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Wyświetlanie 1-15 z 18
Tytuł:
Stefan Żeromski. Tożsamości, poetyki, style odbioru
Stefan Żeromski. Identity, poetics and reception styles
Autorzy:
Sobieraj, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1041981.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski
reception
works
Opis:
This article is a review of the collective monograph Stefan Żeromski. Kim był? Kim jest? edited by Zdzisław Jerzy Adamczyk. The book contains thirty essays written by experts in their respective fields. Both Stefan Żeromski’s views and many aspects of his writings were here thoroughly examined. It is said that Żeromski, one of the most influential Polish writers at the end of the nineteenth and at the beginning of the twentieth century, strongly affected Polish culture. The contributors of the book undoubtedly proved the thesis.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 275-282
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reklama w świetle legendy. „Dźwignia” Rafała Wojaczka
Rafał Wojaczek: Advertisement in the Light of a Legend
Autorzy:
Pertek, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1389801.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
advertisement
reception
marketing
notebook
legend
Opis:
The article entitled “Rafał Wojaczek: Advertisement in the Light of a Legend” is the first part of a draft which tries to describe a breakthrough moment, in which the biography of Rafał Wojaczek coincides with the beginning of his literary output. The author makes a central point of the formula: “advertisement is the engine of trade” (appearing in the notebook collecting his early poetical notes from the period of studies at Polish philology), which is placed in contrast to the statement by Julian Przyboś: “the art of a poem is the engine of poetry”. The author, examining the earlier editions of Wojaczek’s poems explains (using the sociological and philosophical apparatus) the mechanisms conditioning the phenomenon of the reception of his poetry. At the same time, he launches the notion of pre-reception, which—being a labile notion, situated in the borderland between reception and advertise-ment—indicates a dual position of an object, to which the pre-reception refers (presence and absence at the same time). This, in turn, announces the poetic strategy of Wojaczek, embracing the form and the subject matter of a poem (expressiveness against a precise structure of a poem), and foretells a subsequent part focusing on the question of the actual reception, taking into consideration the somatic character of his output as well as its autothematic involvement.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 333-353
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Biograf, czyli kto? Spór o Kapuścińskiego non-fiction
Biographer, meaning who? The dispute over Kapuściński non-fiction
Autorzy:
Galant, Arleta
Powiązania:
https://bibliotekanauki.pl/articles/1041001.pdf
Data publikacji:
2019-11-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
biography studies
book market
reception
Opis:
The article reconstructs selected problems of critical and publicistic discussion around Artur Domosławski’s book Kapuściński non-fiction concerning the status of the biographical narrative, the role and duties of the biographer and the limits of biographical disclosures. The themes discussed in this sketch made it possible to indicate current issues related to workshop deficiencies and duties of the contemporary biographer, including the exposition of issues related to modernity, subjectivity and ethics of biographical undertakings.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 35; 277-293
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wyobraźnia badacza – od serii przekładowej do serii recepcyjnej
Researcher’s imagination – from translation series to reception series
Autorzy:
Skwara, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1389948.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
translation studies
comparative criticism
reception of foreign text
Opis:
The author addresses the problem of translation series, demonstrating that the rich tradition of creating and researching such series focused mainly on structural and model analyses, and usually isolated translations from other reception phenomena related to a foreign text in a national culture. By shifting the attention from translation-only studies to research in a wider scope of reception of a foreign text, such as intertextual relations of originals/translations with national literature/ culture, comments, and the work performed around a foreign text and its translation (e.g. convention of an editing series, anthology editing, canon creation), the author proposes to introduce three complementary notions: translation series, textualisation series, reception series. The author also discusses the proposals on specific examples derived from the Polish reception of Walt Whitman’s poetry.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 99-117
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Romantyczne tropy późnej nowoczesności
Romantic tropes in late modernism
Autorzy:
Artwińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1534499.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Romanticism
modernity
reception
postcolonial studies
Romantic object
cultural formation.
Opis:
The article discusses the book entitled Romantyzm i nowoczesność (Kraków 2009), edited by Michał Kuziak in which the authors examine a possibility of an application of modern methodological propositions for an analysis of Romanticism in literature. The reviewer presents and briefly discusses each of the articles contained in the book, focusing particularly on the extent to which individual articles correspond to the main assumptions of the volume. Thus, the reviewer provides the reader with an analysis of the concepts of modernity and Romanticism presented by the authors, but also points out convergence points, interceptions and dependencies occurring between them. The volume, presenting novel interpretations and approaches to individual literary works, methodological reflections and studies on selected problems in aesthetics and Romantic ideology, has been critically acclaimed. The reviewer recommends the book as an interesting piece of writing not only for researchers in the history of the literature of the nineteenth century, but also for those studying culture and for theoreticians of narrative discourse.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 225-236
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ta „poważna drobnostka”. Nowe wydanie Baśni Johanna Wolfganga Goethego
“Blessed are those who write fairy tales”. The new edition of The Green Snake and the Beautiful Lily of Johann Wolfgang Goethe
Autorzy:
Ćwiklak, Kornelia
Powiązania:
https://bibliotekanauki.pl/articles/1041230.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Johann Wolfgang Goethe
German romantic fairy tales
scientific interpretations
reception
Opis:
In this article, the author discusses and reviews the first Polish critical edition of Johann Wolfgang Goethe’s The Green Snake and the Beautiful Lily (2015). The literary text was preceded by two elaborate scientific descriptions which the author of this article refers to. The primary focus is on the extensive German tradition of interpreting The Green Snake and the Beautiful Lily (Das Märchen, 1795), because the main spur of its development is the difficulty or inability to obtain its unambiguous interpretation due to the high degree of symbolism and the esotericism of this literary work. Both critical texts feature the following interpretation grounds: historic-literary – emphasizing the role of the literary circle of the Weimar Goethe and Schiller; historical – stressing the importance of the events associated with the French Revolution and its impact on the situation in Germany; philosophical – represented by Rudolf Steiner and his anthroposophic reading of this work; and poetological – focusing on the properties and functions of its poetics. Among the existing explication there is a lack of genology of the fairy tales and a lack of the placing the work in a broader context of ideas and works of Goethe, which, if taken into account could help to clarify its meanings.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 309-324
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le influenze italiane in Karol Szymanowski
Italian Influences in Karol Szymanowski’s Work
Autorzy:
Masi, Leonardo
Powiązania:
https://bibliotekanauki.pl/articles/1040459.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Szymanowski
Italy
Sicily
Renaissance
homosexuality
reception of Italian opera in Poland
Opis:
Like many other artists, Szymanowski was hugely attracted to Italy. In this article, I will briefly expose, firstly, the “Italian” tracks that can be found in the Polish composer’s music, and, secondly, the declarations on Italy in Szymanowski’s writings, in particular on his art and music, trying to relate these elements between them to see what image of Italian culture emerges. I will show how Szymanowski’s cultural environment remains German-based nevertheless looking for the lost unity between man, art and nature in the heritage of the Italian Renaissance.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 101-111
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Smok i panda. Hybrydyczny obraz Chin w polskich dyskursach współczesnych
The Dragon and the Panda. The Hybrid Image of China in Polish Contemporary Discourses
Autorzy:
Pengjie, Qu
Powiązania:
https://bibliotekanauki.pl/articles/1532752.pdf
Data publikacji:
2021-09-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
reception of Chinese culture
orientalism
Polish contemporary discourse
Polish-Chinese dialogue
Opis:
The article is a review of Dorota Brzozowska’s study Chińskie ślady w polskich dyskursach współczesnych (Chinese traces in Polish contemporary discourses). The in-depth analysis of the monograph attracts the reader’s attention to the wealth of the collected material and the multitude of viewpoints, but also points out certain inconsistencies the author failed to avoid which in turn led her to fall into the trap of excessive simplification and orientalisation of China.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 273-277
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Romantyzm polityczny Jarosława Jakubowskiego albo przepisywanie Dziadów (na prawicy)
Jarosław Jakubowski’s Political Romanticism or Rewriting Dziady (on the right wing)
Autorzy:
Bagłajewski, Arkadiusz
Powiązania:
https://bibliotekanauki.pl/articles/1533200.pdf
Data publikacji:
2021-09-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
reception of romanticism
romantic paradigm
contemporary drama
right-wing discourse
Jarosław Jakubowski
Opis:
The article analyses two dramas by Jarosław Jakubowski: Dożynki and Nowy Legion (New legion), which their author designed as attempts at updating the political frame of Mickiewicz’s Dziady (Forefathers’ Eve), (especially ‘Warsaw salon’), read in the context of the ‘Smoleńsk romanticism.’ The right-wing approach to Mickiewicz’s archdrama offers a diagnosis of the social and political divide (‘two Poland’) in the aspect of the clash between two worldviews: left-wing and liberal versus right-wing. Mickiewicz’s authority is supposed to strengthen the right-wing diagnoses, hence it is easy to spot the numerous attempts at instrumental and anachronic reading of the romantic legacy. At the same time, the analysed dramas show the importance and the textual and ideological productivity of the romantic paradigm.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 297-323
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aposiopesis albo figury myśli w dobie ucieleśnionego umysłu
Aposiopesis or figures of thought in the space of art and the brain
Autorzy:
Grodecka, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/1041358.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
rhetorical figures
neuropsychology
study on reception
philosophy of language
neurophenomenology
neurology
poetry
painting
music
Opis:
The Author is interested in the states of becoming silent, discontinuing one’s utterance, which are associated with certain mechanisms of the functioning of the brain, as well as in the observation of such states in different artistic disciplines. Looking for an answer to the question how aposiopesis operates in words, sounds, and images, she analyzes pieces of music, poems (Zbigniew Herbert’s Pora), and examples of visual arts (Wojciech Pakmur’s paintings of the tango). In her reconstruction of the research field, the Author refers to rhetoric ( Jerzy Ziomek, Seweryna Wysłouch), the philosophy of language (Michel Foucault, Jean-François Lyotard), and neurophenomenology. The aim of the article is to suggest a new mode of reading that seeks inspiration and language in works from the field of neuropsychology (Maria Pąchalska), hermeneutic phenomenology (Mark Johnson), or neurology (António Damásio, Oliver Sacks). The Author’s analyses refer to Raoul Schrott and Arthur Jacobs’s concept (Gehirn und Gedicht, 2011), and the conclusions confirm that one should not look for a model (pattern) in the reception of art, but describe mental processes. The proposed mechanism of interpretation is most accurately reflected by the metaphor of dance improvisation, where one does not meditate on and then perform particular steps and gestures, but “thinks in motion.” This mode of reading emphasizes the spatial dimension of thought processes and their dynamic nature. 
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 87-105
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czuła narracja: nowe oblicze literatury polskiej w oczach Chińczyków
Tender Narration: the New Face of Polish Literature in the Eyes of the Chinese
Autorzy:
Yinan, Li
Powiązania:
https://bibliotekanauki.pl/articles/1533297.pdf
Data publikacji:
2021-09-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
reception of Polish literature
Polish literature in China
translation of Polish literature
Chinese translators
Opis:
The article presents the dynamics, characteristics and the shifting paradigms of the reception of Polish literature in China from 2012 to 2020. The author analyses the reasons for the popularity of the most often translated and read Polish authors on the Chinese publishing market, with particular interest in Czesław Miłosz, Olga Tokarczuk and Andrzej Sapkowski. She also presents the translators – both experienced and often recognised and awarded doyens of Polish studies in China, and those from the intermediate and youngest generations to whom the oldest ones passed the knowledge, skills, passion and the sense of common mission of building cross-cultural dialogue through literature.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 21-51
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literatura polska w oczach Chinki polonistki. Z Li Yinan rozmawiają Elżbieta Winiecka i Joanna Krenz
Tender Narration: The New Face of Polish Literature in the Eyes of
Autorzy:
Krenz, Joanna
Winiecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2038332.pdf
Data publikacji:
2021-09-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
reception of Polish literature
Polish literature in China
translation of Polish literature
Chinese translators
Opis:
The article presents the dynamics, characteristics and the shifting paradigms of the reception of Polish literature in China from 2012 to 2020. The author analyses the reasons for the popularity of the most often translated and read Polish authors on the Chinese publishing market, with particular interest in Czesław Miłosz, Olga Tokarczuk and Andrzej Sapkowski. She also presents the translators – both experienced and often recognised and awarded doyens of Polish studies in China, and those from the intermediate and youngest generations to whom the oldest ones passed the knowledge, skills, passion and the sense of common mission of building cross-cultural dialogue through literature.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 231-240
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wokół Przepióreczki. Dyskusje i polemiki
Around “Przepióreczka”. Discussions and polemics
Autorzy:
Warońska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1041993.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski’s dramas
Reduta
the history of drama reception
Przełęcki as a new hero
the ideology of the work
Opis:
The author of the article has recalled Stefan Żeromski’s comedy, its premiere at Juliusz Osterwa and Mieczysław Limanowski’s Reduta and, above all, the discussion which began in the Warsaw press in 1925 and has been continued to this day. The author has identified and discussed some basic threads: the genology of the work, and its theatricality and ideology. Almost all critics of the interwar period got involved in the beginnings of the discussion, regardless of their experience and political orientation. Readers and theatre critics (incidentally, the play Uciekła mi przepióreczka came in literary and theatrical circulation almost at the same time) perceived a call for a new patriotism in the work, which Przełęcki was supposed to spread in the liberated Homeland. The formal shape of the work, too, contributed to calling it a masterpiece, while the quick death of the author transformed the comedy almost in a literary testament.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 205-226
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literackie przekłady i formy prezentacji twórczości Olgi Tokarczuk w Chinach
Literary Translations and Forms of Presenting Olga Tokarczuk’s Works in China
Autorzy:
Lan, Wu
Powiązania:
https://bibliotekanauki.pl/articles/1532880.pdf
Data publikacji:
2021-09-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Olga Tokarczuk
Nobel Prize for literature
reception of Polish literature in China
Chinese publishing market
translation of Polish literature into Chinese
Opis:
The article chronologically reconstructs the process of reception of Olga Tokarczuk’s prose in China with particular focus on the period after she received the Nobel Prize for Literature. The author invokes utterances of the translators, publishers and critics to demonstrate how Tokarczuk’s works fare on the Chinese book market in terms of marketing, in the context of sales results and their presence online, which elements of her writings are closest to the Chinese readers and why, what global literary and cultural discourses her work is assigned to and what challenges the Chinese translators are faced with when translating her prose.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 153-179
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Baku. Uwagi na marginesie Przedwiośnia (i jego recepcji)
Baku. Some remarks on Stefan Żeromski’s Przedwiośnie [The ComingSpring] (and its reception)
Autorzy:
Morawiec, Arkadiusz
Powiązania:
https://bibliotekanauki.pl/articles/1042030.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish literature
Stefan Żeromski
Przedwiośnie and its reception
Baku
the Bolshevik Revolution
the Armenian-Azeri conflict
the Armenian Genocide
ideology
ethics
Opis:
The article concerns Stefan Żeromski’s Przedwiośnie, one of the most important Polish novels of the twentieth century. So far the work was considered, especially its first part (Szklane domy), whose plot is set in Baku, mainly in the context of the Bolshevik Revolution. It was ignored, however, that the historical background of the novel (its plot) are also other, linked with that revolution (and partly caused by the Bolsheviks), dramatic historical events: ethnic feuds between Armenians and Azeris (“Tartars”) and the Turkish intervention, which is one of the stages of the Armenian Genocide. The fate of Cezary Baryka, the main character of Przedwiośnie, is usually seen in terms of transformation, education, ideological development. It is worth noting that the Baku massacres are for Cezary not only a lesson or a warning, but they are also the source of his demoralization; it can be concluded that the hero is “infected with death”.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 37-66
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 18

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