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Wyświetlanie 1-2 z 2
Tytuł:
Cmentarz wojenny w Łukowie Łapiguzie
Military cemetery in Łuków Łapiguz
Autorzy:
Gałecka, Marzena
Powiązania:
https://bibliotekanauki.pl/articles/536907.pdf
Data publikacji:
2014
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Łuków Łapiguz
cmentarz wojenny
opieka nad grobami wojennymi
pomniki na cmentarzach wojennych
nagrobki na cmentarzach wojennych
kaplice na cmentarzach wojennych
Opis:
The existing military cemetery in Łuków Łapiguz has been operating at least since August 1914. In these times it served as the place of burial of the soldiers died in the field hospital located at the area of the Russian barracks in Łapiguz. Ensuring proper interment to the soldiers responded to the postulates of the Alexander Committee for the Wounded operating in St. Petersburg, recommending burials in a separated location and commemorated with a cross or monument. At the end of August 1915, under the pressure of the summer offensive of the Central Powers, the Russian army retreated towards east outside the territory of the Kingdom of Poland. In September 1915, the military operations in the Vistula and Bug Rivers basin were discontinued. That is when the barracks in Łapiguz were seized over by the German garrison. The areas under the German occupation were divided into military governments, among others with the seat in Łuków, subordinate to the General Government in Warsaw. The tasks of the German Imperial Military Government in Łuków included care of the graves of the fallen soldiers at the subordinated territory of two Poviats: Łuków and Garwolin. In 1917, the reorganization plan for cemetery in Łuków Łapiguz was completed. The cemetery established by the Russians was transformed from the place of burial into the memorial. The cemetery was designed along the N-S axis marked out as the main alley leading from the representational entrance to the chapel closing the perspective of the axis. Two transversal alleys divided the cemetery into smaller sections: in the southern part – the sections with graves, sections with stone monuments commemorating the soldiers of the Russian Army (towards west) and German and Austro-Hungarian army (towards east) in the centre, and the wooden, single-tower chapel in the north. On 11 November, 1918 the German garrison in Łuków Łapiguz was disarmed by the district contingent of the Polish Military Organization. Upon incorporating the PMO contingents into the Polish army, the garrison service was performed by the company, which, on May 1919, was incorporated into the organized reserve battalion of the 22th Siedlce infantry regiment. The other burials at the cemetery took place during the operations of the 1920 Polish-Soviet War. During the Second Polish Republic, the cemetery was governed by the Polish military authorities: Office for War Graves Protection at the General District Command followed by the War Graves Department at the District Public Works Directorate at the Lubelskie Voivodeship Office after 1922. According to the official documents, the war cemetery in Łuków Łapiguz was one of the largest cemeteries at the territory of the Lubelskie Voivodeship. Following data of the 1920s registers, the number of burials in the individual and mass graves was as follows: 208 soldiers of the Austrian army, 1009 – Russian, 36 – German and 548 not classified soldiers, i.e. 1801 soldiers in total. The action of war cemeteries consolidation has been carried out on successive basis until 1933. The intention behind maintenance of the cemetery in Łuków Łapiguz was its use as mass cemetery. Renovation works, including repair of the fencing made of squared wood, making grave symbols and raising 919 graves for the individual and mass burials, have been planned. The works were performed until spring 1939. The final period of the cemetery’s operation dates back to 1939-1944 and covers the burials of the 3rd Reich army soldiers. The wooden chapel burnt in 1972. No stone monuments survived. However, an original wooden grave monument in a minaret form commemorating the Muslim soldiers is among the very few survivors. It was relocated from the cemetery to the District Museum in Lublin and to the Open Air Village Museum in Lublin on later date. Earth graves have disappeared in time. It was commonly believed that the cemetery held fewer bodies than counted down in the statistics of the inter-war period. In 1997, the bodies of the WWII German soldiers were exhumed. In 2014, the cemetery was entered into the list of monuments of the Lubelskie Voivodeship. The proceedings included an archive inquiry, which resulted in discovering, among others, the cemetery plan and numerical data from the inter-war period registers.
Źródło:
Ochrona Zabytków; 2014, 2; 37-48
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Neoklasycystyczne kościoły i kaplice Poznania : projekty, realizacje i konserwacja wybranych obiektów
Neoclassical Churches and Chapels in Poznań. Projects, Realisation and Conservation of Select Objects
Autorzy:
Hałas, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/535724.pdf
Data publikacji:
2001
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
neoklasycystyczne kościoły i kaplice Poznania
architektura sakralna Poznania
kościół Zmartwychwstania Pańskiego na Wildzie
kościół św. Jana Vianney na Sołaczu
kościół św. Stanisława Kostki na Winiarach
umiarkowany modernizm
neoklasycyzm
kaplica św. Łazarza w Poznaniu
kaplica Niepokalanego Serca Maryi
Opis:
The sacral architecture of Poznań during the inter-war period was dominated by Classical churches and chapels. The parish churches of the Lord’s Resurrection in Wilda and St. John Vianney in Sołacz constitute essential vista accents, both as regards their architectural quality created by celebrated Poznań-based architects and associated with the landscape of monumental spatial disposition. The first church to realise the premises of Classicism was the commemorative church of the Resurrectionists, built in 1923 according to a project by Aleksander Kapuściński in a traditional scheme of a classical temple embellished with a three-column Ionian portico crowned with an armorial cartouche in a triangular tympanon. In 1925 the eastern part of the church became blended into the monastic house designed by the architect in an analogous style. The whole complex was supplemented by a campanilla erected in 1937 according to a project by Tadeusz Hornung. The picturesque location of the complex on the edge and slopes of the escarpment over the Warta made it possible to create a two-level terrace garden, whose upper part, in the shape of a courtyard closed with a bannister, was combined with the lower part with a slope fortified by means of three-lane stairs. A different form within the doctrine of Classicism was granted to the church of St. John Vianney, built in 1930 according to a project by Stanisław Mieczkowski in the form of a dome rotunda encircled with an area including a presbytery closed on three sides, covered with a dome and flanked with a pair of sacristies whose facade was shaped by means of a six-column Corinthian portico. The church obtained a key localisation in the garden district of Sołacz on a considerable hillock, thus crowning the prolongation of the diagonal axis of the park stretching at its foot. Despite the rather small scale, its solid, upthrust with a terraced arrangement of stairs, appears to be imposing, surrounded by the loose villa development. The Classical style is also represented by the chapel of St. Lazarus (today: the Immaculate Heart of the Virgin Mary), built in 1924 according to a project by Adam Ballensteadt with a cohesive, elongated solid covered with a ridge roof with an ave-bell. The characteristic feature of the front elevation is an axial two-column arcade while the back elevation is preceded by an Ionian columnade. To the west the chapel was blended with the buildings of the hospice of the Mercy of St. Vincent à Paolo, thus creating the frontage of Sielska Street in Górczyn. Serious wartime damage was rapidly eliminated thanks to the initiative of the parish priests. During the last two decades of the twentieth century the church of the Lord’s Resurrection regained its former brilliance due to conducted conservation, while the interior of the church of St. John Vianney partially lost its original appearance owing to a new painted decoration of the dome and the modernisation of the presbytery. From the conservation viewpoint protection is due not only to the architecture of the discussed objects, but also to the asserts of their spatial planning, which the Poznań churches have preserved up to this day, thus comprising prominent accents within their districts and, at the same time, within the far perspectives of the widely comprehended town landscape.
Źródło:
Ochrona Zabytków; 2001, 3; 317-329
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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