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    Wyświetlanie 1-4 z 4
    Tytuł:
    Miron Białoszewski: alienacja i utopia. O neoawangardowych kontekstach poezji Białoszewskiego
    Miron Białoszewski: Alienation and Utopia. On Neo-Avant-Garde Contexts of Białoszewski’s poetry
    Autorzy:
    Świeściak, Alina
    Powiązania:
    https://bibliotekanauki.pl/articles/1389762.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    neo-avant-garde
    modernism
    alienation
    utopia
    privatized language
    performativity
    Opis:
    The article deals with the problem of avant-garde character of the poetry by Miron Białoszewski in the context of alienation and dealienatively understood utopias. This is the way the language is understood here, being, on the one hand, an anonymous “language without an end”, and, on the other hand – an extremely privatized code, as the transgressive neo-avant-garde ideas inscribed in this kind of writing: experiencing life as art and the recognition of art as an event from life, and thus a myth of art as an experience parallely private and intimate and aesthetically-social. Consequently, the relationships with neoavant- garde in the Białoszewski’s poetry are treated as an expression of the modernist artistic crises, and, at the same time, as a tool helping to overcome them.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 269-282
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Postawa surrealistyczna, czyli w stronę "nowej, krytycznej hermeneutyki"
    Surrealist Attitude, or Towards “New Critical Hermeneutics
    Autorzy:
    Kornhauser, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/1389818.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    modernism
    avant-garde
    surrealism
    objects
    experimental poetry
    Opis:
    The aim of this article is to discuss the crucial difference between the notions of ‘avant-garde’ (from Lyotard’s or Danto’s essays) and Perloff’s or Bolecki’s ‘modernism’ and to suggest a new, exclusive rather than inclusive, approach to literary studies, based on the experimental theory and poetics of Surrealism. This so-called “surrealist attitude” could be applied in the literary and cultural studies as a twofold paradigm: on the one hand, it focuses on the verbal or textual aspect of the avant-garde experiments (utilizing Bürger’s or Barthes’ theories), on the other hand, it gives an opportunity to acknowledge their anthropological or sociological character marked by Baudrillard, Danto, Foster, or Krajewski. In this perspective, the substantial process of abandonment of reality (Lyotard), which stands for the dominant element of the avant-garde aesthetics, could be connected with the crisis of represetation and with the binary nature of the objects (simultaneously, the textual/internal and contextual/exteral forms).
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 55-69
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyobraźnia wyzwolona. Kubistyczny model przekładu literackiego
    Imagination set free. A cubist model of literary translation
    Autorzy:
    Brzostowska-Tereszkiewicz, Tamara
    Powiązania:
    https://bibliotekanauki.pl/articles/1389838.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    cubism
    modernism
    avant-garde
    cubist translation
    creative turn in translation studies
    Ezra Pound
    Witold Wirpsza
    Opis:
    The subject of the present discussion is the cubist model of literary translation, which assumes a multilateral perspective in simultanism, expressed in rotation of the original text through various historical timespaces, styles, poetics, conventions, registers, and varieties of an ethnic language (or several languages) in the field of target text, nullification of the oppositions between domestication and exoticisation, archaising and modernising, and maximisation of reader’s reception: reader’s multilingual and multicultural competences. The “eclipticity” of relation between source and target text, peculiar to the cubist model, as well as the nonlinear (stereometric) approach to original, metonymic and juxtapositional translation technique, and ironic modality, all lead, in cubist translation, to the requirement of intertextual confrontation with the original, which is necessary of an assessment of scale, value, and range of a translation experiment.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 79-98
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Światło w poezji modernistów. ŚWIATŁOWSTĄPIENIE Tymoteusza Karpowicza i fragmenty The Pisan Cantos Ezry Pounda
    Light in the Poetry of Modernists. ŚWIATŁOWSTĄPIENIE by Tymoteusz Karpowicz and the Fragments of The Pisan Cantos by Ezra Pound
    Autorzy:
    Górniak, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/1389808.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    Karpowicz
    modernism
    neoplatonism
    poetry of the 20th century
    Pound
    the motif of light
    Opis:
    The aim of this article was to present a comparative interpretation of the selected poems by Tymoteusz Karpowicz (the poem alfaŚWIATŁOWSTĄPIENIE and a few accompanying poems) and Ezra Pound (The Cantos: LXXX, LXXXI and LXXXIII). The texts have been selected because of the theme of light, sun and visual perception. The comparative method is supposed to show 20th-century Polish poetry in the context of Anglo-American modernism. The relationship between the two poets seems to be hypothetical and one-sided. It has not been established so far whether the writings of Karpowicz were inspired by Pound’s texts. Thus, the article realized a model of contactless, comparative literary study, where comparisons are made on the basis of a typologic relationship. The first part of the article presented the theme of light in some non-poetic texts by Karpowicz and Pound and in their conception of art. The next two parts focus on the interpretation of poetry. The last chapter contained the conclusions drawn from the comparative analysis of chosen texts. The motif of light became not only a link between the selected poems, but also a reason for the comparison of the poetical techniques, specificity of style and the functions of linguistic experiments. The philosophical, Biblical, literary and even scientific contexts were evoked. A theoretical background was represented by the notion of reading/interpretation by Wolfgang Iser, transtextuality by Gérard Genette and the category of a model reader by Umberto Eco. The literary projects of Karpowicz and Pound impel readers to consider several issues. The most significant are: the limits of interpretation, obscurity or inexplicability of modern poetry and the problems of literary communication.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 185-211
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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