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    Wyświetlanie 1-12 z 12
    Tytuł:
    Powrót z zaświatów – ewolucja motywu w twórczości Stanisława Wyspiańskiego
    Return from the Other World – the Evolution of the Motif in Stanisław Wyspiański’s Works
    Autorzy:
    Wedemann, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1041856.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Stanisław Wyspiański
    Young Poland
    romanticism
    drama
    ballad
    ghost
    Opis:
    The article concerns the question of the ghost, which runs through the oeuvre of Stanislaw Wyspianski (1869-1907) from his school translation of G. A. Bürger`s Lenora  until the last, unfinished drama Zygmunt August .
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 167-181
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Romantyczne tropy późnej nowoczesności
    Romantic tropes in late modernism
    Autorzy:
    Artwińska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1534499.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Romanticism
    modernity
    reception
    postcolonial studies
    Romantic object
    cultural formation.
    Opis:
    The article discusses the book entitled Romantyzm i nowoczesność (Kraków 2009), edited by Michał Kuziak in which the authors examine a possibility of an application of modern methodological propositions for an analysis of Romanticism in literature. The reviewer presents and briefly discusses each of the articles contained in the book, focusing particularly on the extent to which individual articles correspond to the main assumptions of the volume. Thus, the reviewer provides the reader with an analysis of the concepts of modernity and Romanticism presented by the authors, but also points out convergence points, interceptions and dependencies occurring between them. The volume, presenting novel interpretations and approaches to individual literary works, methodological reflections and studies on selected problems in aesthetics and Romantic ideology, has been critically acclaimed. The reviewer recommends the book as an interesting piece of writing not only for researchers in the history of the literature of the nineteenth century, but also for those studying culture and for theoreticians of narrative discourse.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 225-236
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Prze-pisywanie romantyzmu? O jednej z poetyckich dykcji Aleksandra Wata
    Re-writing Romanticism? About One of the Poetic Dictions of Aleksander Wat
    Autorzy:
    Pietrych, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1389734.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poems by Aleksander Wat
    modernist poetry
    Romanticism
    subjectivity
    intertextuality
    Opis:
    The article is an attempt to read Wiersze śródziemnomorskie (Mediterranean Poems) – one of the most prominent texts of the modernist Polish poet Aleksander Wat. The author is interested in the relation of this text with Romanticism, consisting not only in a variety of intertextual and aesthetic references, but, what is most significant, in the realization of a Romantic concept of subjectivity in the way of perceiving and experiencing the world. The author follows the demonstrations of this subjectivity in the consecutive fragments of the Mediterranean poem, indicating multifaceted character of Romantic trappings and dependencies, especially those of epistemological kind. This kind of reading of the Mediterranean poem inclines one to pose a fundamental question: why Wat, in a revisionist fashion, makes use of the Romantic diction in Mediterranean Poems, making of it a kind of a subcode of his own language? It happens so because the difficulties of modernist identity have their source in Romanticism, which, firstly, discovers the world as a domain of conflicting oppositions, secondly, – as a meditative consciousness questioning the substantive unity of the subject, thirdly, – subjectivity as a task to be realized by various types of articulations and narrations.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 213-228
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Inwentarz przedmiotów pozostawionych przez Antoniego Malczewskiego
    And inventory of Antoni Malczewski’s belongings
    Autorzy:
    Dambek-Giallelis, Zofia
    Powiązania:
    https://bibliotekanauki.pl/articles/1040999.pdf
    Data publikacji:
    2019-11-05
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    biography studies
    history of biography
    new materialism
    romanticism
    archives
    Opis:
    In the article, the inventory of Antoni Malczewski’s belongings, the author of the romantic poem Maria, is published. The document was found in the archive of Jan Feliks Wilski, a nineteenth-century Varsovian notary. The only time the document was sourced was in the biography of Malczewski by Władysław Kazimierz Wójcicki in 1854 (1855). Besides presenting the document, the author collates the rediscovered list with a reading by the nineteenth-century biographer.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 35; 298-311
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Galicyjska recepcja Chopina. W kręgu Marceliny Czartoryskiej i Stanisława Tarnowskiego
    The Reception of Chopin in Galicia. In the circle of Marcelina Czartoryska and Stanisław Tarnowski
    Autorzy:
    Stachura-Lupa, Renata
    Powiązania:
    https://bibliotekanauki.pl/articles/2038308.pdf
    Data publikacji:
    2021-12-29
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Frédéric Chopin
    Marcelina Czartoryska
    Stanisław Tarnowski
    19th century
    romanticism
    Opis:
    The paper is dedicated to the role of princess Marcelina Czartoryska, a friend and student of Chopin, as an initiator of the research into his life and work, and to Stanisław Tarnowski’s essay about the composer. On 19 March 1871, in the hall of the Saski Hotel, a public lecture on Chopin was presented by Tarnowski, accompanied by Czartoryska’s magnificent performance. The income from this event was donated to Towarzystwo Wzajemnej Pomocy (mutual help association) for the support of the poor students of the Jagiellonian University. Czartoryska accompanied Tarnowski, illustrating his speech by playing the piano. Tarnowski published his work twice: in 1871 and 1892. He set the life and work of Chopin in the context of the period. Based on the sources, he reconstructed the spiritual biography of the artist, his creative personality both in terms of the psychological and the social aspects. He saw in Chopin “the fourth greatest poet of the divided Poland,” the fourth Bard.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 41; 125-149
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Haupt postromantyczny? O czterech prozach i dwóch wierszach
    Postromantic Haupt? On Four Texts in Prose and Two Poems
    Autorzy:
    Niewiadomski, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1532819.pdf
    Data publikacji:
    2021-09-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    romanticism
    modernity
    metatextual/intertextual relationships
    literary game
    incommunicability
    literary Mannerism
    Opis:
    The article is devoted to the relationship between Zygmunt Haupt’s prose and the romantic worldview, more precisely to the references to Juliusz Słowacki’s works clearly visible in Haupt’s prose. The issue, which has been previously pointed out by other researchers, required verification by means of close analysis of the specific kind of game that Haupt plays with Słowacki’s texts: Beniowski, Lilla Weneda, the poems Do pastereczki… (To a shepherdess…) and Patrz nad grotą… (Look, above the grotto…), and a fragment of Raptularz (Notebook). Seemingly simple references turn out to be part of a design of making a modern attempt at challenging the incommunicable by means of referring to both Słowacki’s text and his biography, together with an ambiguous, and suspended between repetition and ironic distance, attitude towards the romantic diagnoses of existence. Haupt’s prose, referring to many other traditions as well, presents a Mannerist creative design in which the romantic tradition plays a significant role, yet is not the only point of reference.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 325-356
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ciało fortepianu – artykulacja doświadczenia cielesnego w korespondencji Fryderyka Chopina
    The Body of the Piano – the Articulation of a Physical Experience in Frédéric Chopin’s Letters
    Autorzy:
    Świtka, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/2038275.pdf
    Data publikacji:
    2021-12-29
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Frédéric Chopin
    physicality
    body
    physical subjectivity
    tuberculosis
    correspondence
    music
    romanticism
    Opis:
    The article focuses on the presentation and analysis of selected excerpts from Frédéric Chopin’s letters from the 1824-1849 period that illustrate their author’s attitude towards physical experiences. In contrast to the “disembodied” reception of the artist that reproduces the “soul of the piano” metaphor, the article describes a broad representation of the composer’s texts on physical appearance, the role of the body in the performance act, living through illness and the oncoming death. The cross-sectional and chronologically ordered study presented in the article shows the evolution of the subject’s attitude towards his own body along the progress of his illness. It is at the same time an illustration of the style and imagery used by the author of the letters while describing specific aspects of physical experience.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 41; 15-38
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Romantyzm polityczny Jarosława Jakubowskiego albo przepisywanie Dziadów (na prawicy)
    Jarosław Jakubowski’s Political Romanticism or Rewriting Dziady (on the right wing)
    Autorzy:
    Bagłajewski, Arkadiusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1533200.pdf
    Data publikacji:
    2021-09-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    reception of romanticism
    romantic paradigm
    contemporary drama
    right-wing discourse
    Jarosław Jakubowski
    Opis:
    The article analyses two dramas by Jarosław Jakubowski: Dożynki and Nowy Legion (New legion), which their author designed as attempts at updating the political frame of Mickiewicz’s Dziady (Forefathers’ Eve), (especially ‘Warsaw salon’), read in the context of the ‘Smoleńsk romanticism.’ The right-wing approach to Mickiewicz’s archdrama offers a diagnosis of the social and political divide (‘two Poland’) in the aspect of the clash between two worldviews: left-wing and liberal versus right-wing. Mickiewicz’s authority is supposed to strengthen the right-wing diagnoses, hence it is easy to spot the numerous attempts at instrumental and anachronic reading of the romantic legacy. At the same time, the analysed dramas show the importance and the textual and ideological productivity of the romantic paradigm.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 297-323
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Osiem i pół Zbigniewa Osińskiego
    Zbigniew Osiński’s Eight and a Half
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/1040964.pdf
    Data publikacji:
    2019-11-05
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    8½
    art of film
    artist
    personality
    author
    authorship
    myth
    romanticism
    modernism
    art
    science
    experience
    Opis:
    A close reading analysis of a brilliant paper devoted to Federico Fellini’s Otto e mezzo written in 1965 by the famous Polish theatrologist, Zbigniew Osiński (1939-2017).
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 35; 487-501
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Trzy zwiędłe liście, trzy smutne wiersze (Garczyński, Lenartowicz, Asnyk)
    Three withered leaves, three sad poems (Garczyński, Lenartowicz, Asnyk)
    Autorzy:
    Hamerski, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/1534688.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Victor Hugo
    elegiac mood
    lyric poetry
    conceptions of poetry
    Romanticism
    literary tradition
    Friedrich Schiller
    Friedrich Schlegel
    Opis:
    This text provides an interpretation of three poems, written by nineteenth century poets, that share a common theme of Autumn, with a particular attention given to the motif of a withered leaf. The author is interested how the poems in question match the elegiac convention of autumn lyric poetry and, at the same time, how each in its own way tries to overcome this convention. In Odpowiedź na list written by Stefan Garczyński, the acceptance of passing is concurrently met with defiance, expressed in a language of paradoxical metaphor. Teofil Lenartowicz in his Liście zwiędłe breaches the formal elegiac tone with the application of underlying vitalistic overtones included in the poem. Adam Asnyk’s Zwiędły listek, through a superposition of metonymies, achieves the effect of multilayered mediation and erasure of the trace of experience. The reading and understanding of the three poems, composed in Romanticism and post-Romanticism periods, make it possible to observe, fragmentarily of course, the multiplicity of different poetic attitudes that accompany the process of re-enchantment of the world.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 125-145
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Moment elegijny” Victora Hugo
    Victor Hugo’s elegiac moment
    Autorzy:
    Siwiec, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1534724.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Victor Hugo
    elegiac mood
    lyric poetry
    conceptions of poetry
    Romanticism
    literary tradition
    Friedrich Schiller
    Friedrich Schlegel
    Opis:
    This article attempts to define the place of elegiac modality in the literary output of Victor Hugo. The starting point for the discussion and at the same time appropriate interpretative tool is the definition of elegy derived from the writings of German theoreticians of Romanticism: Friedrich Schiller and Friedrich Schlegel. The thing is question is the elegiac attitude based on exposing of what is ideal and lost at the same time. The above, indeed, constitutes an answer to the questions of the experience of crisis so inherent to Romanticism. Analyses of the early poetical volumes written by the author show a particular evolution of Hugo’s conception of poetry. Politically committed The Odes, being anti-elegiac by assumption, are discussed, as well as purely poetical Eastern poems overtly promoting limitless freedom which characterizes the creative imagination. The interpretation of individual poems from these volumes proves, however, that one can discern a certain elegiac tone in them, though the tone is never dominant. The volume that distinctively enhances the elegy (thus far discredited by Hugo and from then on permanently occurring in his works) turns out to be Autumn Leaves — a collection of poems of contemplative, melancholic, visionary and self-reflective character.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 103-123
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Wy oświeceni, my dzicy ludzie jesteśmy, ale my więcej od was umiemy”. Postacie operowe Wojciecha Bogusławskiego w obliczu utraty wolności
    “Wy oświeceni, my dzicy ludzie jesteśmy, ale my więcej od was umiemy” (“You are Enlightened, we are Primitive, yet we Have More Skills”). The Characters in Wojciech Bogusławski’s Operas Facing Loss of Freedom
    Autorzy:
    Maksymowicz, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/2135473.pdf
    Data publikacji:
    2022-09-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Wojciech Bogusławski
    Izkahar król Guaxary
    Axur król Ormus
    Dla miłości zmyślone szaleństwo
    theatre
    opaera
    partitions of Poland
    colonialism
    the massacre of Praga
    Enlightenment
    pre-romanticism
    Opis:
    This article constitutes an attempt at recreating the possible allusive readings, political references and hidden meanings in three operas by Wojciech Bogusławski: Dla miłości zmyślone szaleństwo (Madness made for love), Axur król Ormus (Axur, the king of Ormus), Izkahar król Guaxary (Izkahar, the king of Guaxara). Key for this search are the attitudes of the characters in the analysed operas towards the loss of freedom – one may argue that their ways to cope with the violence and the ruthless autocratic tyranny could be perceived as contemporary. This is why the story, which is in its outer layers one of an unhappy love, became for the eighteenth-century viewers a story of the most important contemporary politics.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2022, 42; 249-263
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-12 z 12

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