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Wyświetlanie 1-6 z 6
Tytuł:
Nowi Londyńczycy. Polscy emigranci na dużym (i małym) ekranie
New Londoners. Polish Immigrants on the Silver (and TV) Screen
Autorzy:
Heuckelom, Van, Kris
Powiązania:
https://bibliotekanauki.pl/articles/511507.pdf
Data publikacji:
2010
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Polish labour immigrants
post-communist
Londyńczycy
Opis:
The article focuses on growing presence of Polish labour immigrants in contemporary European cinema and TV fiction. Striking differences are observed between pre¬ 1989 and post¬ 1989 productions on the subject of labour migration. Whereas older films tend to depict Polish job¬ seekers as unfortunate troublemakers, films set in the post¬ communist period seem to convey increased social interaction between newcomers and local people which need not be hostile. This is usually represented by a motif of an interethnic love story. As such, recent European productions depart from the traditional portrayal of immi-grants in post¬ war Polish film “as an anomaly from the norm and a problem for which somebody is to blame,” as Ewa Mazierska puts it (2009; 123). Similarly, post¬ 1989 represen-tations of Polish labour migrants in European cinema differ significantly from the image created in recent Polish drama series Londyńczycy (Londoners, 2008–2009) where stress is laid on the strong cohesive spirit within the Polish migrant community rather than the motif of a (happy) interethnic romance.
Źródło:
Postscriptum Polonistyczne; 2010, 1(5); 165-176
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tropem myśliwego. Echa Mickiewiczowskie w poezji Czesława Miłosza (i nie tylko)
On the Hunter’s Trail. Mickiewiczian Echoes in the Poetry of Czesław Miłosz (and Beyond)
Autorzy:
Heuckelom van, Kris
Powiązania:
https://bibliotekanauki.pl/articles/511764.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Adam Mickiewicz,
“literary echoes”,
intertextuality,
mythologization
Opis:
It is a truism that the work of Adam Mickiewicz occupies a central place in Czesław Miłosz’s literary universe. The present paper seeks to investigate one particular Mickiewiczian micro- element that strikingly often recurs in Miłosz’s writings, namely the so-called “kernel” of the Lithuanian forests (jądro gęstwiny). Significantly, while wilderness areas such as woods and forests have always filled the human imagination with awe and fear, Miłosz has turned the Lithuanian “thicket” into one of the cornerstones of his poetic topography, investing its mysterious “kernel” with epiphanic and eschatological potential. Partially medi-ated by some of his other childhood readings Lato leśnych ludzi (The Forest People’s Summer) by Zofia Rodziewiczówna, Na tropie przyrody (On the Trail of Nature) and W puszczy (In the Wood) by Włodzimierz Korsak, Nasz las i jego mieszkańcy (Our Forest and Its Inhabitants) by Bohdan Dyakowski and Soból i panna (The Sable and the Girl) by Józef Weyssenhoff), Miłosz’s mythol-ogization (if not sacralization) of the wildland spaces of his childhood might be said to add a particular (pagan and gendered) twist to the traditional repertory of Christian (u)topography, in particular its rural and urban manifestations (the Garden of Eden and Heavenly Jerusa-lem).
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 213-232
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Srebrny ekran i paryski bruk. Filmowe portrety polskich emigrantów w produkcjach zagranicznych i międzynarodowych (1976–2011)
Silver screen and ‘the Paris pavement’. Images of Polish immigrant in foreign and international film productions (1976–2011)
Autorzy:
Van Heuckelom, Kris
Powiązania:
https://bibliotekanauki.pl/articles/511582.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
emigration
representation
film
Opis:
The article looks into the changing on-screen treatment of Polish immigrant characters living on ‘the Paris pavement’. The corpus of film productions under discussion includes Roman Polański’s The Tenant (1976), Peter Kassovitz’s Mariage blanc (1986), Costa Gavras’s La petite apocalypse (1993), Krzysztof Kieślowski’s Trois couleurs: Blanc (1994), Paweł Pawlikowski’s The Woman in the Fifth (2011) and Małgorzata Szumowska’s Elles (2011). As a comparative analysis of the films involved indicates, both the immigrant characters and the urban space associated with them are subject to gradual changes (although some remarkable spatial motifs, such as the balcony and the roof, make their appearance both in the older and the newer productions). If the earlier films tend to focus on the – often geopolitically connoted – marginalization and degradation of male (anti)heroes in the city’s historical center (or its immediate vicinity), then the more recent films shift focus to the urban periphery, where the Polish characters become part of what Dina Iordanova has called the ‘metropolitan multicultural margins’, along with other, economically underprivileged newcomers from various parts of the (postcolonial and post-Communist) world.
Źródło:
Postscriptum Polonistyczne; 2016, 2(18); 157-168
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W Holandii stoi dom. Przedstawienie polskich imigrantów we współczesnym kinie holenderskim
In Holland There is a House. The Representation of Polish Immigrants in Contemporary Dutch Film
Autorzy:
Van Heuckelom, Kris
Powiązania:
https://bibliotekanauki.pl/articles/510811.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Dutch film
Polish immigrants
representation
domesticity
Opis:
This article looks into the representation of Polish immigrants in contempo-rary Dutch film, with a particular focus on the prominent role of domestic set-tings and familial dysfunctions in the pictures involved. As the analysis reveals, many of the films under discussion bring into view troubled Dutch protago-nists (especially men) who suffer from degradation in the familial and social sphere. The Polish characters in turn tend to be instrumentalized as (potential) agents of change (or rather “restoration”), taking up traditional familial and domestic roles that are no longer fulfilled by Dutch characters.
Źródło:
Postscriptum Polonistyczne; 2019, 2 (24); 131-156
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uczenie się i nauczanie słownictwa języka polskiego za pomocą technologii informacyjno-komunikacyjnych. Stan realizacji projektu „Polish Your Polish/(Un)Polish Your Russian” na KU Leuven (Belgia)
Learning and teaching Polish vocabulary using information and communication technologies. Stage of realisation of the project „Polish Your Polish/(Un)Polish Your Russian” (KU Leuven, Belgia)
Autorzy:
Toffel, Sandra
Van Heuckelom, Kris
Powiązania:
https://bibliotekanauki.pl/articles/511513.pdf
Data publikacji:
2014
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
glottodidactics
educational platform
KU Leuven
Opis:
The article presents and evaluates lexical exercises and glottodidactic tasks presented on an educational platform Polish Your Polish – (Un)Polish Your Russian (KU Leuven, Belgia). It is based on the latest scientific literature on using digital educational materials in teaching foreign languages. The analysis proves that the value of the materials prepared at KU Leuven results above all from their authenticity, primacy of the meaning and their attractiveness. When teaching Polish vocabulary using information and communication technologies, it is far more difficult to meet the criteria of effectiveness and functionality. The authors of the article claim that open, multistage tasks, that require active processing of information and lead to a certain useful ‘final’ product can serve this purpose well.
Źródło:
Postscriptum Polonistyczne; 2014, 2(14); 231-247
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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