Temat: the Polish Nation - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Joseph Conrad’s Independence Journalism and its “Post‑romantic Entanglement”
Publicystyka niepodległościowa Josepha Conrada i jej „postromantyczne uwikłania”
Autorzy:: Samsel, Karol
Powiązania:: https://bibliotekanauki.pl/articles/1038545.pdf
Data publikacji:: 2020-02-11
Wydawca:: Akademia Ignatianum w Krakowie
Tematy:: Joseph Conrad
Adam Mickiewicz
intertekstualność
interfiguralność
The Crime of Partition
Księgi narodu polskiego i pielgrzymstwa polskiego
Lilie
intertextuality
interfigurality
The Books and the Pilgrimage of the Polish Nation
Opis:: The following study of a small collection of Conrad’s journalism related to Polish independence distinguishes The Crime of Partition as the final and most mature voicing of the Polish-Romantic, tyrtaean, and balladic intertextuality of Lord Jim’s author. Conrad, however, while referring to Adam Mickiewicz’s Lilie and The Books and the Pilgrimage of the Polish Nation, does maintain some distance from his allusions and reminiscences. Rather, the romanticizing that saturates the sketch integrates the entire argument, and what is more, it also promotes intriguing intellectualization: the Polish literary tradition, here reduced to a colorful convention (e.g. frenetic, as in Lilie), released from its “limiting” framework, is a kind of carefully planned, sophisticated literary play for Conrad. It can be appreciated by Conrad’s non- Polish reader, uninitiated in the pathos of the Polish problem, the one to whom the writer speaks in particular in this case.
Studium spośród niewielkiego kręgu Conradowskiej publicystyki niepodległościowej i okołoniepodległościowej wyróżnia Zbrodnię rozbiorów jako ten tekst autora Lorda Jima, w którym ostatecznie i w pełni dojrzale dochodzi do głosu polskoromantyczna, tyrtejsko-balladowa intertekstualność. Conrad wszelako, odnosząc się do Mickiewiczowskich Lilii oraz Ksiąg narodu polskiego i pielgrzymstwa polskiego, nie pozostaje bynajmniej niewolnikiem własnej aluzji czy reminiscencji. Romantycyzacja, którą nasyca swój szkic, integruje raczej cały wywód, co więcej – sprzyja też jego intrygującej intelektualizacji: polska tradycja literacka, zredukowana tutaj bowiem do barwnej (np. frenetycznej jak w Liliach) konwencji, a uwolniona ze swoich „usztywniających” ram, stanowi dla Conrada rodzaj skrzętnie zaplanowanej, wyszukanej „gry literackiej”, którą docenić może niewtajemniczony w patos sprawy polskiej, zagraniczny czytelnik Conrada – ten, na którym pisarzowi zależy w tym przypadku najbardziej.
Źródło:: Perspektywy Kultury; 2019, 24, 1; 39-50
2081-1446
2719-8014
Pojawia się w:: Perspektywy Kultury
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Antica tradizione, leggenda medievale e gloria del nome Polacco nella prima età moderna. Stanisław Temberski e la sua Tiara episcopalis
Ancient Tradition, Medieval Legend and the Glory of the Polish Name in the Early Modern Era. Stanisław Temberski and His Tiara Episcopalis
Autorzy:: Buszewicz, Elwira
Powiązania:: https://bibliotekanauki.pl/articles/37505186.pdf
Data publikacji:: 2023
Wydawca:: Akademia Ignatianum w Krakowie
Tematy:: Stanisław Temberski
occasional rhetoric of praise and blame in the 17th century
Polish nation in Padua
St. Stanislaw
Bishop and Martyr
humanist culture
Opis:: Lo scopo principale dell’articolo è quello di analizzare il discorso latino pubblicato a Padova nel 1642 e pronunciato davanti alla solenne assemblea della nazione polacca presso l’Università di Padova, nella chiesa di Sant’Antonio da Padova, il 7 maggio dell’anno precedente. L’autore del testo fu Stanisław Temberski, canonico e professore all’Università Jagellonica. L’autore dell’articolo presenta brevemente la sua biografia e la sua opera letteraria, quindi analizza il discorso. Evitando valutazioni di carattere letterario del lavoro in quanto tale cerca di presentare le idee in esso contenute e di mostrare come la cultura umanistica caratteristica della prima età moderna permetta all’autore di costruire formule e immagini eloquenti che glorificano il nome della sua patria lodando la gloria del suo santo. La lode della Polonia è inestricabilmente legata alla lode del suo patrono, San Stanislao, vescovo e martire. Nell’orazione di Temberski la tradizione antica e medioevale, la leggenda agiografica sono intrecciate e tutto è elaborato secondo la mentalità dell’autore e i concetti della retorica seicentesca. Il santo martire viene paragonato ad Ercole e il malvagio tiranno responsabile della sua morte viene ritratto come uno strumento di Satana, percepito come “Cerbero infernale”. L’uso che Temberski fa delle sue doti retoriche a fini propagandistici è degno di nota: da un lato manifesta la sua cultura umanistica e si presenta come cittadino della Respublica litteraria, dall’altro, inscrive lo Stato polacco nella lunga tradizione della Respublica Christiana. In questo contesto, mette in evidenza che un Paese che produce uomini così pii ed eroici come il santo vescovo è degno di apprezzamento tra le nazioni d’Europa.
The main purpose of the article is to analyze the Latin speech published in Padua in 1642 and delivered at the solemn assembly of the Polish nation at the University of Padua, in the church of St. Anthony of Padua, on May 7 of the previous year. The author of the text was Stanisław Temberski, a Krakow canon and professor at the Jagiellonian University. The author of the article briefly presents his biography and literary works, and then analyzes the speech itself. Avoiding assessing the literary value of the work as such, she tries to present the ideas contained in it and show how the humanistic culture characteristic of the early modern era allows the author to construct eloquent formulas and images that glorify the name of his homeland by praising the glory of its saint. The laudation of Poland is inextricably linked with the praise of its patron, Saint Stanislaus, Bishop and martyr. In Temberski’s oration, ancient tradition and medieval, hagiographic legend intertwine, and everything is processed in accordance with the author’s mentality and the concepts of seventeenth-century rhetoric. The holy martyr is compared to Hercules and the evil tyrant responsible for his death is presented as an instrument of Satan, perceived as “infernal Cerberus.” Temberski’s use of his rhetorical skills for propaganda purposes is noteworthy: on the one hand, he shows his humanistic culture and presents himself as a citizen of the Respublica litteraria. On the other hand, he inscribes the Polish state into the long tradition of Respublica Christiana. In this context, he makes it clear that a country that produces such pious and heroic men as the holy bishop is worthy of appreciation among the nations of Europe.
Źródło:: Perspektywy Kultury; 2023, 41, 2/1; 49-62
2081-1446
2719-8014
Pojawia się w:: Perspektywy Kultury
Dostawca treści:: Biblioteka Nauki

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