Autor: Dabert, Dobrochna - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Poetyckie formy pamięci o Czerwcu ’56
Poetical frames of memory about Poznań 1956 protests
Autorzy:: Dabert, Dobrochna
Powiązania:: https://bibliotekanauki.pl/articles/1041928.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Poznań 1956 protests
occasional poetry
memory
places of memory
memory carriers
collective memory
Opis:: The article is devoted to occasional poetry related to the Poznań 1956 protests. The survery was conducted within the framework of memory studies, assuming that this type of verse is mostly involved in the literary discourse of memory, and can be treated as one of the forms of forgetting. This approach is supported by theory of collective memory, with notions proposed by Pierre Nora, Jan Assmann, Marcin Kula, Andrzej Szpociński and Michel Foucault.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 29; 103-127
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Alternatywy wobec jednowymiarowości. Fenomen polskiej kultury niezależnej w PRL
Alternatives to One-Dimensionality. The Phenomenon of Polish Independent Culture in Polish People’s Republic
Autorzy:: Dabert, Dobrochna
Powiązania:: https://bibliotekanauki.pl/articles/1532818.pdf
Data publikacji:: 2021-09-14
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: independent culture
official culture
Polish People’s Republic
‘second circulation of publications’
Opis:: In this article devoted to the independent culture in Polish People’s Republic, I put into dichotomic doubt the concept based on the clear division between the official and independent culture. The forms of creative activity that escaped the state censorship between 1976 and 1989 radically disrespected the directives of the state’s cultural policy, yet many years before the emergence of ‘the second circulation’, there were already numerous initiatives that sparked a rich spectrum of independent activity. The authors’ strategies to remain independent changed over time, to varying extent distanced the authors from the official artistic life and differed depending on the character of the authors’ intellectual activity. In the article, I attempt to prove the relatively weak influence of the ‘official dependent culture’ that fully respected the authorities’ instructions, and I propose a classification of creative strategies that also emerged in the official culture and allowed for a relatively free development of art and science. Using multiple examples from literature, cinema, visual arts, music and science, I discuss ‘controlled culture escaping the ideological instructions’, ‘official niche culture’, ‘culture confronting the limitations’, ‘licensed Catholic culture’, ‘second circulation culture’ and ‘third circulation culture.’ The practice of searching for a way out of the official one-dimensionality allowed Polish cultural identity to continue and save its most valuable intellectual and artistic values.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 357-384
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

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