Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Białoszewski, Miron" wg kryterium: Wszystkie pola

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-5 z 5
    Tytuł:
    Miron Białoszewski: alienacja i utopia. O neoawangardowych kontekstach poezji Białoszewskiego
    Miron Białoszewski: Alienation and Utopia. On Neo-Avant-Garde Contexts of Białoszewski’s poetry
    Autorzy:
    Świeściak, Alina
    Powiązania:
    https://bibliotekanauki.pl/articles/1389762.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    neo-avant-garde
    modernism
    alienation
    utopia
    privatized language
    performativity
    Opis:
    The article deals with the problem of avant-garde character of the poetry by Miron Białoszewski in the context of alienation and dealienatively understood utopias. This is the way the language is understood here, being, on the one hand, an anonymous “language without an end”, and, on the other hand – an extremely privatized code, as the transgressive neo-avant-garde ideas inscribed in this kind of writing: experiencing life as art and the recognition of art as an event from life, and thus a myth of art as an experience parallely private and intimate and aesthetically-social. Consequently, the relationships with neoavant- garde in the Białoszewski’s poetry are treated as an expression of the modernist artistic crises, and, at the same time, as a tool helping to overcome them.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 269-282
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Ćwiczę widzenie”. O twórczości Jadwigi Stańczakowej
    “I practice vision”. About Jadwiga Stańczakowa’s literary work
    Autorzy:
    Ładoń, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/1041630.pdf
    Data publikacji:
    2018-10-02
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jadwiga Stańczakowa
    blindness
    depression
    Miron Białoszewski
    disability studies
    Opis:
    Jadwiga Stańczakowa was a blind writer, who was more known as a friend of Miron Białoszewski than for her own literary work. Meanwhile, she is the author of several books of poetry, autobiographical prose and a diary. Miron Białoszewski was certainly master for her, thanks to him she began to write about his own blindness. Although that all her work was connected with Białoszewski, it is worth to hear her own voice, especially in the context of disability studies. In this article the author is trying to bring out the poetess of the Białoszewski’s shadows. First of all, the author pointed out that blindness was a magical experience treated as a basis of lirycs. But the dysfunction of sight has also been a cause of recurring depressions. The writing during this ‘double disease’ was particularly difficult and made sense of self-therapy.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 32; 163-180
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Strata, tęsknota, ciekawość
    Loss, yearning and curiosity
    Autorzy:
    Sośnicki, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/1534467.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    elegiac mood
    poetry and philosophy
    relations between poetry and painting
    cubism
    Miron Białoszewski.
    Opis:
    In his piece, the author of the article ponders on the experience of loss in human life. It is this particular experience, as well as the accompanying longing, that form the basic components of an elegiac attitude. However, in its broader sense, loss becomes one of the most universal experiences in literature and the arts of the twentieth century. After all, they shared the conviction that reality, no matter how looked upon, was never fully accessible to us and that man always played a losing game with it. Contrary to outward appearances, the above also applies to the creators of avant-garde movements. An analysis of the poem Do NN***, written by Miron Białoszewski, carried out first within the context of elegy and then with reference to the techniques and the program of cubism, makes us aware that Białoszewski somehow evades both elegiac mood and the avant-garde principles such as they are underlined in its program. The driving force for his writing is then curiosity. And it is curiosity, and just curiosity, independent and one that cannot be reduced to just the desire to know, that forms the only real alternative that, in a way, always remains metaphysical.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 213-221
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Chroboty, echa, oho! Słuch i inne zmysły w poezji Mirona Białoszewskiego
    Noises, echoes, oho! Hearing and other senses in Miron Białoszewski’s poetry
    Autorzy:
    Kopkiewicz, Aldona
    Powiązania:
    https://bibliotekanauki.pl/articles/1041758.pdf
    Data publikacji:
    2017-09-28
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    affect
    trauma
    senses
    melancholy
    poetry after 1945
    modern poetry
    postphenomenology
    corporeal subjectivity
    Opis:
    The very relation between possibility of writing and sensitivity is a main concern of this interpretation of Miron Białoszewski’s poetry. At the start, I notice traumatic state of writing subjectivity, which I see as a negative affect. Białoszewski’s trauma manifests itself as an acedia in the Leżenia poetry cycle, in which the poet searches for another, positive affective simulation as well. He finds it in the very work of language, of sounds, and of material reality surrounding him. As he tries to revive himself and his writing mainly through the senses of touching and hearing/listening, I use the model of subjectivity described by Jean-Luc Nancy in the essay On listening,  to understand how creative, writing subjectivity works on sensual and language levels.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 259-275
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Silę ucho”, czyli co słychać w przekładzie. Niemieckojęzyczne warianty wiersza Skakanka ufoistki Mirona Białoszewskiego na tle zabiegów „przekładania” codzienności na język poetycki
    “I strain my ear”, or what can be heard in translation. German variants of the poem Ufo Agent’s Skipping Rope by Miron Białoszewski, with reference to his technique of “translating” everyday life into poetic language
    Autorzy:
    Burba, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/1390010.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    everyday life in poetic language
    everyday speech
    Miron Białoszewski’s poetry
    non-professional translation into German
    Opis:
    The article has been derived from a chapter of an MA thesis on everyday speech in Miron Białoszewski’s work. The text focuses on exposition of methodological assumptions - the notion of everyday speech and its translation into poetic language in Białoszewski’s works. In particular, the article discusses a series of non-professional translations of the poem UFO agent’s skipping rope into German, as an example of the functioning of the dominant of everyday speech in translations of Białoszewski’s poetry.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 23; 191-203
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies