405.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Źródło:
Poznańskie Studia Slawistyczne; 2012, 3; 7-8
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ponowoczesność i Zagłada. Recepcja dzieł o Szoa w Europie Środkowej i Południowej
Postmodernity and the Shoah. The Reception of Works about Shoah in Middle and South Europe
Autorzy:
Firlej, Agata
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/636200.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
Wstęp
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 11-13
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł

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