Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "interpretation;" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-14 z 14
    Tytuł:
    Apologia poetyki
    Apology of poetics
    Autorzy:
    Madejski, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/1041742.pdf
    Data publikacji:
    2017-09-28
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Edward Balcerzan
    poetics
    interpretation
    autobiography
    Opis:
    The article deals with Edward Balcerzan’s book called Pochwała poezji (Praise of poetry ) (Mikoł.w 2013). The author discusses it in the context of modern academic writing, as well as in relation to tradition and today’s autobiographical practice, but above all shows what task does structuralist poetics accomplish and how it influences the interpretation of a literary work.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 367-384
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Jesteśmy razem, ale każde z nas osobno”. Krystyna Miłobędzka i „wspólne powietrze”
    “Together but each of us on our own”. Krystyna Miłobędzka and “shared air”
    Autorzy:
    Gutorow, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/1535139.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Krystyna Miłobędzka
    poetry readings
    interpretation
    Opis:
    The paper is an attempt to interpret the work of Krystyna Miłobędzka, one of the most celebrated contemporary Polish poets, in terms suggested by the ideas of the community of readers as well as the institution of the poetry reading understood as a phenomenological/communal event. The analysis is informed by the recently published volume znikam jestem [I disappear I exist], a record of four poetry readings given by Miłobędzka between 2000 and 2010.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 95-109
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jan Lechoń: wiatr nocy, rysunek rdzy (na marginesie wiersza Stara Warszawa)
    Jan Lechoń: nightly wind, inkblot of rust (apropos the poem Stara Warszawa)
    Autorzy:
    Próchniak, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/1535155.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jan Lechoń
    analysis
    interpretation
    poem
    Opis:
    The present sketch proposes an aspectual analysis and interpretation of the poem Stara Warszawa by Jan Lechoń. The author of the sketch is interested in architectonics of the world revealed and rendered in the poem, in a complex and intricate network of relations in which the poem establishes, maintains, develops and interacts with other cultural texts, as well as its existentialist dimension. The basic frame of reference for the last mentioned issue is the friendship shared by Lechoń and Stanisław Baliński.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 67-80
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nowoczesne czytanie Leśmiana
    Modern reading of Leśmian
    Autorzy:
    Larek, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/1535380.pdf
    Data publikacji:
    2009-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    analysis
    interpretation
    Leśmian’s poems
    modernism
    Opis:
    The text discusses critically the analyses of Leśmian’s poems carried out by Markowski in his Polska literatura nowoczesna [Polish modern literature]. The critical evaluation focuses on the following four key assumptions (and convictions) presented by Markowski: 1. literature is an epistemological and educational task that aims at promoting and teaching critical thinking; 2. the history of literature involves permanent re-rendering of interpretative techniques; 3. literary text is ambiguous because it cannot be generalized and is a record of human experience, both existentialist and intellectual; 4. interpretation should testify to the idiomatic nature of the text. In the course of reading the book, however, it turns out that on more than one occassion Markowski is inconsistent and even contradicts himself. As a result, he lays himself open to charges suggesting that he does not consistently stick to his methodological postulates, sometimes even contradicting them. The article is concluded with a suggestion that the image of the literary critic as a diligent deconstructionist is badly shaken. Markowski is more interested in philosophical aspects in a literary work than in its aesthetical value. The text represents thus a revisionist and debunking contribution to the readings of this “harbinger of postmodernity”.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2009, 16; 125-140
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wieczór na Missisipi, czyli przyjaźń jako wstrząs
    An evening on the Mississippi River, or friendship as a shakeup
    Autorzy:
    Sławek, Tadeusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1535121.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Herman Melville’s novel
    dialogues
    interpretation
    friendship
    Opis:
    The present text is an interpretation of two dialogues taken from Herman Melville’s novel The Confidence-Man. His Masquerade. One of the main topics prevailing in the conversations of the main characters from the novel traveling on the Mississippi River onboard of the steamboat “Fidéle” is friendship. Friendship, placed within the context of such notions as confidence, identity, feeling of alienation and authority, can be defined as a pre-social relation taking shape not between members of a community, but on a person-to-person plane. Another important reference point is the term “utility”, important in the capitalist “world-system” (the term coined by I. Wallerstein), which requires us to consider friendship within the framework of economic and legal circumstances and the categories of gain and loss. A juxtaposition of friendship with nature makes it finally possible to show that the former notion originates in the latter one, but exceeds it. Scientific tools used for a description of the order of nature are not precise enough to define or determine friendship between people.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 127-147
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „odtwarzając z ognia / ciebie, mój tekst”. Dwa wiersze Stanisława Barańczaka – o stwarzaniu i czytaniu drogich drugich
    Two poems by Stanisław Barańczak – on creating and reading significant others
    Autorzy:
    Biedrzycki, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/1040952.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Stanisław Barańczak
    poetry
    love
    feelings
    text
    interpretation
    Opis:
    The article is a comparative analysis of two poems by Stanisław Barańczak: Bez poprawek [Without Corrections] from his debut collection Facial Corrections (Korekta twarzy) and She Cried That Night, but Not for Him to Hear (Płakała w nocy, ale nie jej płacz go zbudził) from his last collection Surgical Precision (Chirurgiczna precyzja). The subject of both these poems is love. In the first one, the erotic poem takes a surprising turn when the punchline reveals the object of feelings to be a text. It opens the reading proposed in the title, according to which the love described by Barańczak is turned into a text, a story, an emotional relationship between two people mediated by language, mutual interpretation and, as a final consequence, by poetry. The article discusses whether transferring feelings into a text is a necessary consequence of the textual nature of one’s presence in the world, whether it results in this tragic alienation of even the closest people or – quite the contrary – whether it allows one to break through the individuality.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 36; 15-29
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kein Mensch ist ein Ich-Land. Metafora wyspy w refleksji o przyjaźni
    Kein Mensch ist ein Ich-Land [No man is an island]. The metaphorof an island in reflections on friendship
    Autorzy:
    Roszak, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1535123.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    interpretation
    the television series Lost
    friendship
    “I” land
    island
    Opis:
    In her essay, the author recalls literary contexts (including John Donne, Michel Houellebecq and Ernest Hemingway) and philosophical and anthropological contexts (including Aristotle, Thomas Merton, Maurice Blanchot, Jean-Paul Sartre and Gilles Deleuze) presenting the poetic “I’s” various ways of approaching friendship. The quotation from a German translation of John Donne’s poem used in the title of the article is in itself a meaningful phonetic wordplay: “Kein Mensch ist ein Ich-Land” (no man is an “I” land, no man is an island). The main part of the essay includes an interpretation of the television series Lost — Joanna Roszak investigates philosophical references in the series and indicates biblical contexts (“Am I my brother’s keeper?”). A very apt comment to many episodes in the series is, according to the author, the formula told by Z. Herbert’s Fortinbras: Ani nam witać się ani żegnać żyjemy na archipelagach/ A ta woda te słowa cóż mogą cóż mogą” [It is not for us to greet each other or bid farewell we live on archipelagos/ and that water these words what can they do what can they do prince]. It is a similar defencelessness in which the main characters of Lost try to struggle the reality, even if they live together, and die all alone. Collective memory has become a safeguard for the community in the world, which is to be destined for homelessness and forlornness. The other person though becomes a reference point — it is him or her that makes it possible to find the way home.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 111-124
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyrok Rafała Wojaczka jako kres możliwości podmiotu
    Rafał Wojaczek’s “Wyrok” as the limit of capabilities of the subject
    Autorzy:
    Pertek, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/1534331.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Rafał Wojaczek
    Freud
    psychoanalysis
    Oedipus complex
    unawareness
    author
    interpretation
    Opis:
    The present article attempts to interpret the poem Wyrok [The Verdict] written by Rafał Wojaczek. The author tries to reveal the rules of the game in the play with psychoanalysis that are set in motion in the poem by the introduction of the Freudian signature to the text. Citing the Oedipus complex as one of the “representative” mechanisms for the development of the phenomenon of unawareness, he proceeds to prove that the theory of psychoanalysis as the interpretative context can function on the principle of the paradox, i.e. the stronger the denial of it within the subject, the more important it becomes for the understanding of the work. In this way, Wojaczek, by making the poem heretically sealed, opens it up to interpretation and, eventually, implies that its sense goes beyond any explanation (negation of psychoanalysis as an interpretative method). This last statement makes the basis for a formulation of further assumptions on the psychical structure of the subject (conscious unawareness and unconscious awareness), as well as the relations between the author, the subject and the lyrical protagonist where the author, after exceeding the limits of the poem, splits himself into two instances: textual representation (that of the father) and the lyrical “I” that is the irrevocable verdict condemning the poet to making them fit into language and grammar. An attempt, then, at salvation and a coupling of the body (blood) with the lingering word turns out, however, to be deadly, a carrying out of the verdict.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 173-187
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czasami jestem (czytając wiersz McDonald’s)
    Sometimes I AM (On reading the poem “McDonald’s”)
    Autorzy:
    Próchniak, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/1534325.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    modern poetry
    analysis of literary work
    the art of interpretation
    Opis:
    The present sketch proposes an interpretation of one of the most important poems of the early poetry written by Marcin Świetlicki. At the same time, the reading of the poem is paired with a simultaneous analytical interpretation providing the standard analytical scheme usually applied to any poetical work (this scheme is based on a sequence of recognitions that refer to: 1. writing, 2. euphony, 3. semantics of spaces concentrated with meaning, 4. the structure of the presented world. A presentation of the four fundamental steps in the analysis is accompanied with a reflection on the paradox of interpretation, the corresponding model of which is in the poem the outlined mirror image of identity between the “opaque” depth and “overt” surface.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 211-220
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Drogi czytelniku, kategorycznie oświadczam, że nie jestem pewien”
    „Dear Reader, I Declare Categorically that I Am Not Sure”
    Autorzy:
    Winiecka, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1533340.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Eugeniusz Tkaczyszyn-Dycki’s poetry
    interpretation
    deconstructionist reading
    rhetoricality
    aporia
    anti-essentionalism
    Opis:
    The essay is devoted to Krzysztof Hoffmann book dubitatio o poezji Eugeniusza Tkaczyszyna-Dyckiego [dubitatio on poetry by Eugeniusz Tkaczyszyn-Dycki]. The author discusses the critic’s interpretative strategies, as well as his theoretical and metatheoretical assumptions. The author demonstrates how deconstructionist philosophy influences the modes of reading of poetical languages proposed by the young critic and his critical consciousness shaped by doubt and uncertainty. This distinguishes him from modern scientific strategy (structuralism) that treats interpretation as a way to reach the truth of a work. Hoffmann writes about the difficult, rhetorically sophisticated poetry by Eugeniusz Tkaczyszyn-Dycki, and more specifically, about its early stage before 2005. The story is built around four words: home, friendship, schizophrenia, disbelief. The most important problem, however, is the language of the poetry: its status, problematic referentiality, and difficult link to existence. The author, thus, reads dubitatio as a metaphorical discussion of theory and practice of poetry interpretation in general, and Tkaczyszyn-Dycki’s poetry in particular.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 297-312
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Interpretacje po końcu świata
    Interpretations after the end of the world
    Autorzy:
    Śnieżko, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1041771.pdf
    Data publikacji:
    2017-09-28
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    medieval and early modern literature
    methodology of literary studies
    interpretation
    empathy
    affect
    poetology of insight
    Opis:
    The topic of the article is an analysis of the positions of today’s interpretations of the old Polish literature. Firstly, the position of the interpreter was examinated in the context of the methodological map of medieval, Renaisssance and Baroque studies in Poland. Secondly, it is about the chronological location of the interpreter, generally beyond the horizon of medieval and early modern authors’ expectations toward future readers, that was limited by the eschatological perspective (near the end of the world). The issues of empathic references and affective reactions have also been raised, which are considered here as a stimulating experience of “recognizing continuity” between the ancient and present epochs. At last, the article presents the justification for the interpretative practice that could be called “the poetology of insight” – in reference to the remarks by Roland Barthes and Hans Ulrich Gumbrecht.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 169-183
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Stać się sobą. O Narcyzie
    To become yourself. On Narcyza
    Autorzy:
    Graczyk, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/1533641.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zofia Nałkowska
    feminist interpretation
    women’s literary imagination
    19th and 20th century literature
    polyphony
    irony
    feminine subjectivity
    narcissism.
    Opis:
    The author analyzes and interprets the style, structure, and narration in the novel that marked the transition in Nałkowska’s fiction from the Young Poland phase to the inter-war phase. The author shows the place of the novel in Nałkowska’s work, presenting the links with the work of other women writers of the 19th century, especially Orzeszkowa and Zapolska. The author attempts to demonstrate that Narcyza’s features elements of novelistic, feminine polyphony and irony (thanks to the use of the work of literary mothers); such elements were rare in the novelists earlier texts.The second part of the article is devoted to the analysis of the main heroine; the author demonstrates that Nałkowska wants to make the character a problematic and ideological heroine in the Bakhtinian sense. The author analyses the novelist’s techniques of “advancing” Narcyza, and the attempts to extricate the heroine, who is a marriageable maid, from the romance-like situation and to turn her into a serious character in the sense that used to be exclusively possible for male characters. 
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 21; 23-49
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nałkowska i Komornicka, czyli kto zawinił
    Nałkowska and Komornicka, or: Whose Fault It Was
    Autorzy:
    Helbig-Miszewski, Brygida
    Powiązania:
    https://bibliotekanauki.pl/articles/1533602.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Nałkowska and Komornicka
    rivarly between writers
    feminist interpretation of author’s biography
    relations between Young Poland women authors
    functions of patriarchal mentors
    Wacław Nałkowski
    Cezary Jellenta.
    Opis:
    The author analyses the love-hate relationship between Zofia Nałkowska and her seven years’ senior, the legendary painter Maria Komornicka, who was for a time romantically ivolved with Zofia’s father — Wacław Nałkowski — and her friend — Cezary Jellenta. The relationship between the two writers has excited emotional reponses from researchers for many years. Two critics specializing in Komornicka have shown their interest most explicitly: Izabela Filipiak and Edward Boniecki. They accuse Nałkowska of not maginalizing Komornicka’s role in women’s literature of early 20th century, of unfeeling attitude for Komornicka’s tragic fate, even though Nałkowska was inspired by her in the early age, and of the failure to help Komornicka, when she was declared insane and disempowered after her symbolic transformation into a man. Researchers have so far seen Komornicka as a lost and harmed person, whereas Nałkowska was perceived as the morally questionable winner. However, Hanna Kirchner, who specializes in Nałkowska, has recently shown interesting sources of Nałkowska’s dislike for Komornicka, pointing out to a forgotten juvenile poem called Historia „Forpoczt”. The author of the article, who also wrote a monograph about Maria Komornicka, analyses the arguments presented by critics of both writers, observing the relation between Nałkowska and Komornicka from a neutral ground, without sharing the dynamic of hasty accusations.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 21; 163-175
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Susan Sontag — zapomniana matka?
    Susan Sontag — A Forgotten Mother?
    Autorzy:
    Ziewiec, Klaudia
    Powiązania:
    https://bibliotekanauki.pl/articles/1533589.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Susan Sontag
    Regarding the Pan of Others
    On Photography
    Against Interpretation and Other Essays
    anti-interpretative turn
    erotic aspect of theory
    essay writing
    “New Sensibility”
    The New York Intelectualls
    formal aspect of work
    ocularcentrism
    war
    Opis:
    The article discusses new and republished translations of Susan Sontag’s work, recently launched by the Karakter publishing house: Regarding the Pan of Others, On Photography, and Against Interpretation and Other Essays. The article focuses on the elements of Sontag’s thought that make her a forgotten mother of feminist and gender theoreticians, as well as such influential critics as Michel Foucault and Roland Barthes. The article points out to continuations of Sontag’s thought in contemporary theoretical and social projects, and to the pertinence of her critical observations on theories based on metaphysics of presence: psychoanalysis, Marxism, or hermeneutics. The article also touches upon history of war photography and related war journalism, and upon the ambivalent quality of imaging of the misery of war. It also present historical and cultural circumstances of the development of Sontag’s thought in the intellectual milieu of New York in the 1960s. The discussion recapitulates the main statements of Sontag’s essays, relating them to a wider theoretical context, which is aimed at a reappraisal of the forgotten intelectual in the history of literature.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 21; 199-213
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-14 z 14

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies