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    Wyświetlanie 1-13 z 13
    Tytuł:
    Avangarda poslije avangarde u hrvatskoj poeziji
    Avant-garde After the Avant-garde in Croatian Poetry
    Autorzy:
    Oblučar, Branislav
    Powiązania:
    https://bibliotekanauki.pl/articles/636036.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    neo-avant-garde
    post-avant-garde
    postmodernism
    poetry
    Croatian literature
    Opis:
    The article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary experiments of the neo and post-avant-garde as a part of a long avant-garde tradition. The analysis brings forward the different perceptions of avant-garde in the works of Radovan Ivšić and Josip Sever, and post-avant-garde poets of 1970s and 80s.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 159-173
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Slav Avant-garde in Australian Art
    Autorzy:
    Bojić, Zoja
    Powiązania:
    https://bibliotekanauki.pl/articles/951494.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Slav cultural memory
    Slav artists
    émigré artists
    avant-garde
    Australia
    Opis:
    Australian art history includes a peculiar short period during which the European avant-garde values were brought to Australia by a group of Slav artists who gathered in Adelaide in 1950. They were brothers Voitre (1919–1999) and Dušan Marek (1926–1993) from Bohemia, Władysław (1918–1999) and Ludwik Dutkiewicz (1921–2008) from Poland, and Stanislaus (Stanislav, Stan) Rapotec (1911–1997) from Yugoslavia, later joined by Joseph Stanislaus Ostoja-Kotkowski (1922–1994) from Poland. Each of these artists went on to leave their individual mark on the overall Australian art practice. This brief moment of the artists’ working and exhibiting together also enriched their later individual work with the very idea of a common Slav cultural memory.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 37-48
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Awangarda panoramicznie
    Avant-garde in Panoramic View
    Autorzy:
    Nowicka, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/636104.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    art
    Polish literature
    Modernism
    Futurism
    seeing
    comparative studies
    avant-garde
    Opis:
    The Seeing Avant-garde [Widzenie awangardy] volume edited by Agata Stankowska, MarcinTelicki and Agata Lewandowska is a collection of the articles about the avant-garde update.Written by many researchers, the articles show a wide scale of research on the contemporaryavant-garde manifested in literature, art, music, theatre and cybernetics. As an extremely valuablepublication, the book in question concentrates on the new and original methods of comparativeresearch, marks new reading directions, and presents contemporary problems of aesthetics.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 305-317
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Decentred Geographies: Poetics and Politics of the Avant-garde
    Autorzy:
    Božić Blanuša, Zrinka
    Powiązania:
    https://bibliotekanauki.pl/articles/951492.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    world literature
    centres
    peripheries
    progress
    simultaneity
    Opis:
    Thanks to the work of Pascale Casanova, Franco Moretti, David Damrosch and many others, over the past two decades, the concept of world literature has once again become the subject of thorough examination within the field of literary studies, especially in relation to cosmopolitanism and globalization. When it comes to the study of individual national literatures and specific regional contexts, as well as to the definition of comparative literature as a discipline, debates regarding its background, its reach and limitations could not be ignored. World literature thus appears as a heterogenous entity – always manifesting in different contexts in different forms – consistently in dialogical exchange with specificities of a particular literature and culture. Instead of discussing the problematic relation between centre and periphery or criticizing the idea of global literary and cultural canon, the avant-garde as an international and global phenomenon that appears even more radically on the so-called periphery is what is of primary interest to me. Therefore, the purpose of this paper is to demonstrate that avant-garde (in its various forms and radical expressions) simultaneously challenges art as an institution and introduces the idea of a decentred geography of world literature.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 49-66
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Književnost i revolucija kao nasljeđe avangarde. Tribina na Filozofskom fakultetu u Zagrebu
    Literature and Revolution as an Avant-garde Heritage. Round Table on the Faculty of Humanities and Social Sciences in Zagreb
    Autorzy:
    Protrka Štimec, Marina
    Powiązania:
    https://bibliotekanauki.pl/articles/636072.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    literature
    revolution
    round table
    Zagreb
    Opis:
    The text summarizes and reviews the round table organized on the 19th September 2019 at the Faculty of Humanities and Social Sciences in Zagreb with the main goal to investigate the methodological and thematic approaches to the avant-garde related to the concept of revolution. The scientists from Zagreb and Belgrade, Tatjana Jukić, Predrag Brebanović, Danijela Lugarić and Branislav Oblučar, presented their contributions to debate around the above-mentioned themes. Literature as well as revolution were examined in the theoretical and historical context of the avant-garde. Public debate showed that these issues have been still sparking vivid interest in the academic, artistic and intellectual world. The round table was organized as part of the project Literary Revolutions established by the Croatian science foundation 2018-017020.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 321-326
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poetika hibridnih multižanrovskih pesničkih tekstova Ljubomira Micića i Branka Ve Poljanskog
    Poetics of Ljubomir Micić and Branko Ve Poljanski’s hybrid multigenre poetic texts
    Autorzy:
    Đurić, Dubravka
    Powiązania:
    https://bibliotekanauki.pl/articles/635912.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde poetry
    hybridity
    manifesto
    multigenre
    performativity
    Opis:
    In the text I will focus on Zenitist poetry by Ljubomir Micić and Branko Ve Poljanski. I will construe a new discursive framework, which will make it possible for us to understand their multigenre  texts  as important  items  in  the  national poetry  canon.  I  will  contextualize  the general characteristics of European avant-garde poetry practices, which were used by Micic and Poljanski in order to interpret the specific place of Zenitism as a general Balkan avantgarde movement, participating in a significant way in the European and world avant-garde.
    In the text I will focus on Zenitist poetry by Ljubomir Micić and Branko Ve Poljanski. I will construe a new discursive framework, which will make it possible for us to understand their multigenre  texts  as important  items  in  the  national poetry  canon.  I  will  contextualize  the general characteristics of European avant-garde poetry practices, which were used by Micic and Poljanski in order to interpret the specific place of Zenitism as a general Balkan avantgarde movement, participating in a significant way in the European and world avant-garde. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 2
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poetic Manifestos and Democracy (in Poland after 1989)
    Autorzy:
    Hoffmann, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/635814.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    manifesto
    democracy
    Polish literature after 1989
    neolinguism
    avant-garde
    Opis:
    A form of poetic manifesto rooted in the avant-garde tradition is construed here as a performative project of the future. This temporal quality links it with the Derridean notion of “democracy to-come”. The presented paper attempts to trace an (im)possible connection between poetic manifestos and democracy in Poland after 1989. In pursuance of this objective, the paper briefly presents the only four 21st‑century Polish manifestos that attracted some critical and/or artistic attention: Meblowanie główww, Manifest Neolingwistyczny v. 1.1, Manifest poezji cybernetycznej and Manifest Rozdzielczości Chleba v. 1.7.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 17; 75-86
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Milady Součkovej prywatne archiwum pamięci (na podstawie opowiadania Rok šestašedesátý ze zbioru Neznámý člověk)
    Milada Součková’s Private Memory Archive (Based on the Short Story Rok šestašedesátý from the Collection Entitled Neznámý člověk)
    Autorzy:
    Woźniak, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/1068066.pdf
    Data publikacji:
    2021-02-23
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    memory studies
    Milada Součková
    memory
    Czech literature
    Czech avant-garde
    Opis:
    This article presents an analysis of one of the short stories authored by Czech writer – Milada Součková: the short story Rok šestašedesátý included in the collection entitled Neznámý člověk (published in 1962, written in 1943). The introduction addresses the issues related to the clarification of the concept of a memory archive and the concept of the archive itself. Its characteristics, i.e. a certain arrangement of the collection, its permanent structure and three essential aspects of archiving are indicated: searching, saving and storing. These aspects are also typical of the structure of the analysed prose authored by Milada Součková. The next part of the article (Neznámý člověk as a private archive of memory) pertains to the entire above-metioned volume of the stories whose characteristic motif is the motif of memory linked with space, time and history. In the further parts of the article, the author goes on to the structural and interpretative analysis of the story she is interested in. She draws attention to such aspects as memory figures, i.e. time and space, thematic associations, memory carriers and memory traces and places. In conclusion, she draws attention to three components of the Milada Součková’s private memory archive: the memory of the language, the memory of the father and the memory of the historical events taking place in 1866.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 19; 273-289
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wędrująca idea awangardy. Centrum Dekontaminacji Kulturowej i serbska kultura oporu
    Wandering Idea of the Avant-garde. Centre for Cultural Decontamination and Serbian Resistance Culture
    Autorzy:
    Bogusławska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/636010.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    wandering idea
    artivism
    resistance culture
    Serbia
    Centre for Cultural Decontamination
    artivism; resistance culture
    Opis:
    The article addresses the presence of the avant-garde in the discourse and the practice of social resistance in Serbia at the turn of the 20th and 21st centuries. The focal point of the text is the thesis that nowadays the avant-garde resonates not so much as an artistic formation, but as an ideological complex. The author investigates the manners of contemporary transposition of ideas and avant- garde imagination through the analysis of the activities of the Centre for Cultural Decontamination in Belgrade. Using the examples of two programmes: Modernism, Serbian National Identity in 20th Century and En Garde – Avant-Garde 20/21, the author shows how the local experience of the interwar avant-garde and the neo-avant-garde formed within the movement of ʼ68 protests, creates a specific ideological current, a model of self-organization and a pattern of activities bordering between art and socio-political reality. In the 1990s, in Serbia, it becomes the reference system for artivism (an approach consisting in influencing social and political reality through art), and today still remains an inspiration for independent intellectual and artistic environments and for critical institutions that create an alternative and polemic cultural space to the official policies of the Serbian authorities.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 23-36
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Із метою „підшукування нових динамічних форм вислову”. „Дванадцятка” як авангардне явище в українській літературі
    ‟In Search of New Dynamic Forms of Speech” “The Twelve” as an Avant-garde Phenomenon of 1930s Ukrainian Literature
    Autorzy:
    Horniatko-Szumiłowicz, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/636020.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literary group “The Twelve”
    innovativeness
    style and avant-garde works
    Ukrainian literature
    Opis:
    “The Twelve” was the name of a group of Ukrainian littérateurs, active during the period of 1934 to 1939 in Lviv. The phenomenon of “Lviv’s youngest literary bohemians of the 1930s” (W. Gabor) was discovered relatively recently, which explains why despite a growing interest of researchers it remains obscure and undervalued in Ukrainian literary studies. Worthy of mention is the innovativeness of “The Twelve”, always avant-garde in their search for new forms of speech, both when it comes to urban prose (Anatol Kurdydyk, Zenon Tarnavsky, Bohdan Nyzhankivsky) and the prose about the villages (Vasil Tkachuk) as well as to the bohemianist style that the group exhibited. This paper is therefore an attempt to determine the extent of innovativeness (the avant- -garde solutions in both the functioning and literary legacy) of “The Twelve”.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 125-144
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Transgresje. Przenikania. Synchroniczność. Uwagi o wyobraźni chorwackiej i serbskiej awangardy literackiej
    Transgressions. Penetrations. Synchronicity. Comments on the Imagination in the Croatian and Serbian Literary Avant-garde
    Autorzy:
    Czapik-Lityńska, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/636028.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    imagination
    literary constructions of imagination between culture and nature
    penetration
    Opis:
    The article discusses selected problems of the image, imagination and the ideological-aesthetic consciousness of the avant-garde in Croatian and Serbian literatures. Inspired by the ideas of modern Europe and opened to experiment, transgressions and mental function of the artistic language, it created an autonomous world of imagination. Utopian theories of reality evaluated from expressionistic conceptions of penetration of the world if matter and spirit, Earth and universe to surrealistic conceptions of over-reality.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 83-101
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Към въпроса за стила „Pодно изкуство” в аспекта на българския авангард през 20-те години на ХХ век
    On the Guestion of the “Native Art” [Rodno izkustvo] Style in the Aspect of Bulgarian Avant-garde in the 1920s
    Autorzy:
    Simeonova-Konach, Galia
    Powiązania:
    https://bibliotekanauki.pl/articles/636090.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Bulgarian avant-garde of the 1920s
    artistic style;
    Native Art movement (Rodno izkustvo)
    expressionism
    Čavdar Mutafov
    Ivan Milev
    Dimitâr Avramov
    Opis:
    The article presents the selected aspects of the Bulgarian avant-garde movement called “Native Art” (Rodno izkustvo) which developed in art (painting of Ivan Milev and others) and literature (the so-called decorative prose, ars decorum) in the 1920s. An aesthetical object of the then creators was searching for spirituality of the community expressed through a synthesis of such form of cultural heritage as symbolism, secession, Old Bulgarian and Byzantine iconography, rituals and folklore embroideries, ancient mosaic. For the constitution of the style “Rodno izkustvo”, the aesthetics of Bulgarian expressionism along with its artistic forms of rhythm and motion had a special significance. The analysis focuses on the theoretical writings by the most important representatives of Bulgarian avant-garde, namely, Čavdar Mutafov, Geo Milev, Nikolai Rainov, Sirak Skitnik and others whose attitude towards the problems of the style highlighted the process of it arising from individual acts to artistic syntheses. In the article, there are also references to the works of the contemporary art historian Dimitâr Avramov. The interdisciplinary research perspective of the article allows the author to indicate the distinctive properties of the avant-garde style of the Native Art, but also to illuminate the intellectual turn in Bulgarian art at the beginning of the 20th century.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 209-222
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-13 z 13

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