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Tytuł:
Metafora pralni. Zofii Chądzyńskiej czytanie, pisanie, tłumaczenie
The laundry metaphor. Zofia Chądzyńska’s reading, writing, and translation
Autorzy:
Gendaj, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/1390113.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Zofia Chądzyńska
Julio Cortázar
Hopscotch
women’s translations
women’s studies
Opis:
The essay is devoted to the life and work of Zofia Chądzyńska, with special focus on three manifestation of her intellectual activity: reading, writing, and translation, and their linguistic relations. The complicated post-war vicissitudes forced the writer to frequent changes in her way of life, and required an effort to adapt to the new reality. Chądzyńska did different jobs, and often changed her place of residence. The point of departure for the present discussion is her work at white-wash laundry in Buenos Aires. The laundry serves as a metaphor for moving from one linguistic space to another, and both spaces seem to be rigidly isolated from one another for Chądzyńska. The essay also refers to James Clifford’s On Ethnographic Self-Fashioning: Conrad and Malinowski. The anthropologist claims that each sphere of life is allotted to a different language: native, transgressive, and the language of restraint. The languages of both authors discussed by Clifford entered into various interferences, however, or replaced one another and created new connections. In Chądzyńska, it is definitely more difficult to see such relations, and her strong self-fashioning techniques reinforce the impression of radical transit from one language sphere to another. The author’s autobiography and her numerous autobiographical acts of expression also provide evidence for research in translation work, which in Chądzyńska can be analysed, for example, in the feminist context.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 227-237
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kazimiera Iłłakowiczówna mniej więcej znana
Kazimiera Iłłakowiczówna – known more or less
Autorzy:
Marzec, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/1041638.pdf
Data publikacji:
2018-10-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literary legend
literary canon
polemic
melancholia
borderland discourse
tonism
New Women
women’s writing
Opis:
The article is the analysis of the place of Kazimiera Iłłakowiczówna in contemporary literary discourse. The author of the article claims – using Pierre Bayard’s theory – that the poetess is known “more or less”: she is remembered as someone who got prizes and recognition but at the same time she is impossible to read nowadays. There is political ambiguity and antiquity in her texts that keep her in the past. Marzec points at four areas of literary studies, where Iłłakowiczówna is still present: 1. Poetics: Iłłakowiczówna uses an original and unusual type of the Polish tonic verse. The author of this article analyses it using tools of psychoanalysis. 2. Religious discourse: Iłłakowicz.wna is interpreted as the author of religious poetry but Marzec argues with such interpretations. 3. Post-dependence studies: Iłłakowiczówna has not been analysed in terms of post-dependence studies yet but she is mentioned in the Polish borderlines discourse. 4. Feminist literary criticism: Iłłakowiczówna used to be studied as the author of androgynous poetry, but Marzec points out other motifs such as miscarriage, infanticide or problems of the new woman, like work at government institution, contestation of vitalism and bureaucracy. The aimof this article is to show that writing of Kazimiera Iłłakowiczówna needs to be read in terms of the history of literature which is devoid of evaluation and judging. Such analysis means going back in terms of modern literary studies which have undergone multiple turns that changed the tools accessible to contemporary critics.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 75-94
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przyjaźń u Nałkowskiej (na przykładzie powieści Narcyza, Hrabia Emil, Niedobra miłość)
Friendship in Nałkowska’s Texts (in the Novels Narcyza, Hrabia Emil, Niedobra miłość [Narcyza, Count Emil, Bad Love])
Autorzy:
Gajewska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1533603.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Zofia Nałkowska
Narcyza
Hrabia Emil
Niedobra miłość
friendship
tabu
women solidarity
ethnic minority
women honour.
Opis:
The article, while discussing the concept of friendship, presents social and personal relations between the protagonists of Zofia Nałkowska’s fiction. Against the background of tragic social conflicts, numerous shows of disloyalty, trade in women, low motives, and thoughtlessness, the writer points out to friendship as the only worthwhile relationship, even if it brings many disappointments. Apart from her enormous sensitivity to women’s plight, and focus on their mutual solidarity, Nałkowska often focused on friendship between men, representing their emotional engagement and delight of one man in another. In Nałkowska’s fiction, friendship is linked to risk, opening up to otherness, and internalization of the gaze of another human being. Friendly relationships, although they are fleeting and full of ethical tensions, help people to free themselves from their mould, change their character, and escape from dependencies that discipline their desires. Thus, friendship means a personality crisis, weakening of character, and temporary transgression. The passage, a temporary escape from entrenched ways of living, is possible in Nałkowska’s fiction only at the cost of a friendly bond.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 21; 147-161
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Niewinne” – od postulatu dziewczęcości do inicjacji w poezji kobiet
“The Innocents” – from the postulate of girlhood to sexual initiation in women’s poetry
Autorzy:
Sołtys-Lewandowska, Edyta
Powiązania:
https://bibliotekanauki.pl/articles/1041532.pdf
Data publikacji:
2018-10-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
women’s poetry
initiation
mythization
little girl
Opis:
The article explores pictures of “a little girl” and of sexual initiation in 20th and 21st-century Polish women’s poetry, especially by Wisława Szymborska, Barbara Klicka, Jolanta Nawrot, Wioletta Grzegorzewska i Małgorzata Lebda. The girlhood showed in their poems is a certain potentiality of womanhood, often imbued with ripening eroticism very difficult to control. At the same time the girlhood is entangled in schematism of potential scenarios destined for a women subject: personal dependence and sense of being dominated, escape or emancipation. Initiatory poems show rather strong dependence on archetypical (The Little Match Girl) and mythicizing conventions of describing adolescence, still they can present idiomatic construction of female identity.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 9-28
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Witalizm kobiecy. Mapa problemów, sieć tradycji
Feminine vitalism. The layout of the problems, the chain of traditions
Autorzy:
Legeżyńska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1041644.pdf
Data publikacji:
2018-10-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
vitalism
modernism
women’s poetry
post-vitalism
Opis:
Vitalism is a vague and ambiguous philosophical notion which researchers try to apply to describe modernist literature, especially from the period of the Young Poland. The author of the article suggests that vitalism should be approached as an interpretive category. She examines whether it is possible to distinguish feminine vitalism and conducts an analysis of selected types of literature (H. Poświatowska, A. Świrszczyńska, W. Szymborska, A. Szymańska, U. Kozioł, M. B. Kielar). The analysis shows that modernist feminine vitalism in the poetry of the second half of the 20th century encompasses various types of affirmations: of nature, corporeality and existence. In late modernity it transforms into post-vitalism, which signifies new understanding of life and the reduction of the anthropocentric perspective, both determined by new discoveries of science.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 17-39
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Jak to się stało, że masz syna z nowym Bondem?” – kobiece, męskie i boskie w poezji Justyny Bargielskiej
“You have a son with new Bond! How did it happen?” – feminine, masculine and divine in Justyna Bargielska’s poetry
Autorzy:
Fazan, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/1041526.pdf
Data publikacji:
2018-10-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Bargielska
women’s poetry
Catholicism
heterosexuality
matherhood
Opis:
The paper applies to the work of one of the most important Polish writers of the last decade. Bargielska combines bold poetic experiments with a keen testimony of an ordinary life of a young woman, who experiences life in the beginning of the 21st century in Poland. On the one hand, the poet declares a conservative worldview (her value system is based on the “trinity”: Catholicism, heterosexuality, motherhood), on the other hand, she brutally and mercilessly uncovers the subjugation of a woman in the world of a male-dominated language. Her writing deconstructs this system, as it discovers the literature as a space for the practice of personal freedom beyond the slogans and ideological divisions; she manages to create her own independent form of existence. The poet renews feminine way of being through the deconstruction of religious myths and cultural stereotypes, confronted with the physiological and social reality.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 29-40
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Archiwa literatury kobiecej
Archives of women’s literature
Autorzy:
Marzec, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/1534480.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
feminism
women’s literature
women’s press
inter-war period
history of literary criticism
Joanna Krajewska
Jan Strzelczyk.
Opis:
The article concerns the relationships between terms, frequent in Polish literary criticism, such as “women’s literature”, “women’s press”, “women’s writing”, “literature written by women” and ”Feminist literature”. The author discusses three research books that have been published recently in which slightly different categories have been applied and which, at the same time, focus on the female element of cultural texts. In addition, the author points at multiple tendencies, frequently dissimilar and distinct, in the approach to the relationship between gender and the text. At the same time the author emphasizes a certain disposition manifested by researchers to employ the gender category to judge literary works. Hence, it seems to be quite justified to reopen the Jy women to show them in a new light. The same applies to the surrounding discussions on relevant titles — just as it is the case with publications by Joanna Krajewska, Jerzy Strzelczyk and Kamilla Łozowska-Marcinkowska.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 237-247
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Istnienia równoległe? Człowiek i rzeczy w poezji Bogusławy Latawiec
Paralel beings? Human and things in Bogusława Latawiec’s poetry
Autorzy:
Trzcińska, Angelika
Powiązania:
https://bibliotekanauki.pl/articles/1041617.pdf
Data publikacji:
2018-10-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
thing
nature
ekphrasis
women poetry
ontology of things
Opis:
The article elaborates on the place and status of items and the relationship that occurs between human and thing in Bogusława’s Latawiec poetry. The author made an attempt to capture the way in which this issue has evolved in Latawiec’s poetic works – from her first book to the last collection of poems. At the same time poetry has been confronted them with selected theoretical approaches.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 307-326
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka radości i praktyka anarchii. O powieści Goliardy Sapienzy i kilku polskich utworach
The Art of Joy and the Practice of Anarchy. On Goliarda Sapienza’s Novel and a Few Polish Texts
Autorzy:
Lisowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1040816.pdf
Data publikacji:
2020-10-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
women’s literature
anarchism
corporeality
sexuality
family
politics
Opis:
The article discusses the Polish translation (2018) of Goliarda Sapienza’s novel L’arte della gioia (The Art of Joy, in Polish Sztuka radości, trans. by Tomasz Kwiecień) in relation to the selected works of Inga Iwasiów and Sylwia Zientek. Anarchism, which provides the ideological background of the Italian book, serves as the basic point of reference for this interpretation. The author points to the issues from Sapienza’s novel which are important from the perspective of anarchism and which can also be found in the Polish texts mentioned in the article. The aim of this analysis is to discuss the context in which The Art of Joy functions in Poland and to suggest the possible lines of interpretation that can be drawn between this novel and contemporary Polish literature.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 38; 125-156
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„To nie jest poezja w całym słowa tego znaczeniu”. Pieśni żałobne getta Izabeli Gelbard
This is not poetry in the true sense of the word. Pieśni żałobne getta by Izabela Gelbard
Autorzy:
Karolak, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/1041634.pdf
Data publikacji:
2018-10-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czajka-Stachowicz
Gelbard
Holocaust
ghetto
polish women writer
Opis:
The main purpose of this article is to analyse the reception of Izabela Glebard’s (Czajka-Stachowicz’s) works, with particular emphasis on her only book of poety Pieśni żałobne getta . At first Gelbard intentionally chooses poetry, but after the experience of World War II, she leaves it completely and repleces by prose. The root cause of this state of affairs is the war trauma. Very important is also the critical attitude of the writer to her poems. These works have not been appreciated by literary critics who treat them as a document and testimony rather than a valuable poetry. It seems that the Gelbard poems, like all her works, are waiting for a new, contextual reading.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 113-128
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Balansując na krawędzi słowa: specyfika kobiecych świadectw obozowych (Delbo, Millu, Szmaglewska, Żywulska)
Balancing on the edge of word: specificity of women’s accounts of concentration camp life (Delbo, Millu, Szmaglewska, Żywulska)
Autorzy:
Teklik, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1534856.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
trauma
concentration camp
Auschwitz-Birkenau
feminine perception
women narration
Opis:
The problem of presenting the traumatic experience of deportation and detention in a concentration camp is still painfully topical, the more so that hitherto existing methods and linguistic strategies provide no useful tools for its investigation, being either frustratingly ineffective, or altogether useless. Over time, a certain regularity in handling the problem has become noticeable, i.e. a distinctive separation of the available accounts of the experience into those provided by women and those evidenced by men. The answer to the question of how to narrate has to be then preceded by an appropriate question on social, cultural and gender identity of the narrator. On the basis of the exemplary accounts by four former inmates of the concentration camp at Auschwitz-Birkenau it is possible to understand the specificity and uniqueness of feminine perception of the camp’s reality. The accounts provided by Charlotte Delbo, Liana Millu, Seweryna Szmaglewska and Krystyna Żywulska — all easily identifiable by the different adopted form of message conveyance — share the specificity of women’s subjects raised, aspects closely related to the structure of a woman and her existence in responding to extreme conditions, often omitted in accounts provided by male witnesses. Camp pregnancies, dramatic deliveries, pseudo-scientific experiments, rapes and prostitution — all these constitute additional themes related to by women, victims to the above.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 249-262
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Instrukcje obsługi kobiety i świata”. O (eko)poezji Julii Fiedorczuk
“Woman and world: user’s manuals”. On Julia Fiedorczuk’s (eco)poetry
Autorzy:
Grądziel-Wójcik, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1041451.pdf
Data publikacji:
2018-10-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Julia Fiedorczuk
21st century Polish poetry
ecocriticism
ecopoetry
women’s poetry
Opis:
Julia Fiedorczuk’s academic, journalistic and critical activity invites readings of her poetry in the context of ecopoetics, which she actively promotes. Her ecocritically oriented poems explore the links between poetry and natural environment, proposing an interdisciplinary practice of cocreation of the human and non-human world, as well as a re-evaluation of our understanding of the relations between them. It is, at the same time, a type of poetry that exposes its gender affiliation; it evokes and deconstructs the culturally instilled associations between femininity and nature, and formulates questions pertaining to identity and metaphysics. With her “woman and world: user’s manuals” project, poetically original yet deeply rooted in (post)modern contexts, Fiedorczuk represents one of the most interesting currents of contemporary – and not just women’s – poetry.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 237-253
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak badać literaturę dokumentu osobistego, czyli bliskie spotkania z Bronisławą Waligórską
How to research personal texts – a close meeting with Bronisława Waligórska
Autorzy:
Kwiatkowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1040912.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
letters
personal literature
women’s writing
inconspicuous work
document’s material value
Opis:
The author of 19th-century letters, Bronisława Waligórska – a socialist activist – was arrested and imprisoned in the Warsaw Citadel in July 1886.She sent letters from prison to her sister Jadwiga, who visited her in an attempt to satisfy the prisoner’s most pressing needs. The surviving correspondenceis a testimony of the living conditions of the Citadel’s prisoners and the internal life of Bronisława, who was gradually losing her spirit and the will to fight. On December 31, 1886, she swallowed sulphur from matches and died a few days later. Waligórska’s letters are a testimony of the time spent in prison, but not only. In the letters to her sister, she discussed such topics as the conditions of everyday existence, life in prison and organisation, but also included her reflections on culture, literature and art. She tried to fill her time in prison with translation work. The surviving letters have been published in an innovative graphic form and their edition is a breakthrough in editorial work on archival documents. The print meticulously keeps all the corrections and crosses of the original. Monika Rudaś-Grodzka treated Bronisława Waligórska’s letters with great respect; she approached them with a passion and sensitivity of an archivist who not only analyses the content of the remaining documents, but is always aware that they are a testimony of the life of a particular person. Thanks to thepeculiar attitude of the researcher, Waligórska, while being the protagonist of the book, never stopped being its author. The edition of letters from prison are accompanied by an editor’s note, a description of the terms of publications, a timeline, the main protagonist’s prison biography and a selection of documents concerning the investigation.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 36; 330-340
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stać się sobą. O Narcyzie
To become yourself. On Narcyza
Autorzy:
Graczyk, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1533641.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Zofia Nałkowska
feminist interpretation
women’s literary imagination
19th and 20th century literature
polyphony
irony
feminine subjectivity
narcissism.
Opis:
The author analyzes and interprets the style, structure, and narration in the novel that marked the transition in Nałkowska’s fiction from the Young Poland phase to the inter-war phase. The author shows the place of the novel in Nałkowska’s work, presenting the links with the work of other women writers of the 19th century, especially Orzeszkowa and Zapolska. The author attempts to demonstrate that Narcyza’s features elements of novelistic, feminine polyphony and irony (thanks to the use of the work of literary mothers); such elements were rare in the novelists earlier texts.The second part of the article is devoted to the analysis of the main heroine; the author demonstrates that Nałkowska wants to make the character a problematic and ideological heroine in the Bakhtinian sense. The author analyses the novelist’s techniques of “advancing” Narcyza, and the attempts to extricate the heroine, who is a marriageable maid, from the romance-like situation and to turn her into a serious character in the sense that used to be exclusively possible for male characters. 
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 21; 23-49
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oko poetki. Uwagi o twórczości Ewy Elżbiety Nowakowskiej
The eye of the poet. Comments about the work of Ewa Elżbieta Nowakowska
Autorzy:
Rabizo-Birek, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1041515.pdf
Data publikacji:
2018-10-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poets born in the 1970s
“audacious imagination”
connections between arts
religious literature
ecocriticism
women’s poetry
“the Cracow school of poetry”
Opis:
The article describes the work of the poet from Cracow,the author of short stories, essayist and translator – Ewa Elżbieta Nowakowska. Her poems were situated on the map of Polish literature among the “born in the seventies”, in the strand of “emboldened imagination” poetry, in the background of “Cracow school of poetry”, in a circle of women’s poetry. The main themes of her work: religion, the world of nature, history, culture and were presented by selecting relevant examples of her poems. In the conclusion, it was hypothesized that the varied work of the poet combines with the interest in perception and cognition, for what is available for the sense of sight as well as for what is hidden: transcendence and the mystery of being, expressed in the poet’s works by the broad metaphor of “the eye”.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 55-81
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
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