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Tytuł:
WYKORZYSTYWANIE ŹRÓDEŁ ARCHIWALNYCH W PRACACH KONSERWATORSKICH
AN EXAMINATION OF THE USE OF ARCHIVAL SOURCES TO INFORM CONSERVATION WORK
Autorzy:
Jenkins, Moses
Powiązania:
https://bibliotekanauki.pl/articles/535205.pdf
Data publikacji:
2008
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
ARCHIVAL SOURCES
CONSERVATION WORK
KibblePalace
źródło archiwalne
prace konserwatorskie
wzorniki
katalogi
zapisy dźwiękowe
Kibble Palace
Pomnik Męczennika
Opis:
When carrying out any conservation work it is vital to its success that it be well informed. Of the many potential sources of information which can be utilised during conservation work on historic buildings, archival sources are one of the most underused and undervalued. Such sources can reveal invaluable information about a buildings structure and construction. The use of such sources is a noninvasive means of discovering a significant amount of invaluable knowledge about a structure prior to work being carried out, information that even modern scientific investigative techniques will often be unable to reveal. Despite this, archival sources in their various forms are often only consulted as an afterthought when conservation work is well in progress. This article firstly examines exactly what is meant by archival sources and what forms these take. The sources which can be accessed whilst carrying out archival research to inform conservation work are many and varied and a range of these are examined in this article. These include: - Drawn evidence (plans, engineering drawings, paintings etc.); - Photographs - Written records (bills of quantity, specifications, contracts, descriptions etc.); - Books and catalogues - Film and sound records For each of these source types some notes are given on the different forms which they can take and on the information which can be drawn from the sources to inform conservation work. In many cases practical examples of how such sources have been utilised in the past are provided. For example, accounts can reveal the source of materials used in a building which provides a conservation team with an accurate, non-invasive investigative technique for material matching. Plans can reveal information about a buildings structure and layout that may not be apparent otherwise or which has changed over time. Photographs give an image of the appearance of a building at a particular juncture greatly informing conservation work as to fine detail of a buildings appearance and structure which could not be discerned otherwise. The article then considers 2 case studies where archival sources were used to inform conservation work, the Kibble Palace in Glasgow and the Martyrs Monument in Stirling. The Kibble Palace is a large glass house and archival sources of various types were used extensively to inform the repair and conservation work carried out in recent years. Likewise, archival sources were used to provide information on the original form of many elements during the restoration and repair work at the Martyrs Monument in Stirling. It is hoped these studies will provide readers with further practical examples of the important role archive sources can play in building conservation.
Źródło:
Ochrona Zabytków; 2008, 3; 81-90
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
KONSERWACJA ZAMKU W MALBORKU JAKO PRZYKŁAD KSZTAŁTOWANIA SIĘ DOKTRYNY KONSERWATORSKEJ
THE CONSERVATION OF MALBORK CASTLE AS AN EXAMPLE OF THE FORMATION OF THE CONSERVATION DOCTRINE
Autorzy:
Bukal, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/537041.pdf
Data publikacji:
2008
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
ARCHIVAL SOURCES
CONSERVATION WORK
Malbork
Zamek w Malborku
Zamek Wysoki
Zamek Niski
Zamek Średni
gotyckie sklepienia
mury obronne
Refektarz Letni
Pałac Wielkich Mistrzów
Steinbrecht
Opis:
The Malbork Castle is an example of the subjugation of a historical monument and its conservation to ideological goals. After the first partition of Poland in 1772 Malbork found itself within the borders of the Prussian monarchy. The castle, up to then never intentionally destroyed, was pulled down and re-designed. The devastation was halted in 1803 thanks to the propaganda campaign launched by young German Romantics. Since 1817 the tide of patriotic upheaval favoured the castle's restoration, transforming Malbork into a national sanctuary of Prussia. Supervision over the work was entrusted to Karl Friedrich Schinkel. The architecture of the first stage in the restoration of Malbork was typical for Romantic historicism and linked Classical composition schemes with a neo-Gothic appearance. In the wake of the unification of Germany in 1871 the castle was to symbolise the German military 'Drang nach Osten' trend and comprise one of the monuments of the revived empire. From 1855 the castle was fortified, thus restoring its status of a fortress within the defensive system of Eastern Prussia. The second stage of the work (1882-1922) was steered by Conrad Emmanuel Steinbrecht, who adhered to the purist spirit represented by Viollet-le-Duc. The intention was to change the castle into an idealized symbolic seat of the Teutonic Knights. Only traces remain of Steinbrecht's work, destroyed in 1945, but we owe the present-day shape of Malbork to his vision. Taking into consideration the historical context of the existence and annihilation of the castle, the decisions of the Polish authorities concerning its reconstruction reflect an astoundingly pragmatic approach and far-sightedness. They became part of the Polonisation and re-Polonisation of monuments of value from the propaganda viewpoint and obtained due to the altered shape of the territory of the Polish state in 1945. In this respect, contemporary Malbork remains an ideological monument fulfilling political functions. From the technical and conservation viewpoint the remnants of mediaeval and nineteenth-century architecture have been reintegrated and restored. Today, these salvaged remnants contain the value and authenticity of Malbork as a monument of European culture. All other components are contemporary supplements, which, however, are already assuming the status of monuments. They carry a clear-cut message and deserve to be protected against the pseudo-conservation and architectural neo-historicism, inspired by political and economic conditions, which results in the devastation of monuments or their reduction to the level of tawdry and media-oriented attractions.
Źródło:
Ochrona Zabytków; 2008, 3; 91-102
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konserwacja Bromley Hall w Londynie
Conservation of Bromley Hall in London
Autorzy:
Latham, Paul
Powiązania:
https://bibliotekanauki.pl/articles/1927190.pdf
Data publikacji:
2018
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
monarchia
dworek myśliwski
dynastia Tudorów
Henryk VIII
Bromley Hall
rzeka Lea
konserwacja
archeologia
myśliwy
ornament groteskowy
malarstwo iluzjonistyczne
Leaside
HOLTOPS
Latham
Regeneration Practice
Royal
Hunting Lodge
Tudor
Henry VIII
River Lea
Conservation
Archaeology
Huntsman
Antique-work
Tromp-l’oeil
Opis:
Bromley Hall, położony na wysokości znaku wskazującego najwyższy poziom wody rzeki Lea, powstał w latach 1482-1485 jako królewski pałacyk myśliwski. Historia przemian i przetrwania tego budynku na skraju miejskiej drogi szybkiego ruchu jest wielowątkowa i pełna niespodzianek. Podczas prac konserwatorskich odnaleziono m.in. dwie ściany ozdobione znakomitymi malowidłami z epoki Tudorów – wykonaną naprędce postacią myśliwego oraz czarno-białym, groteskowym ornamentem z końca XVI w. W obliczu niewielkiej liczby przykładów świeckiego malarstwa ozdobnego zachowanych w Londynie, malowidła z Bromley Hall są znaleziskiem wagi ogólnokrajowej, ponieważ pokazują, w jaki sposób dekorowano wnętrza przeznaczone dla osób świeckich od lat 90. XV w. Artykuł omawia kolejne przemiany architektury i wystroju wnętrza budowli, służącej najpierw jako pałacyk myśliwski, następnie – od początków XVII w. – jako miejsce do przyjmowania gości, a potem będącej siedzibą bogatych kupców. Przedstawiono fascynującą społeczną historię Bromley Hall oraz techniki, które pozwoliły rzucić nowe światło na prądy kształtujące architekturę i wystrój wnętrza w ciągu 500-letniej historii budynku.
Bromley Hall was built as a Royal Hunting Lodge at the upper tidal limit of the River Lea between 1482 and 1485. The story of its development and survival at the edge of an urban Motorway is complex and incredible. Among the many discoveries during conservation work were two very fine Tudor painted walls – the quickly executed figure of a huntsman and a late 16th century black and white ‘antique work’. In the context of the paucity of surviving examples of secular decorative painting in London, it is argued the Bromley Hall examples are of national importance to our understanding of the decoration of secular interiors from the 1490’s onwards. The article tracks the many architectural and decorative changes made to the Hall from its use as a Royal Hunting Lodge which was abandoned in the early 17th century when it became used first for entertaining, and later as a wealthy merchants house. An account of the fascinating social history of Bromley Hall is provided and of various investigative techniques which helped us shed new light on the architectural and decorative influences over its 500-year history.
Źródło:
Ochrona Zabytków; 2018, 1; 79-97
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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