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    Wyświetlanie 1-4 z 4
    Tytuł:
    Czuła narracja: nowe oblicze literatury polskiej w oczach Chińczyków
    Tender Narration: the New Face of Polish Literature in the Eyes of the Chinese
    Autorzy:
    Yinan, Li
    Powiązania:
    https://bibliotekanauki.pl/articles/1533297.pdf
    Data publikacji:
    2021-09-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    reception of Polish literature
    Polish literature in China
    translation of Polish literature
    Chinese translators
    Opis:
    The article presents the dynamics, characteristics and the shifting paradigms of the reception of Polish literature in China from 2012 to 2020. The author analyses the reasons for the popularity of the most often translated and read Polish authors on the Chinese publishing market, with particular interest in Czesław Miłosz, Olga Tokarczuk and Andrzej Sapkowski. She also presents the translators – both experienced and often recognised and awarded doyens of Polish studies in China, and those from the intermediate and youngest generations to whom the oldest ones passed the knowledge, skills, passion and the sense of common mission of building cross-cultural dialogue through literature.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 21-51
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zwoływanie wyobraźni
    Calling in imagination
    Autorzy:
    Balcerzan, Edward
    Powiązania:
    https://bibliotekanauki.pl/articles/1389862.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    auto-communication
    literary communication
    authorial literature
    translation literature
    author’s imagination
    translator’s imagination
    Opis:
    The term “imagination” has numerous meaning: colloquial, paraliterary, scientific. They all refer to auto-communication, which is a conversation of an individual with him or herself, when our mind faculties: memory, intuition, observation, intelligence, knowledge – and imagination, too – compete for dominance or strive for harmonious cooperation. Similarly to the generally understood imagination, its particular, important species (literary imagination) requires internal classification, because it is always an imagination of role: of the author, the reader, the expert, the performer, the censor, the distributor, or sometimes of the translator. The question of translator’s and author’s status provokes a comparison between author’s and translator’s imagination: they share some qualities, but also have decidedly different ones. The opposition between created nature and creating nature, which is a notion used by Józef Czechowicz, might be helpful in capturing the similarities and differences. But this opposition, too, demands a literary and historical context. The author created by the romantic myth seems someone gifted with imagination creating literary worlds, which are limitless, whereas the author of realist works, especially diaries, must give priority to observation, when a piece of external, empirical reality is described and recorded. Baroque, romanticism, realism, expressionism, avant-garde, postmodernism differ in their canons of imagination. The creative process by the author of an original work becomes a negotiation between innovations of authorial fantasy and recreation of the canon. The translator is under much stronger pressure from his or her times, because his or her objectives and tasks are different. Usually, knowledge is enough for a translator: linguistic, historical, literary, common, encyclopaedic, specialised. If knowledge fails, the translator reaches out to imagination as an instrument for interpretation of source text, but this happens only when the text is ambiguous and rich in images. Be it as it may, the quality and range of translator’s activity are determined by someone else’s imagination, accumulated in the translated work, and present in its rhetorics.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 13-25
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Literatura polska w oczach Chinki polonistki. Z Li Yinan rozmawiają Elżbieta Winiecka i Joanna Krenz
    Tender Narration: The New Face of Polish Literature in the Eyes of
    Autorzy:
    Krenz, Joanna
    Winiecka, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/2038332.pdf
    Data publikacji:
    2021-09-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    reception of Polish literature
    Polish literature in China
    translation of Polish literature
    Chinese translators
    Opis:
    The article presents the dynamics, characteristics and the shifting paradigms of the reception of Polish literature in China from 2012 to 2020. The author analyses the reasons for the popularity of the most often translated and read Polish authors on the Chinese publishing market, with particular interest in Czesław Miłosz, Olga Tokarczuk and Andrzej Sapkowski. She also presents the translators – both experienced and often recognised and awarded doyens of Polish studies in China, and those from the intermediate and youngest generations to whom the oldest ones passed the knowledge, skills, passion and the sense of common mission of building cross-cultural dialogue through literature.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 231-240
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Emily Dickinson po polsku
    Emily Dickinson in Polish
    Autorzy:
    Salska, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1041434.pdf
    Data publikacji:
    2018-10-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Dickinson – reception in Poland
    translations into Polish
    Polish translators (Stanisław Barańczak
    Kazimiera Iłłakowiczówna
    Wacław Iwaniuk
    Ludmiła Marjańska
    Artur Międzyrzecki
    Andrzej Szuba)
    translating poetry
    Opis:
    The article traces Polish translations of Dickinson’s poetry preceding and following the publication in the nineteen nineties of 200 poems by Emily Dickinson translated by Stanisław Barańczak. It comments on some Polish poets’ response to Dickinson in their own works and points to the growing body of publications online of private selections from Dickinson’s poems previously translated by established Polish poets (mostly Barańczak or Marjańska) as well as translations and original poems inspired by Dickinson’s work authored by less known poets, amateur translators and lovers of poetry. The article suggests that the increased Polish interest in Dickinson’s work is not only a kind of domino effect following Barańczak’s impressive translations. It also results from the growth of interest in translation studies and skills and must be related, too, to the fact that her poetry of private sensibility confronted with a dramatically changing world resonates with contemporary experience of the sensitive individual.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 271-290
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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