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    Wyświetlanie 1-6 z 6
    Tytuł:
    Pieśń ku niebiosom. Echa chopinowskie w twórczości Artura Oppmana
    A Song for the Heavens. Echoes of Chopin in Artur Oppman’s Works
    Autorzy:
    Sikorska-Krystek, Aleksandra
    Krystek, Jędrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/2038314.pdf
    Data publikacji:
    2021-12-29
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Artur Oppman
    Frédéric Chopin
    poetry
    correspondence of arts
    modernism
    Opis:
    This article presents a cycle of lyrical works entitled Z motywów Chopina (From Chopin’s themes) by Artur Oppman, published in 1893 in the volume Pieśni (Songs). The shape of this cycle had been modified over the years. In 1908, the poet changed its title and expanded it with new works. This change testifies to the evolution of the creative concept and the set of ideas about the function of the composer’s work. Contrary to the opinion rooted in the tradition of research about the conventional approach to the impact of Chopin’s work presented in Oppman’s lyrical poetry, the authors of the article demonstrate a far-reaching originality of the discussed work, focusing their attention both on issues related to understanding the narrowly-defined poetological knowledge and on the problem of translating musical means of expression into the language of a literary work.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 41; 227-245
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mózg i Sztuka: zmarszczka (cyber)przestrzeni
    Brain & Art: a ripple in the (cyber)space
    Autorzy:
    Hoffmann-Dietrich, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1041219.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    visual arts
    intuition
    creativity
    identity
    Big Data
    Internet-of-all-Minds
    Opis:
    In my text I refer to contemporary art practices, including my own artistic investigations and intuitions; questioning creative powers of the human brain-mind system in the world increasingly dependent on and transformed by Big Data. Currently, with the global revolution of knowledge, driven by scientific and technological progress, creativity and innovation acquire special economic and social values. Research on biochemical processes accompanying creative behaviour stimulates the synergy between artistic, scientific and engineering communities. The acquired knowledge is used in medicine, biotechnology and various types of therapies as well as in deep learning methods. Increasing the efficiency of artificial intelligence systems that quickly take control over all areas of our lives. Will the nascent Internet-of-all-Things transform itself into the Internet-of-all Minds? As an artist, I pose myself a question, which artistic practices may emerge from the marriage of biological and digital algorithms? The future has many scenarios and shades…
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 293-306
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Chopinowski impuls. Dzienniki Stefana Żeromskiego wobec twórczości Fryderyka Chopina
    Chopin’s impulse. Stefan Żeromski’s Diaries versus Fryderyk Chopin’s output
    Autorzy:
    Karpińska, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/1042026.pdf
    Data publikacji:
    2016-11-17
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Stefan Żeromski
    Fryderyk Chopin
    Diaries
    modernism
    music
    nervousness
    synthesis of arts
    Opis:
    The article Chopin’s impulse. Stefan Żeromski’s „Diaries” versus Fryderyk Chopin’s output shows writer’s fascination for Fryderyk Chopin and his work. The main emphasis is put on the strength of influence of particular elements of composition on the neurotic system of Stefan Żeromski. Besides, it touches upon the synthesis of arts which the artist often referred to in his Diaries.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 87-101
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Odgadnąć i uzewnętrznić wielką tajemnicę […] Chopinowskiej muzyki” – Dusze niektórych melodii. Chopin Cezarego Jellenty
    “To Discover and Express the Great Mystery […] of Chopin’s Music” – Dusze Niektórych Melodii. Chopin (The Souls of Certain Melodies. Chopin) by Cezary Jellenta
    Autorzy:
    Orłowska, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/2038284.pdf
    Data publikacji:
    2021-12-29
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Cezary Jellenta
    Frédéric Chopin’s music
    nervousness
    synthesis of arts
    modernism
    music criticism
    Opis:
    The article constitutes a detailed analysis and interpretation of one of the most important texts written at the turn of the twentieth century, which was devoted to the reception and interpretation of Frédéric Chopin’s compositions in the Young Poland period. In his work, Cezary Jellenta presents the nervous perception of the Polish composer’s music typical of the era and refers in his reflections to numerous works of painting and both Polish and world literature, which perfectly illustrates the fascination with the idea of the correspondence of arts. It is also a testimony to the foundations of the emerging music criticism and evidence of the undying adoration for Frédéric Chopin’s works.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 41; 265-299
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Ogród sztuk”. Kilka uwag o Orkiestrze Zbigniewa Rybczyńskiego
    “The Garden of Arts”. Several Remarks on Zbigniew Rybczyński’s Orkiestra [The Orchestra]
    Autorzy:
    Grodź, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/1536000.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zbigniew Rybczyński
    space in artwork (literature
    film
    painting etc.)
    garden metaphors
    correspondence of arts
    cultural research
    cultural memory
    Opis:
    The garden presents itself as an area consciously created by the human being. Its representation is usually actualized in opposition both to what is natural and to what is artificial (e.g. to a city). Over many years now, the garden has been been considered to be a “cultural fossil”, and as such, an object of importance for literary critics, film critics, art historians, musicologists etc., and an anthropological phenomenon, which is demonstrated by contemporary juxtapositions of aesthetics with environmental science, pace Gernot Böhme, or the transcultural aesthetics promoted by Wolfgang Welsch). At this stage, we are very close to full understanding of the phenomenon of garden-topos, as well as the numerous garden metaphors. In Zbigniew Rybczyński’s film Orkiestra there are several areas of author’s interest in the garden created and filmed on a theatrical stage. The garden as a space of life-renewal, symbol of birth and metaphysical rebirth, a renewed experience of fulness. The garden as a space of ordered life, positive energy, areas of joy liberation, a synonym of goodness and ideals. Finally, as the symbol of return to creation, beauty, to the first beginning, to civilized and tame nature.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 269-287
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Oko poetki. Uwagi o twórczości Ewy Elżbiety Nowakowskiej
    The eye of the poet. Comments about the work of Ewa Elżbieta Nowakowska
    Autorzy:
    Rabizo-Birek, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/1041515.pdf
    Data publikacji:
    2018-10-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poets born in the 1970s
    “audacious imagination”
    connections between arts
    religious literature
    ecocriticism
    women’s poetry
    “the Cracow school of poetry”
    Opis:
    The article describes the work of the poet from Cracow,the author of short stories, essayist and translator – Ewa Elżbieta Nowakowska. Her poems were situated on the map of Polish literature among the “born in the seventies”, in the strand of “emboldened imagination” poetry, in the background of “Cracow school of poetry”, in a circle of women’s poetry. The main themes of her work: religion, the world of nature, history, culture and were presented by selecting relevant examples of her poems. In the conclusion, it was hypothesized that the varied work of the poet combines with the interest in perception and cognition, for what is available for the sense of sight as well as for what is hidden: transcendence and the mystery of being, expressed in the poet’s works by the broad metaphor of “the eye”.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 33; 55-81
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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