Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Holocaust;" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 22
Tytuł:
Katastrofa wsteczna
Reverse Catastrophe
Autorzy:
Czapliński, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/1389632.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
reverse catastrophe
Holocaust
postcatastrophic society
Opis:
The principal notion of the article–a “backward catastrophe”– stands for a catastrophe which occurs unseen until it becomes recognized and which broadens its destructive activity until it has been recognized. This concept in the article has been referred to the Shoah. The main thesis is that the recognition of the actual influence of the Holocaust began in Polish culture in the mid-1980s (largely it started with the film by Claude Lanzmann Shoah and the essay by Jan Błoński Biedni Polacy patrzą na getto [“The Poor Poles Look at the Ghetto”]), that is when the question: “What happened to the Jews”, assumes the form: “Did the things that happened to the Jews, also happened to the Poles?”. Cognitive and ethical reorientation leads to the revealing of the hidden consequences of the Holocaust reaching as far as the present day and undermining the foundations of collective identity. In order to understand this situation (and adopt potentially preventive actions) Polish society should be recognized as a postcatastrophic one.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 25; 37-66
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polska literatura Zagłady. Odsłona pierwsza: 1939-1968
Polish Literature of the Holocaust. The First Instalment: 1939-1968
Autorzy:
Kuczyńska-Koschany, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1389553.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
Polish literature
1939-1968
monograph
synthesis
representation
“Polish literature of the Holocaust”
Opis:
The text is a critical attempt discussing the compendium Literatura polska wobec Zagłady, (“Polish Literature in the Face of the Holocaust”) edited and published by three prominent scholarly experts on the subject: Sławomir Buryła, Dorota Krawczyńska and Jacek Leociak. This is the first of the three volumes of the series Reprezentacje Zagłady w kulturze polskiej (“Representations of the Holocaust in Polish Culture”) – an endeavour which is imposing already in its first instalment concerning the years 1939-1968. The time frame of the abovementioned volume is marked by the date of the beginning of World War II (1939), resulting in the Holocaust of the Jews of Europe, and a “dry pogrom”, that is was the anti-Semitic campaign in Poland in 1968 (the campaign itself and its writings shall be examined in the following volume). A comprehensive and very carefully prepared monograph has been divided into two fundamental parts: concerning the literature reacting to the Holocaust conducted by Nazi Germany during the war (1939-1945) and discussing the literary echoes of that genocide in the years 1945-1968. The study and invaluable interpretational effort have been focused on personal document literature (Marta Janczewska, Jacek Leociak), the prose (Sławomir Buryła, Dorota Krawczyńska), the poetry (Piotr Matywiecki) and the press (Ewa Koźmińska-Frejlak). A separate chapter has been devoted to a the “global text”, i.e., Archiwum Ringelbluma (“Ringelblum’s Archives”). Highly appreciating the entire volume as well as its individual fragments, recalling fundamental considerations and the ones concerning details, finally, proposing small corrections and pointing to minor shortcomings, the author of the critical review suggests the use of the formula “Polish literature of the Holocaust” (analogous to the formula coined by Grzegorz Niziołek “Polish theatre of the Holocaust”) as the one principally necessary to be contrasted with the formula “Polish literature of war and occupation”.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 25; 351-361
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postkatastroficzne relikty i relikwie: los obrazów po Holokauście
Postcatastrophic Relicts and Relics: the Fate of Images after the Holocaust (on the Basis of Works by Dina Gottliebová-Babbitt and Christian Boltanski)
Autorzy:
Tippner, Anja
Powiązania:
https://bibliotekanauki.pl/articles/1389574.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postcatastrophe
visualization of the Holocaust
dynamics of possession and dispossession through the Holocaust
Christian Boltanski
Dina Babbitt
Opis:
The text concerns itself with the afterlife of visual representations of the victims of the Holocaust. With regard to Classe terminale du lycée chases en 1931: Castelgasse, Vienne by the French artist Christian Boltanski and drawings made by Dina Gottliebová-Babbitt in Auschwitz, questions of ownership and the appropriation are discussed. The article addresses the aporias of postcatastrophic attitudes towards the remnants of the Holocaust as well as the way in which they are treated and dealt with. The paper states, that the dynamics of dispossession, appropriation and re-appropriation that have been set into motion by the Holocaust, have not come to an end nor will they come to an end in the foreseeable future.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 25; 237-255
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rejestry przemocy. Usuwanie Żydów z języka Czechowicza
Registers of Violence. Removing of Jews from Czechowicz’s Language
Autorzy:
Jarzyna, Anita
Powiązania:
https://bibliotekanauki.pl/articles/1533571.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Józef Czechowicz
letters
poetry
Jews
antisemitism
Holocaust
Opis:
The article is a reaction to the second edtion of Józef Czechowicz’s Letters (2011), which the author compares to the first edition (1977). It turns out that the poet’s letters, when they went through censorship screening in the 1970s, were purged not only of politically charged passages, where he mentions Miłosz, Czuchnowski, Iwaniuk, and Łobodowski, as well as the critical passages about Marxism, but also his remarks about Jews, remarks that were mostly antisemitic and stereotypical. The analysis of these passages is confronted with Czechowicz’s photographs of the Jewish quarter in Lublin and with the “Jewish traces” in his poetry. Above all, however, the discussion focuses on the language of violence, exposed in the poem śmierć [death] in the volume called dzień jak co dzień. The poem has been interpreted polemically, in opposition to Jacek Leociak, who reads śmierć both figuratively and as a text about a slaughterhouse. In this way, unexpected dimensions of Czechowicz’s sensitivity are shown, as the poet understands the cruelty of modern “animal killing industry” (used by the designers of the Holocaust machine), while at the same time he uses a dangerous array of antisemitic stereotypes, which were previously unknown to his critics.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 197-211
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Po Jedwabnem. Narodziny popularnej opowieści rozliczeniowej
In the Wake of Jedwabne. The Start of a Popular Guilt Narrative
Autorzy:
Tomczok, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1389573.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
narration
guilt literature
popular culture
history
Holocaust
Opis:
The aim of the sketch Po Jedwabnem. Narodziny popularnej opowieści rozliczeniowej (“In the Wake of Jedwabne. The Start of a Popular Guilt Narrative”) is to discuss some literary phenomenon which was revealed several years after the publication of the book Neighbors (“Sąsiedzi”) by Jan Tomasz Gross, and may be treated as a reaction of literature (or more broadly: art) to the debate of historians, politicians, publicists and all other participants of the Polish social discourse, evoked by the mentioned book. The author terms this phenomenon post-Jedwabne narrations, including among them an extensive collection of almost twenty literary, theatrical and film productions, of which the article deals with Nasza klasa (“Our Class”) by Tadeusz Słobodzianek, Pingpongista (“Ping-Pong Player”) by Józef Hen and Łąkę umarłych (“Meadow of the Dead”) by Marcin Pilis. The social influence of these books and specific poetics based on modification of a narrative pattern adopted from Neigbors, is studied in the context of pop culture (as a discourse which is increasingly present in shaping the representation of the Holocaust), narratology (rhetorical models proposed by Hayden White) and comparative studies, referring it to the achievements of German-language guilt narrations, among others Der Vorleser (“The Reader”) by Bernhard Schlink and Nahe Jedenew (“Close to Jedenew”) by Kevin Vennemann. The author in her sketch is in the search for the sources of a new literary phenomenon which would testify to the involvement of art in negotiating the contemporary shape of history and at the same time, she asks to what extent this phenomenon absorbed the popular patterns of discussing history, including the ones which have been created by the West European Holocaust discourse.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 25; 257-273
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zagadywanie katastrofy. O literaturoznawstwie Holokaustu
Heckling the Catastrophe. On the Holocaust Literary Criticism
Autorzy:
Wolski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1389694.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust studies
academic narrative
metacritics of discourse
Opis:
The article discusses a special kind of narrative about the catastrophe, treated as a specific genre of writing: the theory of literature of the Holocaust. The article presents its two most significant (although not the only ones) features: firstly, the conviction about its unusual character as compared to other genres/forms of writing, sometimes secretly described by such concepts as the uniqueness of the Holocaust (which metonymizes not only the event itself but also the narrations referring to it) and, secondly, identifies all text-producing entities (narrator, author etc.), simultaneously constituting the basic feature of the most important genre/modality of this kind of writing which is testimony. The article presents the examples of Polish and foreign scholars portraying this state of affairs.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 25; 21-36
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tekst w kulturze, kultura w tekście. Tradycja łacińska i literatura staropolska w Spowiedzi Calka Perechodnika
Text in Culture, Culture in Text. The Latin Tradition and Old-Polish Literature in Calek Perechodnik’s Spowiedź [Confession]
Autorzy:
Skwara, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1533308.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
journal
Polish-Jewish-German relations during the Holocaust
manipulations
Latin and Old-Polish tradition
apothegm and proverb
Opis:
The article analyses and interprets the apothegms and quotations from ancient and old-Polish literature in one of the most important testimonies of the Holocaust in world literature. In Polish criticism, there are few discussions of Perechodnik’s journal, and the existing articles are controversial because of their biased interpretations, which, in the present author’s opinion, are often manipulatory. It seems that the Polish intepretators of Spowiedź try, contrary to the author’s clear intention, to inscribe the text in the current controversies between Poles and Jews, while disregarding the third nation (Germans), and to turn Perechodnik into a postmodern author, because it allows for suspension of ethical rules. The greatness and tragedy of the author, however, stand for their own without such manipulations.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 33-53
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„To” Magdaleny Tulli
„It” by Magdalena Tulli
Autorzy:
Wiegandt, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1536002.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Magdalena Tulli
autobiographical writing
Holocaust
Polish antisemitism
Opis:
The article analyses and interprets Włoskie szpilki [Italian High Heels] in the context of autobiographic writing, which is a new phenomenon in Tulli’s creative development. The analysis of autobiographical writing consists in a description of subject-construction. The construction is determined by combination of roles: the real author, the literary author, and the narrator-character. The style of the novel is characterized by the use of Holocaust topoi, and “March talk”, which leads the writer to the discovery that Polish post-war antisemitism castigates Jews for concealing their extraction. The aesthetic of postmemory, manifested in the novel, is interpreted as a transition from the modern rhetoric of inexpressibility and unutterableness, to the postmodern aesthetic of expression of what is absent.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 143-156
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Kamienie niepokoją się i stają się agresywne”. Holokaust w świetle ekokrytyki
“Stones are troubled and becoming aggressive”. The Holocaust in the Light of Ecocriticism
Autorzy:
Ubertowska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1389696.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust studies
ecocriticism
nature
Bruno Latour
Piotr Rawicz.
Opis:
The article is an attempt to apply the theoretical and analytical tools derived from ecocriticism and the environmental studies, in the analyses of the literature of the Holocaust. The author proposes a thesis that a full recognition of the role of non-human factors (non-humans), such as nature, landscape, climate, plants and animals became only possible after the anthropocentric paradigm in the humanities have been overcome and a new, supra-species kind of “agency”—elaborated from the theory of Brunon Latour—became widespread. The principal part of the essay contains the analyses of the role of landscape, organic and inorganic nature in the autobiographical prose of Piotr Rawicz, Henryk Grynberg and Wilhelm Dichter. In all of the studied writings nature assumes the function of an ethical subject and additionally the role of anti-historical narration.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 25; 93-111
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„To nie jest poezja w całym słowa tego znaczeniu”. Pieśni żałobne getta Izabeli Gelbard
This is not poetry in the true sense of the word. Pieśni żałobne getta by Izabela Gelbard
Autorzy:
Karolak, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/1041634.pdf
Data publikacji:
2018-10-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czajka-Stachowicz
Gelbard
Holocaust
ghetto
polish women writer
Opis:
The main purpose of this article is to analyse the reception of Izabela Glebard’s (Czajka-Stachowicz’s) works, with particular emphasis on her only book of poety Pieśni żałobne getta . At first Gelbard intentionally chooses poetry, but after the experience of World War II, she leaves it completely and repleces by prose. The root cause of this state of affairs is the war trauma. Very important is also the critical attitude of the writer to her poems. These works have not been appreciated by literary critics who treat them as a document and testimony rather than a valuable poetry. It seems that the Gelbard poems, like all her works, are waiting for a new, contextual reading.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 113-128
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Głowiński: tożsamość prozą (od początku)
Głowiński: identity in prose (from the beginning)
Autorzy:
Kuczyńska-Koschany, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1533389.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Michał Głowiński
identity
autobiographical writing
memory
Polish Jews
Holocaust
Opis:
The article is an attempt to reach the first statements and texts by Michał Głowiński, relating to Jewish identity in Poland, the condition of a child of the Holocaust, the trauma of a Holocaust survivor, and the situation of an intelectual. The author of the article tries to demonstrate continuity of all creative gestures, from the frist writings and statements, signed with pseudonyms, through Czarne sezony [The Black Seasons] and their continuations, to the autobiographical Kręgi obcości [Circles of strangeness]; the continuity is seen in the perspective of identity. The author is also interested, in the given subject scope, in Głowiński’s spatial obsessions (especially claustrophobia and phantasmagoria). The stake of literary “self-therapy” is in the most crucial things: truth of oneself, memory, self-identification.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 119-129
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Post(katastrofa) i komparatystyka
Postcatastrophe and Comparative Studies
Autorzy:
Segner, Michael
Powiązania:
https://bibliotekanauki.pl/articles/1389559.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
comparative studies
remembrance in Central European literature
second generation after the Holocaust
trauma
Łódź (Litzmannstadt) ghetto
Theresienstadt (Terezin) ghetto
Szpera’42
Opis:
The review concerns a collective work edited by Reinhard Ibler Der Holocaust in den mitteleuropäischen Literaturen seit 1989. (The Holocaust in the Central European Literatures since 1989). In the review, the concept of the volume is discussed – a comparative analysis of the most recent representations of the Holocaust in Central European literatures – and the selected articles, especially the ones devoted to the struggle with the Shoah in Polish literature and culture are mentioned.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 25; 343-350
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fasetowany język: bilingwalna poezja Ireny Klepfisz w poetyckim dyskursie o Zagładzie
Multifaceted language: bilingual poetry of Irena Klepfisz in the poetic discourse on the Holocaust
Autorzy:
Kubińska, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1041402.pdf
Data publikacji:
2018-10-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust poetry
Shoah
bilingual poetry
(post)vernacular Yiddish
representation
Opis:
The bilingual poetry of Irena Klepfisz, a Polish-born Jewish-American poet, seems to constitute a unique case of Holocaust poetry. The poet, an intellectual and activist engaged in lesbian, queer, feminist and gender movements, advocates the reading of Holocaust poetry within the ramifications of gender oriented cultural theories. Her bilingual poetry undermines the hypothesis of the postvernacularity of contemporary Yiddish. The paper substantiates the thesis that the choice of the target language in the translaton of bilingual Holocaust poetry has clear axiological underpinnings.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 327-347
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eseiści kondycji żydowskiej – po Zagładzie: Maurice Blanchot i Bogdan Dawid Wojdowski
Essayists of Jewish condition – after the Holocaust: Maurice Blanchot and Bogdan Dawid Wojdowski
Autorzy:
Kuczyńska-Koschany, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1041740.pdf
Data publikacji:
2017-09-28
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
essay
Jewish situation
Holocaust
Wojdowski Bogdan Dawid
Blanchot Maurice
Opis:
The main object of the author’s reflection is the Jewish situation after the Holocaust expressed in the genre of literary essay. The thoughts of Maurice Blanchot and Bogdan Dawid Wojdowski – both prominent essayists – are taken into consideration as an example. Whereas the French writer’s reflections on the Jewish situation are part of his observations about the category of infinity, the Polish essayist’s realizations are intermingled with his own tragic fate as a Jew. Blanchot and Wojdowski wrote after the Holocaust, which is an unique turning point in history for the Jews and their diaspora as well as for the Mediterranean culture.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 385-399
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autowizerunek po katastrofie. Zofia Kossak-Szczucka i Jerzy Andrzejewski: dwa polskie świadectwa Zagłady z lat 40
Self-image after a Catastrophe. Zofia Kossak-Szczucka and Jerzy Andrzejewski: Two Polish Testimonies of the Holocaust from the 1940s
Autorzy:
Żukowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1389622.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish literature
1940s
Polish narrations about the Holocaust
Opis:
As far as the question of the Holocaust is concerned, the Polish culture is characterised by some peculiar feature. On the one hand, it embraces the texts which quite uncompromisingly describe the Polish role in extermination, noticing a continuum between collective discriminating behaviours of the non-Jewish part of the society and the exterminating activities of the Nazis. Such voices deconstruct narration, in which the Polish majority remains an isolated, bystanding and passive witness of the Holocaust, and demonstrate some forms of participation. On the other hand, the message of this kind does not permeate into social consciousness, does not become known and does not improve the knowledge of the society about itself. The studies of Protest by Zofia Kossak-Szczucka and Wielki Tydzień (“Holy Week”) by Jerzy Andrzejewski are used for the description of the mechanism of this “becoming acquainted”. A key role in this mechanism is played by preoccupation with self-image of the group. The Holocaust, to a certain degree, undermined the obviousness of Polish discriminating practices towards Jews. In the awareness of elites there appeared a premonition of other criteria of evaluation of Polish behaviours, going beyond the mentioned practices (a phantasm “eyes of the world”). In the light of such criteria, the attitude towards exterminated Jews proves to be discrediting. At the same time, there appear narrations whose aim is to restore the order of discrimination and the hierarchies connected with it, which comes down to forcing the victims into inferior position—in contrast to the dominating majority—and concealing the knowledge about participation in the crime. Consequently, culture remains in the state of unrest. Unwanted knowledge (and the feeling of guilt) returns and the attempts to become purified by the renewed concealment and repudiation of the awareness of evil always prove unsuccessful. The signs of repudiation are the recurring symptoms and repetitions of the same scenario of denial of never clearly stated accusations.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 25; 165-186
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 22

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies