Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "bracia" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Konserwacja zabytkowych organów w NRD
THE CONSERVATION OF ANCIENT ORGANS IN THE GERMAN DEMOCRATIC REPUBLIC
Autorzy:
Rudkowski, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/539423.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
zabytkowe organy w NRD
organmistrzowie niemieccy
bracia Jehmlich
Aleksander Schuke
Herman Eule
Opis:
In his re p o r t th e a u th o r commented his impressions h e h a s collected in th re e la rg e s t o rg an -b u ild in g wo rk sh o p s in th e GDR which a re also c a rry in g on th e c o n se rv a tio n of a n c ie n t o rg an s as those h av in g long tr a d itio n s in th is field. The old est of th e se firm s — “Jehm lich Bros.”, Dresden, possessed all th e time by th e same family, is doing th e b usiness w ith o u t any in te rru p tio n since 1808. The yo u n g e st of th e th r e e — “H e rm a n n E u le ”, B au tz en will commemorate th e 100- y e a r ju b ile e th is year. A lo t of co n se rv a tio n c a rrie d out a t a high level should be considered as m e rit of th e two ab o v e -m en tio n ed firm s an d also of th e th ird one, “A le x a n d e r S c h u k e ”, Po tsd am. In co n se rv a tio n of a n c ie n t organs as g e n e ra l p rin c ip le h a s been adopted th e re ta in in g to a h ig h e st possible d eg ree of th e h is to ric a l “su b s ta n c e ” of an in s trum e n t in all th ese cases w h e re it p ro v e s to be possible. In cases in which th e ir re v e rtib le decays or damage s occured an e x a c t in v e n to ry ing of a given p a r t is m ad e and, a fte r co n serv atio n , it is h a n d e d back to th e u s e r to g e th e r w ith th e in s trum e n t itse lf. P a rtic u la rly in th e firm “A lex a n d e r S ch u k e ” w h e re co n se rv a tio n is considered as th e fie ld of a c tiv itie s k e p t a t th e sam e lev e l w ith th e b u ild in g of n ew in s trum e n ts th e me th o d s ap p lied d e se rv e fo r fu ll a dm ira tio n . E n tire ly in d iv id u a l a p p ro a ch to e ach in s tru m en t is c au sin g th a t a ll th e wo rk done in th is firm is being m e t w ith high ap p re c ia tio n . As a n evidenc e fo r th e p ro p e rly u n d e rsto o d im p o rtan c e of c o n s e rv a tion of a n c ie n t o rg an s may be considered a small m u seum possessed by th e F irm whose mo st v a lu a b le p a r t is ä fin e collection of o rg an pipes d a tin g from th e 16th c e n tu ry . A h ig h ly in te re s tin g a ch ie v em en t from th e b o rd e rlin e of co n se rv a tio n of an c ie n t o rgans an d th e b u ild in g of n ew in s trum e n ts re p r e s e n ts th e b u ild in g in 1958, on in itia tiv e o f H an s Jo a ch im Schuke, of a n ew in s tru m en t fo r th e Divi Blasi C h u rch , M ü h lh au sen a c co rding to th e p re s e rv e d to o u r days design p re p a re d in 1708 by Jo h a n n S e b a stian Bach. As a n o th e r in te re s tin g a ch ie v em en t of sim ila r n a tu re , th is time of th e firm “J e hm lic h ”, Dresden, may be q u o ted th e comp le tio n in th e la s t y e a r of works c a rrie d o u t a t th e g re a t organ in H ofkirche, D resden being th e la s t in s trum e n t b u ilt by th e fam o u s G e rman o rg a n -b u ild e r Georg S ilb e rm an n an d fin a lly completed by Z. H ild e b ra n d t. This org an was sa feg u a rd ed by its s trip p in g in th e beginnings of 1944, however, its h is to ric a l p ro sp e c t h a s been b u rn t in fire th a t swallowed th e church. A fte r reb u ild in g of th e ch u rch w orks w e re u n d e r ta k e n to p la c e th e in s trum e n t in a n ew casing. This o p e ra tio n offered an o p p o rtu n ity to c a rry out special in v e stig a tio n s u n d e r th e sup erv isio n of a n um e ro u s g ro u p of e x p e rts w ith th e aim to remo v e sev e ra l modifications mad e a t la te r d a te s an d to re s to re orig in al sound to th e in s trum en t. The a u th o r sum ma riz e s his rem a rk s g a th e re d d u rin g th e d e ta ile d viewing of some an c ie n t in s trum en ts . He came to a re g re ta b le conclusion th a t sev e ra l r e s to r a tions c a rried out d u rin g th e 19th c en tu ry th ro u g h th e change of pipes an d mo d ific a tio n s of o th e r e lements h av e d ep riv ed most G e rm an o rg an s of th e ir fu ll h is to ric a l values.
Źródło:
Ochrona Zabytków; 1972, 3; 224-228
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZABYTKOWE DZWONY KOŚCIELNE W WIELKOPOLSCE STAN ZACHOWANIA I PERSPEKTYWY BADAWCZE
HISTORIC CHURCH BELLS IN GREAT POLAND THEIR STATE OF PRESERVATION AND RESEARCH PROSPECTS
Autorzy:
Łuczak, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/536885.pdf
Data publikacji:
2005
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
dzwony kościelne
rzemiosło artystyczne
wielkopolskie dzwony
Julius Kohte
Teofil Gapczyński
odlewnie ludwisarskie
Antoni Białkowski
Bracia Felczyńscy
Karol Schwabe
tonacja dzwonu
Opis:
Bells are forms of handicraft which have recently aroused great interest, not only as historical artifacts but also as a rich source of knowledge in humanistic and polytechnic studies. The value of bells is established by their sacred and musical functions. For contemporary researchers, the devotional, commemorative and aesthetic traditions inherent in them are also important. As yet the subject of historic founded objects on the territory of Great Poland has not been addressed by any synthetic study. At the same time, a relatively large amount of archival material has been preserved which could be used fruitfully in creating of a monograph on this subject. Among the church bells on the territory of Great Poland one may find historic objects dating from various epochs: from the middle ages (the mid-15th century) up to contemporary times. The chronological cross section of the preserved objects is the result of chance or purposeful destruction (pillaging, war requisitions) on the one hand, and on the other, founding mainly out of the necessity to equip a church with new instruments. In Great Poland, workshops and foundries are widely represented, as well. Those who created the oldest bells will remain anonymous; beginning in the 16th century it was more and more common to immortalize the artisan’s name and the foundry’s name on the bells. There are numerous works by important workshops operating in more modern times in Gdańsk, Toruń or Wrocław, as well as other local producers in Poznań and Leszno. From the 19th century the dominance of the Poznań foundries is noticeable, and those which were located in Prussia (later the German Imperium), which was, understandably, due to political reasons. After regaining independence in 1919, the great foundries in Przemyśl, Biała koło Bielska, Gdańsk and Poznań came to the forefront. An interesting thread which deserves more detailed research may be seen in the changes in founding customs. The oldest bells are the fruit of founding that was paid for by the church. With the passage of time, the significance of secular patrons of churches grew, and in the most modern period, that of the entire community of the parish. Bells were frequently founded as a devotional offering and as a memorial to the service and piety of donors. The content of the historical and sacred inscriptions that appear on bells is also a valuable source of knowledge about the subject of changes in religiousness. Decorative forms, apart from raising the value of a historic object, allow for the investigation of trends and artistic ambitions among their founders. Identification and recognition of the state of preservation of the historic bells in Great Poland, from the standpoint of protecting them, is essential because of recent, growing threats. On the basis of preliminary research, it may be estimated that only one third of these objects are registered. The Regional Center for the Research and Documentation of Historic Sites in Poznań, in cooperation with the Voivodeship Bureau for the Protection of Historic Sites in Poznań, has undertaken activities which intend to establish the state of preservation of historic bells and identify possible threats. Their results, along with preliminary archival research, will comprise the initial materials for the creation of a synthetic publication.
Źródło:
Ochrona Zabytków; 2005, 2; 20-28
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Arthur E. Gurney – brytyjski architekt czynny w Warszawie i na dawnych ziemiach Rzeczypospolitej od 1899 do 1915 roku
Arthur E. Gurney – a British architect active in Warsaw and on the former territories of the Polish Republic from 1899 to 1915
Autorzy:
Kilanowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1927060.pdf
Data publikacji:
2019
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Arthur Edward Gurney
Arthur E. Gurney
Artur Gurney
architekt
budowniczy
brytyjski architekt
projektant
sylwetka
Warszawa
Polska
Rosja
Cesarstwo Rosyjskie
Rzeczpospolita
Bronisław Brochwicz-Rogóyski
Bronisław Rogóyski
Rogóyski
bracia Horn i Rupiewicz
L.R.I.B.A.
F.R.I.B.A.
architect
constructor
British architect
designer
profile
Warsaw
Polska
Russia
Russian Empire
Polish Republic
Horn brothers and Rupiewicz
Opis:
Artykuł prezentuje sylwetkę i twórczość Arthura Edwarda Gurneya (1875-1947), brytyjskiego architekta i budowniczego czynnego w Warszawie na początku XX w., którego dokonania nie doczekały się do tej pory pogłębionych badań. Przedstawiono pochodzenie i wykształcenie architekta, jego działalność społeczną i publicystyczną, a przede wszystkim zawodową. Gurney miał udział w powstaniu ważnych obiektów w Warszawie i na dawnych ziemiach Rzeczypospolitej pod zaborem rosyjskim. Wśród najważniejszych inwestycji można wymienić wieżowiec firmy „Cedergren” w Warszawie, Bibliotekę Publiczną w Warszawie czy kolonię domków dla służby folwarcznej w Fabiankach. Gurney był zaprzyjaźniony i związany zawodowo z Bronisławem Brochwicz-Rogóyskim; charakterystyczne dla jego twórczości było wykorzystanie motywów zaczerpniętych ze średniowiecznej architektury warowno-obronnej, znajdował się też pod wpływem ruchu Arts and Crafts. Działalność publicystyczna Gurneya przyczyniła się do popularyzacji wiedzy o polskiej historii i kulturze za granicą.
The article presents the profile and work of Arthur Edward Gurney (1875-1947), a British architect and constructor active in Warsaw in the beginning of the 20th century whose achievements have not been subject to any deepened research so far. The article presents the origin and educational background of this architect, his social and journalistic activity, and most of all, the professional one. Gurney contributed to creation of many important buildings in Warsaw and on the former territory of the Polish Republic under Russian rule. Among the most im¬portant investments, we can name the skyscraper of “Cedergren” company in Warsaw, the Public Library in Warsaw or the colony of houses for farm servants in Fabianki. Gurney was befriended with and professionally associated with Bronisław Brochwicz-Rogóyski; a distinctive feature of his work was the use of motifs inspired by medieval stronghold and defence architecture, he was also under influence of Arts and Crafts movement. The journalistic activity of Gurney contributed to popularisation of knowledge on Polish history and culture abroad.
Źródło:
Ochrona Zabytków; 2019, 2; 147-188
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies