Wszystkie pola: Konwicki - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Epitafia dla romantyzmu polskiego na przełomie lat 80. i 90. XX wieku
Epitaphs for Polish Romanticism at the Turn of the 1990s
Autorzy:: Siatkowska-Callebat, Kinga
Powiązania:: https://bibliotekanauki.pl/articles/1040727.pdf
Data publikacji:: 2020-09-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: literature and cinema after 1989
romantic paradigm
Konwicki
Bart
Pilch
Opis:: The article is about three texts of Polish culture (a 1989 film by Tadeusz Konwicki, A Tale of Adam Mickiewicz’s ‘Forefathers’ Eve, based on Mickiewicz’s poem Dziady, and two novels: Rien ne va plus by Andrzej Bart, 1991 and List of the adulteresses. Travel prose by Jerzy Pilch, 1993) which seem to bid farewell to the long duration of Polish romanticism. The three works concur with Maria Janion’s thesis who heralded, in a democratic and independent Poland after the political changes of 1989, the twilight of the romantic paradigm as it had existed since the first half of the nineteenth century. A more detailed analysis of these cultural texts allows us to grasp the complexity and the ambiguity of the relationships that Konwicki, Bart and Pilch have with the romantic legacy.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 37; 186-210
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: „Potworna zdrada”. O źródłach kontrowersyjności adaptacji Doliny Issy
“Monstrous Betrayal”: On the Sources of the Controversy around the Film Adaptation of Dolina Issy [The Issa Valey ]
Autorzy:: Kaniecki, Przemysław
Powiązania:: https://bibliotekanauki.pl/articles/1533996.pdf
Data publikacji:: 2012-01-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Tadeusz Konwicki
Czesław Miłosz
Tadeusz Różewicz
film adaptation
nihilism
guilt
Vilna
Opis:: The author attempts to identify the origins of the famous argument between Miłosz and Konwicki about the film adaptation of Dolina Issy. Konwicki created a film which, although it is an adaptation of the novel, clearly belongs to his own creative output, focused on axiological uncertainty after The Second World War. Konwicki’s work is a record of a quest for enduring points of reference, a quest conducted with realisation that such points cannot be found by a person who feels lost in the modern world. Such a world-view was not acceptable for Miłosz, and it is difficult to expect that the poet would accept an adaptation of his novel created from such a point of view.
Źródło:: Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 119-133
1233-8680
2450-4947
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:: Biblioteka Nauki

Artykuł

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