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Wyświetlanie 1-3 z 3
Tytuł:
Kilka uwag o wkładzie pierwszej połowy XIX wieku do technik malarskich
SOME REMARKS ON CONTRIBUTIONS MADE BY THE FIRST HALF OF THE 19TH CENTURY TO THE PAINTER’S TECHNIQUES
Autorzy:
Ślesiński, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/537484.pdf
Data publikacji:
1970
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
rysunki ołówkowe
rysunki kredą
pastele
miniatury
malowanie tuszem
malowanie piórkiem
witrochromia
foliochromia
pseudowitrochromia
stereochromia
malowidła pompejańskie
technika enkaustyczna
Opis:
The present article represents a further consequent sequel in considerations which have been published by the same author in „Ochrona Zabytków” their subject being the situation in the field of painter’s technologies and techniques, the questions of the means with which and on which it has been painted and also of those of the artist’s workshop in the first half of the 19th century. The main objective of the present article consisted in presenting the contribution made by the first half of the 19th century to the painter’s techniques and ipso facto in reminding of an epoch which to a great extent has made its contribution to the actual state of knowledge and practical abilities in the field under discussion. Basing on such assumptions the author fo cusses his attention on listing of all features invented or developed within the period in question and applied in the painter’s techniques.
Źródło:
Ochrona Zabytków; 1970, 4; 279-284
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Katalog rysunków architektonicznych ze zbiorów Muzeum Narodowego w Krakowie. 1. Rysunki Napoleona Ordy", Zofia Kucielska, Zofia Tobiaszowa, Warszawa 1975 : [recenzja]
Autorzy:
Kowalczyk, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/536267.pdf
Data publikacji:
1976
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Rysunki Napoleona Ordy
Zofia Kucielska
Zofia Tobiaszowa
katalog rysunków architektonicznych
Źródło:
Ochrona Zabytków; 1976, 2; 149-150
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Późnogotyckie hełmy wież wrocławskich i problem odbudowy hełmów wież katedry
THE LATE-GOTIC SPIRES ON THE TOWERS OF WROCŁAW HISTORIC BUILDINGS AND THE PROBLEM OF THEIR REBUILDING IN THE CATHEDRAL
Autorzy:
Małachowicz, Edmund
Powiązania:
https://bibliotekanauki.pl/articles/536627.pdf
Data publikacji:
1974
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
hełmy wież wrocławskich
rekonstrukcja hełmów wież
wieża katedry wrocławskiej
kościół św. Wojciecha we Wrocławiu
rysunki Schendla
hełm przy kościele św. Macieja we Wrocławiu
konstrukcja hełmu gotyckiego
Opis:
The skyline of Wroclaw’s historic centre in which the tower spires played a dominating role has su ffe r ed considerable losses as a result of great battle that was fougth here in spring of 1945. From among a total of nineteen spires shooting prior to 1945 only three medieval spires fu lly survived and the two others preserved in parts. After the World War II was preserved only one spire, namely that on the tower of the Holy Cross Collegiate Church. The restoration of the Old Town panorama although running slowly is being carried out very carefully and systematically. As one of its most important steps is to be considered the rebuilding of spires crowning the towers of the Wroclaw Cathedral. Tending to its completion the restoration of façades requires that also this architectural element be solved. The scarcely available illustrative materials did not until now allow to prepare a satisfactory version of design for reconstruction of its Gothic spire, whereas that later, i.e. coming from the Renaissance period, had never been taken into consideration at all. As the unique and at the same time most important illustrative source presenting the spire on the Cathedral’s northern tower can be handled the panoramic v iew of the town of Wroclaw shown in the „Chronicle” by Hartmann Schedel that was printed in 1493. However, the right interpretation of the above illustration made requirable a series of more comprehensive studies with which was covered an entire group of medieval spires of the Wroclaw towers. In the mid-fourteen century the erection of the most representative buildings of that town was nearly completed. During the early years of that century were erected the spired towers of Dominican Church and of City Hall. The erection of the remaining towers lasted throughout the entire fourteenth century and in some instances prolonged up to the eighties of the fifteenth century. In that particular case of Cathedral Church it has finally been completed in the second half of the 16th century and in addition already in Renaissance forms. Within his present study the author, basing on illu strative sources, data coming from written records and from investigations of relics and traces preserved in situ, has reconstructed the silhouettes of the seven late-Gothic spires, namely those on towers of St. Albert’s, St. Magdalene, St. Elizabeth, St. James’s, St. Matthew’s, of City Hall and of St. John’s Cathedral. This allowed to consider the drawing by Schedel more realistically and to utilize it as a fully reliable historic source. The spires crowning the Wroclaw towers represented a few kinds of pyramidal shapes characteristically situated on the tower terrace surrounded by a stone parapet. These structures having enormous heights, in some instances amounting to 25 and even to 60 m e tres, formed the final stage of the late Gothic architectural features clearly pointing to predominance of form over the then available constructional and material possibilities. During their lifetimes, oscillating between this of 47 and 124 years all they, except l'or that in Holy Cross Church, suffered destruction as a consequence of loosening of their joints and deterioration of material. In light of the present study the reconstructed silhouette of the Cathedral spire erected in 1416 had the shape of a square-based pyramid rising above the tower terrace surrounded by a stone parapet. The dimensions of the spire base corresponded to those of the tower’s interior. The heights of spires varied within a range from 26 (Holy Cross Church) to 59 metres (St. Elizabeth) counting from the level of terrace up to the sphere supporting the cross. The sloping angle of the spire sides, amounting to 82—86°, that is usually observed in the other surveyed Gothic spires of the Wroclaw towers in the case under discussion determined the height of 39 to 40 metres. The only doubt may arise as to the height at which was situated the upper floor gallery and thus as to the size of the latter. Of secondary importance seem to be the details of both gallery and crowning as it is well known that the gallery was decorated with eight gilded balls while the top ended with a gilded sphere and a cross. The previously planned restoration of the destructed in 1759 spires of Wroclaw Cathedral had as its sole objective the rebuilding of Gothic shapes and such plans were continued until the end of the nineteenth century. The designs presented by architect J. Ebers, in 1905, and by E. von Rechenberg, in 1907, did not gain an approval and in 1911 that of II. Hartung was adopted for execution. However, already in the course of its realization it has been partly altered. All the above designs were based on illustration in Schedel’s „Chronicle”, but all they interpreted it in different ways and let be said here — in general, quite unsatisfactorily. At present, in addition to reconstruction of historical forms, it is suggested to shape the spires in modern forms or to leave the towers without spires and with their crowning formed of terraces and parapets only. The reconstruction of the medieval architectural forms is suggested by both possibilities to recover them and the changes in architecture of neo-Gothic façades that have been introduced in the nineteenth and early in the twentieth century. However, with a Gothic spire was covered only the northern tower and at present a pair of spires is required. Thus the building of two spires would be something more than a pure reconstruction. It would be some kind of continuation of medieval idea whose realization has been broken by the style changes. It would not be the first undertaking of that kind in Europe and it seems that several views expressed here are speaking in favour of its starting.
Źródło:
Ochrona Zabytków; 1974, 4; 268-284
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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