Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "HISTORY OF LITERATURE" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-11 z 11
    Tytuł:
    „Czasy ginącego piękna”. Pozytywistycznej historii literatury kłopoty z barokiem
    “The Period of Disappearing Beauty”. A Problem with Baroque of Positivistic History of Literature
    Autorzy:
    Szewczyk-Haake, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1534419.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Positivist history of literature
    Baroque
    Taine
    valuation in literary studies
    Opis:
    The article deals with the ways in which Baroque works and their authors were presented in the positivist history of literature. The source material for the analysis was provided by the texts written by Piotr Chmielowski, Stanisław Tarnowski, Adam Bełcikowski, Henryk Sienkiewicz and Felicjan Faleński. The article discusses the sources for a rather distinct dislike of the literary output of Baroque authors in general, which was in line with the then well-established opinions deeply rooted in European research, but also derived from a valuation based on national and patriotic criteria. A certain differentiation in research methods is also indicated, mostly of those stemming from the spirit of Taine, but, occasionally, approaching Baroque works with the help of a stylistic analysis and thus making it possible to show more appreciation to the literature created in the period that, as understood from the positivist perspective, was believed to be of inferior quality.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 31-45
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fikcje krytycznoliterackie. Polemika Wacława Borowego i Manfreda Kridla
    Literary Criticism Fiction: the Wacław Borowy–Manfred Kridl polemic
    Autorzy:
    Gorczyński, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/1389396.pdf
    Data publikacji:
    2016-03-04
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Kridl
    Borowy
    polemics
    literary criticism fiction
    Russian formalism
    literary criticism
    history of literature
    Opis:
    The paper The Fictions of Literary Criticism refers to a polemic between Manfred Kridl and Waclaw Borowy which was conducted in several articles published in the years 1936–1957. The polemic played a significant role in the development of modern Polish literary criticism. The matter of dispute was a new method of literary criticism announced by Kridl in his renowned Introduction to the Research of Literary Work (1936). The main topics of the discussion were the problems of the literary process, the evaluation of a literary work and the uses of scientific methods in humanities. The paper’s author pays attention especially to the rhetorical and literary means of argumentation which were used in the creation of this unusual form of non-fiction.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 26; 151-165
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pieśni nabożne… z krakowskiej oficyny Antoniego Wosińskiego (1627)
    “Pieśni nabożne…” from the Cracow-based printing office of Antoni Wosiński (1627)
    Autorzy:
    Wydra, Wiesław
    Powiązania:
    https://bibliotekanauki.pl/articles/1534189.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish culture
    printing in Poland
    history of Polish literature
    history of the book
    Old-Polish religious song
    Opis:
    The article analyses the unique copy of the old Polish catholic hymn book Pieśni nabożne na święta uroczyste według porządku Kościoła ś. katolickiego na cały rok z wielką pilnością zebrane [Songs of piety and devotion...] published in Cracow in 1627 and found at the library at Escorial in Spain. The book, apparently the first known printed Polish catholic extensive hymn book, contained over 140 songs, in Polish and Latin, including works written by Jan Kochanowski and Mikołaj Rej. The article also describes later editions of the hymn book. This is a particularly important book in the history of Polish culture because it was repeatedly republished in different printing offices, not only Catholic, under the same or slightly changed title as late as until the nineteenth century. Numerous editions of the hymn book constitute a valuable source for the study of Polish Catholic hymns as they make it possible to follow and trace the chronology of works, their textual variations and the popularity of particular songs or hymns within a particular time frame, as well as their range of influence and regional occurrence.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 329-345
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Literatura polska w Chinach i wymiana kulturalna między Polską a Chinami. Zapiski tłumacza
    Polish Literature in China and Polish–Chinese Cultural Exchange. Translator’s Notes
    Autorzy:
    Zhenhui, Zhang
    Powiązania:
    https://bibliotekanauki.pl/articles/1532773.pdf
    Data publikacji:
    2021-09-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish literature in China
    cross-cultural dialogue
    literary translation
    history of Polish literature
    Lalka
    The Doll
    Opis:
    The article is an introduction into the presence of Polish literature in China from the perspective of one of its most active researchers and translators. The author describes his fascination with Bolesław Prus’s work that resulted in the Chinese translation of Lalka (The Doll) and his work on two-volume Historia literatury polskiej (The history of Polish literature) aimed at Chinese readers.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 221-227
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jak objąć poetów nakazem pracy. Eliza Orzeszkowa i Piotr Chmielowski wobec Działu pieśni Leonarda Sowińskiego
    How to impose compulsory work scheme on poets? Eliza Orzeszkowa and Piotr Chmielowski and “Dział pieśni” by Leonard Sowiński
    Autorzy:
    Okulicz-Kozaryn, Radosław
    Powiązania:
    https://bibliotekanauki.pl/articles/1534372.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Leonard Sowiński
    poetry written after the January uprising
    Positivist literary criticism
    journalism of Eliza Orzeszkowa
    Piotr Chmielowski’s history of literature
    campaign against poetry
    tendentious literature
    utilitarianism
    counter-utilitarianism
    Opis:
    Condemning the hostile attitude of modern poets towards both the manifestations and the very idea of civilizational progress, Eliza Orzeszkowa, in her extensive article Listy o literaturze. Wiek XIX i tegocześni poeci written in 1873, and then Piotr Chmielowski in his Zarys literatury polskiej ostatnich lat szesnastu, illustrated their arguments with a number of poems, including the sonnet Dział pieśni by Leohnard Sowiński. R. Okulicz-Kozaryn starts with reminding his readers that the controversies over the right of poets to put themselves over society, formulate opinions and judgments of civilization and their attempts to promote such values as scientism or utilitarianism, had had a long tradition at the time. By embarking on it, however, Orzeszkowa and Chmielowski appealed to practices of a particular kind, namely to disregard completely the message of a poem and to focus on exploiting it only to support their own arguments. The author of the article analyses the mechanism behind this manipulation and claims that Orzeszkowa, followed by Chmielowski, had even removed some words from the poem that could have been interpreted by the then reader as a sign of affiliation to the  acrificed part of his life for these values being sentenced to exile and the following social degradation for his participation in the freedom movement at the turn of the 1850s and 1860s. In the heat of the ideological struggle, Orzeszkowa and Chmielowski did not argue for their own belief and did not even enter into polemics with the most important message in the poem. The truth is that L. Sowiński did not question the civilizational march forward of the mankind but rather showed that, contrary to what the positivists claimed, utilitarianism was just an appetite for enjoying the achievements of progress and maximizing pleasure and was not its diving force, being more like a parasitic residue and a baggage.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 85-96
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Perspektywy gwiazdarskie”. Lunety w literaturze i piśmiennictwie naukowym polskiego baroku
    „Perspektywy gwiazdarskie” – „Stellar outlook” (transl.). Telescopes in the mainstream and academic literature of the Polish Baroque period
    Autorzy:
    Raubo, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/1041650.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    scientific revolution
    the history of astronomy
    the telescope
    Polish literature
    the popularization of science
    academic literature
    Opis:
    The telescope played a crucial role in the modern scientific revolution and occupied a significant place in Baroque culture. Interest in the telescope has been confirmed by Polish literary sources and writings, including scientific treatises and compendia of knowledge. Telescopes are the subject of works on the popularization of science written in the scientia curiosa convention. Reflections on the telescope appear in the context of deliberations on the world system, on the possibility of the existence of life forms on the Moon and other celestial bodies, and in the context of polemic against Aristotelian cosmology. The telescope is an element of religious deliberations concerning eschatology and those focused on astronomy, whose aspiration to get to know the universe is motivated by secular curiosity. The matter of conducting observations of the sky with the use of the telescope has turned into a comedy show, in a satirical way relating to the practice of astrology.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 31; 213-251
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Historia nie jest osobna”. Hannah Arendt i jej biografia/e
    The Story is Not Separate”. Hannah Arendt and her Biography/ Biographies
    Autorzy:
    Nowicka, Daria
    Powiązania:
    https://bibliotekanauki.pl/articles/1040763.pdf
    Data publikacji:
    2020-09-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Hannah Arendt
    biography
    history
    literature
    modi memorandi
    text of culture
    Opis:
    This article – as mentioned in the introduction – details three ways to understand the category of biography in Hannah Arendt’s writings. In the first, I mention the very act of writing a biography by the author – a story of Rahel Varnhagen or Walter Benjamin, also referring to the biographical and epistolographic essays that Arendt pointed out. In the second, I’m interested in the aspect of refugee biography proposed by Arendt in “We Refugees” which she used to redefine the term “refugee”. In the third aspect, I present Arendt as the protagonist of a biography in Julia Kristeva’s writings.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 37; 133-149
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Historie alternatywne − pomiędzy pisarstwem historycznym a fantastycznym, czyli czasem tertium est datur…
    Alternative history – between historical writing and fantastic literature or sometimes tertium est datur
    Autorzy:
    Lemann, Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/1041898.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    fantastic literature
    alternative history
    historiography
    epistemology of history
    historical writing
    genology
    transdisciplinarity
    cultural studies
    Opis:
    The aim of this article is to define alternative history genre (branch of fantastic literature) as a participating in the historical writing formula (H. White). The author juxtaposes literary studies, literature and history as neighboring branches of humanistic knowledge. Alternate history genre could be displaced as displaced by both, the history and literary studies. This genre, as a type of fantastic literature, is understood as dangerous phantasm, because of fictional abilities. In this article historiography and literary studies are diagnosed as forming a sisterhood relationship. When the opportunity arises, it is shown that the idea of postmodern history is no novelty, since until the decline of the 18th century history did not stand in oppossition to literature. Actually, the way of thinking about history as an (literary) art has a splendid tradition rooted in antiquity. It is shown that, in fact, there is no essential difference between alternate history (as a branch of fantastic literature) and counterfactualism as a methodology of history. It drives the author to a conclusion − by comparison of the methodologies of history and literary studies in the field of narrativity, and, according to Hayden White, comprehends history as a type of fiction, historio-graphia, literary artifact, or historical writing – that the alternative history novel could be understood as a third path to reconcile literary studies and historical studies. The participation of popular culture, where the alternate history genre and fantastic literature traditionally belongs, makes the history and literary studies more transgressive, widely open for the contemporary forms of communication and more hearable.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 77-100
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Batalia „szklanej rury”. Współzawodnictwo „starego” i „nowego” w debacie wokół doświadczeń z próżnią z 1647 roku
    Battle of the „glass pipe”. Struggle between the „old” and „new” in the debate around experiments with vacuum dating to 1647
    Autorzy:
    Kołos, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1041658.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the history of science
    Old-Polish literature
    vacuum
    physics
    the philosophy of nature
    the 17th century
    Aristotle
    Valeriano Magni
    Opis:
    The article addresses the issue of one of the more intense and captivating European scientific disputes, likewise common to Poland, in the era of the seventeenth-century transformation of knowledge formation, which centered around the possibility of the existence of vacuum, and which culminated in 1647. The fundamental aim of the article comes down to an attempt to determine a position in the scientific-cognitive debate, from which the pro and anti-Polish and European representatives of The Republic of Letters (Respublica literaria)  could voice their opinions. In the course of the analysis of the mid-seventeenth century scientific discourse, the reflections of Valeriano Magni, Torricelli, Jan Brożek, Wojciech Wijuk Kojałowicz, Blaise Pascal, Giovanni Elefantuzzi, Jacob Pierius, and Pierre Guiffart are subjected to close scrutiny. From the perspective of contextualism in the history of science, experiments demonstrating the existence of vacuum are perceived as anomalies that fall into the crisis of normal science, largely based on Aristotle’s physics. The conflict between the old and the new is not, however, presented as a battle of progression with epigonism, but merely as a contest between opposing individual views and the concept of science, which before the formation of the new paradigm was accompanied by ambiguous verification criteria.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 31; 167-190
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Taniec śmierci na scenie kolegium jezuickiego w Kaliszu?
    The Dance of Death on the Stage of the Jesuit College in Kalisz?
    Autorzy:
    Kurek, Krzysztof
    Wydra, Wiesław
    Powiązania:
    https://bibliotekanauki.pl/articles/1535999.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    history of Jesuit theatre
    idea of vanitas in European culture
    motive of dance macabre in theatre and literature from 14th to 17th century
    Opis:
    The discussion was prompted by the discovery, made in Cathedral Library in Gniezno, of a notebook from early 18th century, with notes by a student of the Jesuit college in Kalisz. The authors have found in it a modified copy of a poem (Różnych stanów piękne grono [The Beautiful Gathering of Various Estates]) written on the famous late-17th-century painting, Taniec śmierci [The Dance of Death], displayed in the Franciscan monastery in Kraków. The authors propose a hypothesis that the copy of the poem was a script for a show staged in the college. The discussion is given in a wide cultural and theological context, presenting the danceof-death topos as reflection of the idea of vanitas. The article presents modes of concretization of the dance macabre image in European art from the 14th to 17th century, with particular attention paid to theatrical productions of the topos in popular shows and in Jesuit school theatrical productions.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 315-339
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Archiwa literatury kobiecej
    Archives of women’s literature
    Autorzy:
    Marzec, Lucyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1534480.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    feminism
    women’s literature
    women’s press
    inter-war period
    history of literary criticism
    Joanna Krajewska
    Jan Strzelczyk.
    Opis:
    The article concerns the relationships between terms, frequent in Polish literary criticism, such as “women’s literature”, “women’s press”, “women’s writing”, “literature written by women” and ”Feminist literature”. The author discusses three research books that have been published recently in which slightly different categories have been applied and which, at the same time, focus on the female element of cultural texts. In addition, the author points at multiple tendencies, frequently dissimilar and distinct, in the approach to the relationship between gender and the text. At the same time the author emphasizes a certain disposition manifested by researchers to employ the gender category to judge literary works. Hence, it seems to be quite justified to reopen the Jy women to show them in a new light. The same applies to the surrounding discussions on relevant titles — just as it is the case with publications by Joanna Krajewska, Jerzy Strzelczyk and Kamilla Łozowska-Marcinkowska.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 237-247
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-11 z 11

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies