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    Tytuł:
    Dialog Miłosza z Mickiewiczem
    Dialogue between Miłosz and Mickiewicz
    Autorzy:
    Delaperrière, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/511622.pdf
    Data publikacji:
    2011
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Czesław Miłosz,
    Adam Mickiewicz,
    dialogue,
    intertextuality
    Opis:
    The author asserts that a dialogue between Miłosz and Mickiewicz sheds light not only on the great Polish Romantic, and even Polish Romanticism as such, but also on the personality of the author of The Land of Ulro. It is a difficult and full of contradictions dialogue, that used to be interpreted in relation to the uneasy history of the 20th century. The author of the article does not attempt to weaken the role of historical events in Miłosz’s spiritual evolution; she underlines, however, such aspects of his dialogue with Mickiewicz that reveal the deepest similarities and are not subjected to changeable interests. That is how Miłosz’s hesitations can be understood, as his disputes with Mickiewicz are time-bound, but both poets meet also in timeless sphere.
    Źródło:
    Postscriptum Polonistyczne; 2011, 1(7); 233-246
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O zbawieniu (z Wierszy ostatnich Czesława Miłosza)
    O zbawieniu [On salvation] (From Last poems by Czesław Miłosz)
    Autorzy:
    Bernacki, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/511618.pdf
    Data publikacji:
    2011
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Czesław Miłosz.
    Adam Mickiewicz,
    lyric of vanitas,
    interpretation
    Opis:
    The article is dedicated to detailed analyzing and interpreting the Miłosz’s poem O zbawieniu [On salvation]. This poem was most probably written two years before Miłosz’s death and was located at the end of the volume Last Poems (2006). The author confronts “the last poem” of Miłosz with Mickiewicz’s “the cry poem” written in Lausanne (“wiersz płacz” as Przyboś called it): “I shed pure tears, countless tears…”. Both poems – though representing different genres – (Mickiewicz’s poem is a model example of immediate lyrical confession; Miłosz’s poem has a form of poetic minitreaty) express related ideas through similar fig-ures such as: repetition, enumeration, synecdoche, ellipse. Both texts can be related not only because of the similarities in composition and structure, but also because of their catharsis- aimed character. Mickiewicz achieves purification through tears shed over his life and humble acceptance of the fact that a project formed in his youth resulted in a disaster in his manhood. Miłosz presents the state of liberating salvation as a result of the peaceful and lighted with non-of-this-world gleam contemplation of the difficult truth concerning the necessity of giving up all the earthly things. Both “last poems” of the great poets can be regarded as the masterpieces of a lyric of vanitas. Their main aim can be described as an attempt to confront the mystery of eschatological dimension of human existence.
    Źródło:
    Postscriptum Polonistyczne; 2011, 1(7); 257-273
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tropem myśliwego. Echa Mickiewiczowskie w poezji Czesława Miłosza (i nie tylko)
    On the Hunter’s Trail. Mickiewiczian Echoes in the Poetry of Czesław Miłosz (and Beyond)
    Autorzy:
    Heuckelom van, Kris
    Powiązania:
    https://bibliotekanauki.pl/articles/511764.pdf
    Data publikacji:
    2011
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Czesław Miłosz,
    Adam Mickiewicz,
    “literary echoes”,
    intertextuality,
    mythologization
    Opis:
    It is a truism that the work of Adam Mickiewicz occupies a central place in Czesław Miłosz’s literary universe. The present paper seeks to investigate one particular Mickiewiczian micro- element that strikingly often recurs in Miłosz’s writings, namely the so-called “kernel” of the Lithuanian forests (jądro gęstwiny). Significantly, while wilderness areas such as woods and forests have always filled the human imagination with awe and fear, Miłosz has turned the Lithuanian “thicket” into one of the cornerstones of his poetic topography, investing its mysterious “kernel” with epiphanic and eschatological potential. Partially medi-ated by some of his other childhood readings Lato leśnych ludzi (The Forest People’s Summer) by Zofia Rodziewiczówna, Na tropie przyrody (On the Trail of Nature) and W puszczy (In the Wood) by Włodzimierz Korsak, Nasz las i jego mieszkańcy (Our Forest and Its Inhabitants) by Bohdan Dyakowski and Soból i panna (The Sable and the Girl) by Józef Weyssenhoff), Miłosz’s mythol-ogization (if not sacralization) of the wildland spaces of his childhood might be said to add a particular (pagan and gendered) twist to the traditional repertory of Christian (u)topography, in particular its rural and urban manifestations (the Garden of Eden and Heavenly Jerusa-lem).
    Źródło:
    Postscriptum Polonistyczne; 2011, 1(7); 213-232
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ocalony, bo z nim wieczne i boskie zdziwienie. Epilog burzliwego romansu wieszczów w kontekście teorii wpływu Harolda Blooma
    Saved by His Amazement, Eternal and Divine. The Epilogue of Miłosz’s Whirlwind Love Affair with Mickiewicz in the Context of Harold Bloom’s Theory
    Autorzy:
    Bućko- Żmuda, Patrycja
    Powiązania:
    https://bibliotekanauki.pl/articles/511684.pdf
    Data publikacji:
    2011
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Czesław Miłosz,
    Adam Mickiewicz,
    Harold Bloom,
    anxiety of influence
    Opis:
    The article is an attempt to sum up Czesław Miłosz’s complicated relation with Adam Mickiewicz. The aim of the text is to outline Miłosz’s revisionary process and to focus on its last period called apophrades. The anxiety of influence and the anxiety of cultural empti-ness, which he prophesied, seem to be especially intriguing aspects of Miłosz’s literary heritage.
    Źródło:
    Postscriptum Polonistyczne; 2011, 1(7); 247-255
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Degradacja prometeizmu na podstawie literatury antycznogreckiej i polskiej
    The Degradation of Prometheism on Material from Ancient Greek and Polish Literature
    Autorzy:
    Karagiozow, Panajot
    Powiązania:
    https://bibliotekanauki.pl/articles/510749.pdf
    Data publikacji:
    2013
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Prometheism
    tcheomachy
    Jan Kochanowski
    Adam Mickiewicz
    Jan Kasprowicz
    Sławomir Mrożek
    Opis:
    The myth of Prometheus belongs to the oldest and most frequently interpreted ancient myths. Over the centuries, Prometheism has deteriorated instead of evolving, and such a claim can be supported by comparing Aeschylus’ archetype with the theomachists in the masterpieces of Polish authors Jan Kochanowski, Adam Mickiewicz, Jan Kasprowicz and Sławomir Mrożek. The works reviewed in this article suggest that the types of theomachy reflects the respective dominant ideology and represents the actual position of every partici-pant in the triad: the mass – the theomachist – the deity. Prometheus, as an equal to Zeus, sacrifices himself for the inferior human “ephemerals”; in his Laments, Kochanowski creates his own anthropocentrical pantheon and demands from the resident deities to bring his be-loved little daughter back to life or at least console his paternal grief; Konrad (Forefather’s Eve), in order to liberate his ethnic motherland, requests from God to give him the power to rule the world by feelings; the lyric hero of Jan Kasprowicz (Holy God, Holy and Mighty) insists that God salvages mankind from disasters and starvation or becomes human again and come down to Earth and suffers with the ordinary people; whereas the Communist Bartodziej (Portrait), willing to fight the whole world in the name of his party leader, sacrifices the ones closest to him on the altar of Stalin, and ultimately destroys himself.
    Źródło:
    Postscriptum Polonistyczne; 2013, 2(12); 113-135
    1898-1593
    2353-9844
    Pojawia się w:
    Postscriptum Polonistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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