Temat: Zolkiew - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: POLSKO-UKRAIŃSKIE SEMINARIUM „OCHRONA DZIEDZICTWA KULTUROWEGO – PODSTAWA TOŻSAMOŚCI NARODU” Żółkiew-Zamość, 30 czerwca-3 lipca 2008 r.
POLISH-UKRAINIAN SEMINAR “THE PROTECTION OF THE CULTURAL HERITAGE – THE FOUNDATION OF NATIONAL IDENTITY” Żółkiew-Zamość, 30 June - 3 July 2008
Autorzy:: Hanaka, Anna
Powiązania:: https://bibliotekanauki.pl/articles/539469.pdf
Data publikacji:: 2007
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: ochrona dziedzictwa kulturowego
Żółkiew
Zamość
polsko-ukraińskie seminarium
Opis:: APoli sh-Ukrainian seminar entitled “The Protection of Cultural Heritage – the Foundation of National Identity” was held on 30 June-3 July 2008. The first part of the meeting took place in Żółkiew, and the second one – in Zamość. The participants included representatives of assorted Ukrainian institutions, chiefly deputy starostas of counties in the district of Lviv and employees of the cultural heritage protection departments in county offices. The seminar was organised by the Conservation Centre in Żółkiew, cooperating with the authorities of the University of Management and Administration in Zamość and the European Information Centre Europe Direct in Zamość.
Źródło:: Ochrona Zabytków; 2007, 4; 8-9
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Problemy i tendencje ochrony zabytków sakralnych na Ukrainie
Issues and tendencies of protecting historic religious buildings in Ukraine
Autorzy:: Gerycz, Włodzimierz
Powiązania:: https://bibliotekanauki.pl/articles/539106.pdf
Data publikacji:: 2010
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: Żółkiew
zabytki sakralne
architektura sakralna
Ukraina
architektura drewniana
cerkiew
ikonostas
ikony
Lista Światowego Dziedzictwa UNESCO
Opis:: Since time immemorial Ukraine has been the center of Eastern Christianity. Many temples were built in Kiev and towns nearby. The ones which survived until this day are treated as the most valuable national historic objects. In the whole country, despite the fact that religious life was being ruined in various periods, especially in the east during Soviet times, many religious historic objects exist. After Ukraine regained independence, the number of voices favoring the protection of cultural heritage began increasing. An appropriate legislation system was created, the state and individual regions readily started joining in to protect and restore historic objects, believers commenced helping with the work related with religious objects. Many good examples of church, orthodox church, monastery and wooden religious architecture restoration can be given. However, the consciousness of congregations and the representatives of the clergy is not always at theappropriate standard. Frequently, the urge to make a profit, the use of wrong technology, or the dishonesty of contractors lead historic objects – the witnesses of our history – to destruction. To improve the level of protection of historic religious objects, the dialogue between society and the clergy has to be broadened, specialists’ activity in the field must be supported, and legalregulations need to be refined.
Źródło:: Ochrona Zabytków; 2010, 1-4; 7-15
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Konserwacja obiektów sztuki sakralnej Kresów Wschodnich Rzeczypospolitej
Conservation of objects of sacred art in the eastern borderlands
Autorzy:: Smaza, Janusz
Powiązania:: https://bibliotekanauki.pl/articles/539302.pdf
Data publikacji:: 2010
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: sztuka sakralna
budowle sakralne
kresy
kresy wschodnie
wschodnia Rzeczypospolita
niewłaściwa adaptacja
dzieje powojenne
profesjonalne prace konserwatorskie
prace restauratorskie
światowej klasy wartości artystyczne
kolegiata żółkiewska
Żółkiew
Dziedzictwo Kulturowe
Ochrona Dziedzictwa Narodowego poza Granicami Kraju
materialne dziedzictwo Kresów
Opis:: The tumultuous history of World War II along with its political outcomes have not only lead to moving borders of the Republic of Poland, but also to losing a considerable part of its territory. The lands which were the source and the breeding ground for multicultural tangible and intangible values remained beyond the eastern border. While direct military activities did not lead to the destruction of many temples, the period of fratricidal combat, particularly in Volhynia, fuelled chiefly with hatred and anger, caused vast destruction. Another period was the rule of the Soviet authorities, whose main goals included fighting religion, as well as its entire tangible heritage. The forms and the intensity of fighting varied: temples were being closed, blown up or transformed into factories, power stations, prisons, bakeries, warehouses (usually for artificial fertilizers, oftentimes stored loose), mills, stables, department stores, gymnasiums, offices, apartments, concert halls, or museums of atheism and religion; this was connected with the removal of crosses, towers and domes. Frequently, reconstructions were so extensive that today it is very difficult to recognise that they were once sacred buildings. The furnishing of temples, which often was at the highest artistic level in the world, suffered the cruellest fate. Usually, it was barbarically removed and burnt. Immense geopolitical changes in East-Central Europe in the early 1990’s brought independence to many countries, which undertook a number of regulations enabling the return of temples to their rightful owners. This process, very vigorous in the first period, has almost ceased in recent years. Restoring fairly original appearance to the recovered temples required a huge sacrifice, and oftentimes heroism. First of all, protective, repair, and construction works had to be conducted, in many instances without adequate knowledge. The restoration of the sacred interior designs of the temples was done on a random basis. While the way of proceeding with the restorations was somewhat justified at the time, the activities in recent years, including among others, the inappropriate reconstruction of furnishing, have resulted in a loss of the last remaining values. They have been replaced with mediocrity and tackiness. Professional restoration works have been carried out only in few cases. The reasons for this are varied, on the one hand, among others, the lack of funds, the lack of adequate identification and the preparation of objects in such a vast territory, and on the other hand, the lack of partners. Presently, works on the appropriate professional level are being conducted almost in every scope and discipline at several dozen temples. They are carried out by highly experienced specialists from Polish schools. The works which have been conducted for the last 22 years in the 17th century collegiate church in Zhovkva, Ukraine, constitute one of such exceptions. They have been carried out by students and graduates of Polish schools: the Academy of Fine Arts in Warsaw and the Academy of Fine Arts in Kraków, as well as the Nicolaus Copernicus University in Toruń at the faculty of conservation and restoration of sculpture and architectural structure, and occasionally conservation and restoration of painting, or historic textiles. The works have been conducted in various forms: as holiday internships (month long) or MA theses (in case of the Academy in Warsaw), and the most difficult conservation issues are solved by international committees of specialists and are rendered by certified conservators and restorers of works of art based on the contract for specific task (it has only been several years that this form has contributed to a significant acceleration of the state of completing the restoration of the temple), and also as a form of volunteer work. This last form of activity (increasingly popular) requires highly qualified specialists who undertake full responsibility for the conducted works. Moreover, specific regulations exist which pertain to carrying out restoration works on historical monuments. The assistance, especially financial, of the Department of National Heritage, existing as a part of the Ministry of Culture and National Heritage, or the Centre of Polish Cultural Heritage Abroad at the Association “Polish Community”, as well as the Senate of the Republic of Poland and various foundations, has decidedly increased the number of works rendered on the highest professional level in the world serving the preservation of heritage of the eastern borderlands. It is, regrettably, still “a drop in the ocean”.
Źródło:: Ochrona Zabytków; 2010, 1-4; 85-94
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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