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    Wyświetlanie 1-9 z 9
    Tytuł:
    Imagi-natio. Przekład a wspólnota wyobrażona
    Imagi-natio. Translation and imagined community
    Autorzy:
    Bilczewski, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/1389837.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    imagination
    translation
    nation
    community
    Opis:
    The article proposes a short review of studies presenting the development and intellectual background of the notion of national community from the perspective of major civilizational transformations of the last fifty years (including books by Ulf Hannerz, Robert Reich, and Kenichi Ohmae). In this perspective, the discussion focuses on historical and theoretical aspects of functioning of translation in community making process. The discussion also explores relations between translation and imagination, especially in the context of the notions of imagined communities by Benedict Anderson, and cultural translation by Homi Bhabha. Both notions stress the dimensions of translational and translatological activity, which can be discussed in the categories of critical activity and a sort of political activity.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 63-77
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wycieczki inferencyjne tłumacza z wyobraźnią w tle
    Translator’s inferential excursions, with imagination in the background
    Autorzy:
    Tokarz, Bożena
    Powiązania:
    https://bibliotekanauki.pl/articles/1389874.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    translation
    imagination
    sense
    inferential excursions
    Opis:
    In a literary work, signals that trigger reader’s inferential excursions allow the reader’s imagination to identify with and control the represented world. They constitute an important element of sense-generating mechanism. Thanks to imagination, the translator imitates the inferential mechanism of the original on various level’s of the text’s structure, activating the imagination of the reader. The translator’s imagination is bi- or multivalent in having the linguistic-semiotic, literary, and cultural quality. Although it manifests itself in language, it goes beyond the boundaries of language. Imagination is a form of consciousness which has no object of its own, and a medium connecting a specific non-imaginary knowledge with representations. It constitutes a mind faculty shaped on the basis of sensory and mental perception. It is derived from individual principles of perception and cognition data processing. It usually requires a stymulus to activate the capabilities of the imagining subject. As a mind faculty, imagination is based on the mental capability common to all people, which is the ability to create chains of associations.Translator’s respect for inferential excursions in the original text is necessary for retaining the original meaning, regardless of whether they occur on the phonetic-phonological level (as in Ionesco’s The Chairs), or on the level of image-semantic and syntactic relations (as in translation of Apollinaire’s Zone), or on the level of syntax (as in translation of Mrożek’s short stories into Slovenian), or on the level of cultural communication (as in Slovenian translation of Gombrowicz’s Trans-Atlantic).
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 29-48
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zwoływanie wyobraźni
    Calling in imagination
    Autorzy:
    Balcerzan, Edward
    Powiązania:
    https://bibliotekanauki.pl/articles/1389862.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    auto-communication
    literary communication
    authorial literature
    translation literature
    author’s imagination
    translator’s imagination
    Opis:
    The term “imagination” has numerous meaning: colloquial, paraliterary, scientific. They all refer to auto-communication, which is a conversation of an individual with him or herself, when our mind faculties: memory, intuition, observation, intelligence, knowledge – and imagination, too – compete for dominance or strive for harmonious cooperation. Similarly to the generally understood imagination, its particular, important species (literary imagination) requires internal classification, because it is always an imagination of role: of the author, the reader, the expert, the performer, the censor, the distributor, or sometimes of the translator. The question of translator’s and author’s status provokes a comparison between author’s and translator’s imagination: they share some qualities, but also have decidedly different ones. The opposition between created nature and creating nature, which is a notion used by Józef Czechowicz, might be helpful in capturing the similarities and differences. But this opposition, too, demands a literary and historical context. The author created by the romantic myth seems someone gifted with imagination creating literary worlds, which are limitless, whereas the author of realist works, especially diaries, must give priority to observation, when a piece of external, empirical reality is described and recorded. Baroque, romanticism, realism, expressionism, avant-garde, postmodernism differ in their canons of imagination. The creative process by the author of an original work becomes a negotiation between innovations of authorial fantasy and recreation of the canon. The translator is under much stronger pressure from his or her times, because his or her objectives and tasks are different. Usually, knowledge is enough for a translator: linguistic, historical, literary, common, encyclopaedic, specialised. If knowledge fails, the translator reaches out to imagination as an instrument for interpretation of source text, but this happens only when the text is ambiguous and rich in images. Be it as it may, the quality and range of translator’s activity are determined by someone else’s imagination, accumulated in the translated work, and present in its rhetorics.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 13-25
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obraz rzeczy – słowo – słowo Innego
    Image of things – word – Other’s word
    Autorzy:
    Tabakowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1389879.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    imagination
    metonymity
    perception
    conceptualisation
    cognitive model
    Opis:
    The author attempts to determine the role of imagination in (literary) translation Definitions of various types of imagination, taken from dictionary, or discussed in psychological works, are referred to in relation to processes occurring in the mind of a recipient of text (the readertranslator and the intended reader of translation) confronted with the original, defined as “the Other’s word.” The discussion is illustrated by three selected examples of relations between imagination and foreign cultural determinants: a poet’s reference to an outdated, idealised cognitive model, reference to the Other’s realities of material culture, and grammatical determination of a cultural cognitive model. The article ends with conclusions related to the notion of translation equivalence.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 49-61
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Beksiński i źródła wyobraźni
    Beksiński and sources of imagination
    Autorzy:
    Jarosz, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1041841.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zdzisław Beksiński
    imagination
    symbolist painting
    fantastic art
    mannerism
    Opis:
    This article refers to a “fantastic” period in Zdzisław Beksiński’s painting (1929-2005). The quest for the sources of imagination of this original Polish artist has a broad cultural background. Its horizons are marked by Marcel Brion and Roger Caillois’s research on fantasy as well as G. R. Hocke’s assertion regarding the epoch of mannerism. Taking the above into consideration, it can be stated that imagination has an achronological character and in the case of the herein described painter it was a determinant of his aesthetic style and artistic attitude. His specific creative technique involved breaking with the order of reality, bordering on a dream and using the mannerist-like rhetorical figures. Beksiński’s “fantastic realism” was based on oneiric visions transferred into small drawing sketches. Their range encompassed unconscious elements, dream and nightmare iconography and a-logical narrative structures, which the artist complemented, added nuances and subsequently developed while working on his paintings. Specific motifs, forms and palette of colours and matter encroach on the presence of those primary visions – the authentic “pictures form under eyelids”. However, their anteriority in the act of creation was indisputable. They carried a special meaning for Beksiński by summarising intense sensations derived from reality and dreams, he could, just for a moment, project himself beyond the material world and the reigning of the passing time.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 207-229
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Po co fantastyka? Kilka uwag na marginesie lektur dawnych i współczesnych
    Why speculative fiction? A few side notes on former and contemporary readings
    Autorzy:
    Gemra, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1041864.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    speculative fiction
    inspiration
    stereotype
    imagination
    metaphor of reality
    Opis:
    Works of speculative fiction are among the most often chosen cultural texts. Article indicates several possible reasons of their popularity, such as breaking stereotypes and thinking patterns, inspirations for new solutions, tales of traditional values, chances to immerse in the world of imagination. Dressing an attractive “costume” and speaking an understandable “language”, speculative fiction tells about matters important to the audience. It helps not only to “get away” from reality, but also to reconcile to it and to shape it.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 139-153
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Miasto – wyobrażenie – refrakcja. O niemieckości Gdańska w rosyjskim przekładzie Hanemanna Stefana Chwina
    On Germanness of Gdańsk in the Russian translation of Stefan Chwin’s Hanemann
    Autorzy:
    Kaźmierczak, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/1389986.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    translation
    third culture
    imagination
    refraction
    Gdańsk
    German
    Ksenia Starosielska
    Opis:
    The article discusses representation of a third culture in translation: it compares the image of Gdańsk as a city with strong German cultural presence, presented in Stefan Chwin’s novel Hanemann, with the same image in Ksenia Starosielska’s Russian translation of the novel. The image of the old Danzig in Chwin’s work consists of linguistic allusions and references to German literature: interpolations, German proper names, realities from early decades of the 20th century, and the figure of Heinrich von Kleist. Some elements of language and notions in the novel could seem more distant for a R ussian reader than for a Polish one. The present author considers, thus, if and how reality and topography of the city have been presented to secondary receipients. The article focuses on the translator’s strategy of approach to a third culture, reflected both in translator’s choices in the main text, as well as the number and formulation of footnotes. Because images of places in text are also created by non-verbal means, the graphical paratexts are also interesting for the discussion. The transformations are discussed in terms of refraction, which leads to conclusions about the role of the analyzed translation in its target culture.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 171-189
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Stać się sobą. O Narcyzie
    To become yourself. On Narcyza
    Autorzy:
    Graczyk, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/1533641.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zofia Nałkowska
    feminist interpretation
    women’s literary imagination
    19th and 20th century literature
    polyphony
    irony
    feminine subjectivity
    narcissism.
    Opis:
    The author analyzes and interprets the style, structure, and narration in the novel that marked the transition in Nałkowska’s fiction from the Young Poland phase to the inter-war phase. The author shows the place of the novel in Nałkowska’s work, presenting the links with the work of other women writers of the 19th century, especially Orzeszkowa and Zapolska. The author attempts to demonstrate that Narcyza’s features elements of novelistic, feminine polyphony and irony (thanks to the use of the work of literary mothers); such elements were rare in the novelists earlier texts.The second part of the article is devoted to the analysis of the main heroine; the author demonstrates that Nałkowska wants to make the character a problematic and ideological heroine in the Bakhtinian sense. The author analyses the novelist’s techniques of “advancing” Narcyza, and the attempts to extricate the heroine, who is a marriageable maid, from the romance-like situation and to turn her into a serious character in the sense that used to be exclusively possible for male characters. 
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 21; 23-49
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Oko poetki. Uwagi o twórczości Ewy Elżbiety Nowakowskiej
    The eye of the poet. Comments about the work of Ewa Elżbieta Nowakowska
    Autorzy:
    Rabizo-Birek, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1041515.pdf
    Data publikacji:
    2018-10-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poets born in the 1970s
    “audacious imagination”
    connections between arts
    religious literature
    ecocriticism
    women’s poetry
    “the Cracow school of poetry”
    Opis:
    The article describes the work of the poet from Cracow,the author of short stories, essayist and translator – Ewa Elżbieta Nowakowska. Her poems were situated on the map of Polish literature among the “born in the seventies”, in the strand of “emboldened imagination” poetry, in the background of “Cracow school of poetry”, in a circle of women’s poetry. The main themes of her work: religion, the world of nature, history, culture and were presented by selecting relevant examples of her poems. In the conclusion, it was hypothesized that the varied work of the poet combines with the interest in perception and cognition, for what is available for the sense of sight as well as for what is hidden: transcendence and the mystery of being, expressed in the poet’s works by the broad metaphor of “the eye”.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 55-81
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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