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Wyszukujesz frazę "twentieth century" wg kryterium: Wszystkie pola

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    Wyświetlanie 1-5 z 5
    Tytuł:
    Gustaw Herling-Grudziński e la letteratura italiana del XX secolo
    Gustaw Herling-Grudziński and Italian literature of the Twentieth Century
    Autorzy:
    Ajres, Alessandro
    Powiązania:
    https://bibliotekanauki.pl/articles/1040494.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Gustaw Herling-Grudziński
    Italian literature
    exile
    Naples
    Nicola Chiaromonte
    Ignazio Silone
    Alberto Moravia
    Luigi Pirandello
    Giuseppe Tomasi di Lampedusa
    Leonardo Sciascia
    Opis:
    Magdalena Śniedziewska’s book discusses a theme in Gustaw Herling-Grudziński’s works which has not been thoroughly researched, i.e. their relationship with Italian literature. This is how we discover Herling-Grudziński as a writer who is simultaneously a great literary criticwho looks eagerly and with both interest (sometimes) and passion at the work of such authors as Nicola Chiaromonte, Ignazio Silone, Alberto Moravia, Luigi Pirandello, Tomasi di Lampedusa and Leonardo Sciascia. The opening chapter of the book discusses Herling-Grudziński’s condition as an emigrant and the changes in his attitude to Naples which became his second home after World War II; the final chapter is about the Polish writer’s difficult relationship with Italian book market, reconstructing the story of the reception of Inny świat (A World Apart) in Italy.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 183-193
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Korzenie i źródło. Hannah Arendt i Roger Scruton o genezie totalitaryzmu (w Conradowskim kontekście)
    Roots and Source. Hannah Arendt and Roger Scruton about the Genesis of Totalitarianism (in Conrad’s Context)
    Autorzy:
    Ratajczak, Wiesław
    Powiązania:
    https://bibliotekanauki.pl/articles/1040667.pdf
    Data publikacji:
    2020-09-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Nietzschean ressentiment
    conservatism
    authority in society
    colonialism
    twentieth-century novel
    critical analysis of the revolution
    Opis:
    The three authors’ community of thought can be noticed in the analysis  of their attitude towards the Nietzschean concept of ressentiment. Arendt observed the ressentiment and contempt of educated people towards society that grew since the mid-eighteenth century. In Conrad’s prose, a specific culmination of such emotions can be found in the character of the Professor in The Secret Agent novel. Scruton understood a totalitarian state as an institutionalised form of executing ressentiment. Another crucial common point of reference for the three authors was the issue of authority.Scruton reminded us that society exists thanks to authority. The opposite of ressentiment seems to be affirmation, while revolutionary aims of radicalrevaluation can be contrasted with conservatism as a philosophy of attachment to what is valuable. One can understand Conrad’s concept of loyalty as such.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 37; 105-118
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Elegijne dykcje Aleksandra Wata
    Aleksander Wat’s elegiac diction
    Autorzy:
    Pietrych, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1534672.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    elegiac mood
    twentieth-century Polish poetry
    literature and Communism
    the topos of the old poet
    Aleksander Wat
    Opis:
    The present article tries to show and characterize Aleksander Wat’s poetic diction included in the pool of the kinds of the literary elegiac mood and mournful strains used by the writer. Wat does not employ just one language that would offer the power of expressing oneself and convey one’s own existential experience — he speaks with varied elegiac voices: be it full of sadness, melancholy and despair, be it filled with irony and sarcasm. In fact, the elegiac tone in its traditional variation is to be found only in one war poem, whereas all his post-war poetic volumes bring a rich polyphony of varied elegiac voices. Wat’s late poetic writings is underlined by a necessity to renew what has already happened, to repeat the existing pattern of expressing oneself, and thus forms a particular elegiac intertextuality. In this way, such rhetorical dimension of the word is revealed that challenges the feasibility of getting the content through in a straightforward manner. The awareness of repetition, however, does not restrict the author to silence — just the opposite, it makes him aware of a necessity to draw from codes lodged in tradition and thus to create a collage-like diction of his own.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 147-162
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Teatr cieni: „Wieczór w Teatrze Wielkim” Stanisława Balińskiego
    Theatre of Shadows: Stanisław Baliński’s Wieczór w Teatrze Wielkim
    Autorzy:
    Puchalska, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/2135485.pdf
    Data publikacji:
    2022-09-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Stanisław Baliński
    A Night at the Grand Theatre
    emigration poetry
    Skamander Group
    opera in the literature of the twentieth century
    opera character
    Opis:
    The text is devoted to an emigration poem by Stanisław Baliński, A Night at the Grand Theatre (1943), in which the Warsaw opera became a synecdoche of the pre-war Warsaw, and the entire poetic structure is built as a kind of virtual stage on which special characters appear and perform their roles. This text is an interesting contribution to the research on the influence of the imaginarium of the musical theatre on the imagination of twentieth-century poets, and at the same time performs a specific functionalisation of the operatic character – in several meanings of the word.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2022, 42; 121-136
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Chiny wyobrażone – Chiny ucieleśnione. Państwo Środka w polskich i serbskich relacjach z podróży (od XVIII do połowy XX wieku)
    China Imagined – China Embodied. The Middle Kingdom in Polish and Serbian Travel Reports (from the Eighteenth to Mid-twentieth Century)
    Autorzy:
    Galewska, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/1532758.pdf
    Data publikacji:
    2021-09-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    travel writing
    travelogue
    China
    imagology
    ethnotype
    stereotype
    post-colonial criticism
    Opis:
    The article presents an overview of the issues discussed in Tomasz Ewertowski’s monograph Images of China in Polish and Serbian Travel Writings (1720–1949). It reconstructs the discourse that emerges from the journals as their authors report on their journeys to the Middle Kingdom. The article also analyses the conditioning of the presented attitudes in the context of individual experience. Using imagology-based tools, Ewertowski refers to the mental representations of reality recorded in the text in the form of stereotypically formed ethnotypes. Ewertowski creates a mosaic of the way travellers from the West imagined both Chinese cities and the characteristic features of Far Eastern culture, which is often marked by Eurocentrism and an evaluating attitude towards the Other.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 241-253
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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