Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Sala" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-8 z 8
    Tytuł:
    Problemy rekonstrukcji nadal żywe i aktualne : na marginesie kolokwium w Augsburgu w marcu 1978 r.
    PROBLEMS OF RECONSTRUCTION STILL CURRENT AND OF INTEREST (A SIDE-NOTE FROM THE SEMINAR HELD AT AUGSBURG, MARCH 1978)
    Autorzy:
    Stankiewicz, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/536017.pdf
    Data publikacji:
    1978
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Złota Sala W Augsburgu
    augsburski ratusz
    rekonstrukcja Złotej Sali
    Stowarzyszenie Złotej Sali
    Opis:
    The reconstrution o f the Golden Hall in Augsburg’s Town-Hall was the subject o f an international seminar held on March 8 and 9, 1978 on the initiative o f Augsburg’s Municipal Council. The Town-Hall at Augsburg, a world-known ediffice with magnificent interiors, was erected in the years 1615—1624 by Elias Holl (1575— —1646), an outstanding architect. Utterly burnt down in 1944, from the top down to the dome o f the vestibule o f the ground floor, the Hall was roughly rebuilt by 1955 and after restoration works it regained its exterior décor. The rebuilding o f the interiors carried out in 1958—1962 has left, however, open the question o f restoring former decor. The discussion held at the seminar showed that while the question o f restoring exterior and interior architectural decorations, especially o f preserving genuine parts o f the elements, did not give rise to any major reservations, then the problem o f painted décor was found to be highly controversial. The main problem was a search for the answer to the question whether it was justified, or even permissible, to reconstruct decorations o f the interiors devastated by fire when, except for the wall-building substance and the arrangement o f window openings and niches, only a very small percentage o f wall paintings that used to decorate the wall had been preserved. Nothing lite. rally was left from a rich architectonic and sculpturing wood. -carving. Finally, after a lengthy discussion and including amendments approved by the overwhelming majority, the commission presented the Municipal Council with an expertise made on behalf o f seminar participants. The expertise confirms a technical possibility o f reconstruction. Still, in recommends an earlier verification o f the reliability of the documentation. The expertise draws also attention to difficulties involved in eventual reconstruction. The problem o f reconstructing the Golden Hall is of both a cultural and political nature and its solution depends on the decision o f the town o f Augsburg itself. At any rate, it is advised to take on first only partial tasks, the results o f which would be every time assessed by a competent international body and would influence international body and would influence further decisions. It is also recommended to commence with easier and non-conflicting works such as floors, window partitions, doors and portals, tested first on models scaled 1:1. The existing provisional arrangement should make a point o f departure for partial steps. In the case o f a possible modern solution, defined as a rule as problematic, the architecture of Elias Holl should definitely not be changed. Also relics of the preserved wallpaintings, which must be maintained „in situ”, must stay unharmed.
    Źródło:
    Ochrona Zabytków; 1978, 4; 261-272
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wystrój malarski wnętrz pałacu w Lubostroniu
    THE PAINTED DECOR OF THE INTERIORS OF THE PALACE AT LUBOSTROŃ
    Autorzy:
    Bystroń-Kwiatkowska, Anna
    Warszycki, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/536375.pdf
    Data publikacji:
    1981
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    wystrój malarski pałacu w Lubostroniu
    pałac w Lubostroniu
    Lubostroń
    Antoni Smuglewicz
    Sala Rotundowa
    Opis:
    The article presents results of the first stage o f studies on the interiors o f a classicist palace at Lubostroń, one of few central structures imitating famous Villa Rotonda Andrea Palladia. The palace at Lubostroń was built for Frederich Skórzewski, one of the most outstanding representatives of the Enlightment in Great Poland. The palace was built between 1795—1806, and it was most probably at that time that the works on the décor of the interiors were completed. In the last stage o f works there operated there a team o f decorators, well-known in Great Poland, including Antoni Smuglewicz, a famous painter. He is thought to be the author o f the majority of paintings found in the palace. Repair and construction works commenced in 1976 offered an opportunity to study less known interiors o f the palace. Research works were carried out by a workshop of the conservation o f movable historic monuments in Toruń, attached to the Enterprise for the Conservation of Art. During the works which were started in the basement of the palace the interiors of the former chapel were examined. It was there that a well-preserved secondary layer depicting a stylized plant runner in the candelabrum arrangement, embraced in brown-green frames, was found. Only some parts of the original polychromy were preserved in the chapel. In the course of further studies on the ground floor no original painted works were uncovered in the former dining room. However, it was observed that in the corner parlour all plasters on the walls were exchanged in the 19th century. Only on the jambs of windows and walls there could still be seen the remains of the original painted décor in the form o f illusionistically painted profiled panels in ochre and gray against the light gray background. Slight traces o f the brown, black and red show that the interiors of panels might have held some painted compositions depicting supposingly landscape themes. Similarly, in the garden parlour situated on the entrance axis nearly all plasters were replaced with new ones, except for small parts on jambs of windows and stove orifices. Preserved fragments prove that there there also was decoration in the form o f illusionistically painted architectural framings, the shape o f which was adjusted to the size o f individual walls. Much more authentic décor o f the interior may still be seen in the palace library situated in the south-eastern comer o f the ground floor. Its circular vaulting with lunettes is covered with painted decorations depicting themes o f ancient grotesque. It was also noticed that nearly all the painting had been repainted; the colours of the original were lighter and more subtle. Also frames of the panels proved to be repainted. N o traces o f polychromy were seen in the window orifices which used to hold book-cases. The last item to be examined was a presentable staircase, on the wall o f which there is a large wall-painting with an „Egyptian“ theme, thought to be the work o f Antoni Smuglewicz. Further studies revealed that it was vastly repainted, which affected markedly its original colouring. Finally, conclusions concerning the conservation were put forward. It was suggested that the interiors examined should be restored, whereever possible, to their original wall colouring with later period layers (stucco works) being preserved.
    Źródło:
    Ochrona Zabytków; 1981, 1-2; 67-71
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Problemy konserwacji neoplastycznego dzieła sztuki
    PROBLEMS INVOLVED IN CONSERVATION OF WORKS OF NEOPLASTIC ART
    Autorzy:
    Rubczyńska, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/535274.pdf
    Data publikacji:
    1971
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    neoplastycy
    sala neoplastyczna w Muzeum Sztuki w Łodzi
    Piet Mondrian
    zasady neoplastycyzmu
    Katarzyna Kobro
    W. Strzemiński
    Opis:
    In Museum of Arts, Łódź there are two rooms the walls of which iare covered with the painted decorative motifs designed by an outstanding representative of the Polish neoplastic art Władysław Strzemiński and his disciple Bolesław Utkin. In the same rooms are displayed the paintings, sculptures and pieces of furniture supplying an illustration of the aforementioned trend in art. The preservation of painted decorative motifs on walls presents, however, a great deal of difficulties as they represent quite an unusual problem within the scope of the conservator’s usual practice. Since the preservation of perfectly smooth and uniformly shaded surfaces in particular parts of decoration Is an absolute must, the author suggests that in places where it might prove necessary to recover the losses no stippling should be applied ; instead of this the entire surfaces should be covered with colour matching as much as possible that of original work.
    Źródło:
    Ochrona Zabytków; 1971, 1; 43-49
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ratusz głównego miasta w Gdańsku : konserwacja, rola współczesnej plastyki w zabytkowym wnętrzu
    THE TOWN HALL OF THE MAIN CITY OF GDAŃSK — ITS CONSERVATION AND THE PART PLAYED BY THE MODERN FINE ARTS IN A HISTORICAL INTERIOR
    Autorzy:
    Krzyżanowski, Lech
    Powiązania:
    https://bibliotekanauki.pl/articles/538341.pdf
    Data publikacji:
    1970
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Ratusz Główny w Gdańsku
    Wielka Sala Rady
    Jan Vredeman de Vries
    Obrazy Schoeberga
    Józefa Wnukowa
    Hanna Żuławska
    Jacek Żuławski
    Opis:
    The author makes an attempt to consider analytically the problem of fittings of the Town Hall of the Main City of Gdańsk and at the same time the co -ex istence between monuments and the modern art features o f some rooms of the same building. He expresses an opinion that there is much too little publications dealing with the problem of co-existence between the modern and ancient art in historical interiors although a considerable number of examples in this respect could be found in Poland. Thus, the author puts forward a proposal to exchange the views on the subject. The Town Hall of the Main City of Gdańsk has been built in a few phases during the periods 1379 — 82 and 1486 — 92. The historical changes have, in principle, terminated with the erection of the tower’s spire in 1559 — 60 and on completion of stoneworks in 1562, and of repair at the end of the 16th century. Seriously damaged in 1945 the Town Hall was rebuilt in 1950 but the finishing works and the conservation of its fittings were completed as late as in 1970. The most interesting works forming the subject of the author’s publication were carried out on the se cond, representative floor. The fittings and furniture of the Council’s Great Hall that has been moved from Gdańsk prior to 1945 was preserved almost in its whole. In 1593 Willem van der Meer from Ghent has built a huge fireplace of stone thus starting the modern fitting of that room. It is alleged that the interior itse lf was designed by Hans Vredeman de Vries then employed in Gdańsk as a town architect. It was namely he who has painted 7 allegorical compositions on the walls and working together with his son Paul was the author of the ceiling paintings which were removed in 1608. In the years 1594 — 96 the Gdańsk-born joiner Simon Herle has built the stalls richly adorned with intarsia and the cornices above them. As the ceiling paintings have not pleased the Council, in 1608 — 09 Herle built a new ceiling w h ile the artist Isaak van den Blocke has painted 25 panels for the said ceiling. The central part of this composition is the „Apotheosis of the Union between Gdańsk and Poland”. Apart from minor losses all these works have been preserved. In 1764, in the course of the Hall’s restoration the lo wer portion of walls has been covered with the red patterned damask whereas in the upper portions of w a lls between the pictures by Vredeman de Vries the new pictures were placed totally covering the wall surfaces. These 16th-century elements of the Hall’s fitting were partly preserved up to our times. In the course of conservation the overpaintings have been removed from cornices and ceiling portions, and at the same time necessary reconstructions of the joinery work were carried out. New fabric — the red damask, has also been made by then to cover the whole wall including the backgrounds of Vredeman de Vries’s paintings which previously were free of coverage. During the course of actual conservations it has been found not recommendable to reconstruct the paintings dating from 1764. Rejected also was the idea to leave the upper wall portions plastered in natural colour. With the reconstruction limited to the narrowest possible extent the Council’s Great Hall exhibits the authentic objects, and, though some of detailed design solutions are disputable, the whole may be considered as the positive example. Entirely different problems had to be solved in the entrance-hall where the rich fitting consisting of the spiral timber stairs, gallery and a painted ceiling was totally burnt down. A set of preserved fragments and the photographs of high documentary value supplied the basis for reconstruction. It seems that the conservators from Gdańsk have taken fully right point of view in their idea of the interior’s reconstruction putting the stress on the entrance. New stairs and the balcony balustrade have been rebuilt with some small carved details built-in. The ceilings were covered with paintings newly composed by Professor Josephine Wnuk in their forms resampling those original. The author assesses the design of the entrance-hall interior as the most appropriate in artistical respect. Original relics (the stone and timber doorway), these reconstructed (the stairs and balcony) and those entirely new (the ceiling paintings) form a harmonious composition with its authentic elements playing an essential role owing to a suitable differentiation of colouring. Quite disputable as to their character seem some attempts to introduce the modern art to interiors. It was the conservator’s intention to convey, although in modern forms, the splendour of the ancient in te riors in the representative part of the Town Hall. By no means less important aim consisted in producing a harmonius composition combining the fragments of original fitting with the modern art, securing however, the main or at least an equal chance for the ancient art. Its realization has led to the different final results. As the most interesting modern hallmark may be considered the paintings by Professor Jacek Żuławski in the vestibule to the Corporation’s Lesser Hall, interesting in their artistic expression and in the right way accentuating the original vaults and corbels. However, a somewhat objectionable seems the general artistic design of the Corporation’s Lesser Hall where the strong accents brought by the new fabric (designed by Professor Josephine Wnuk) are to a great extent weakening the expression of authentic e le ments, i.e. of vault and the stone corbels dating back to the 16th century. It w ill by far be not too easy task to find a set of furniture and pictures rightly fitting to this interior. Similar objections arise when one views the Council’s Winter Hall where the main hallmark consists in the new fabric covering the walls. Under no condition might be considered as helpful for the exhibition of the 16th-century cornices the strong accents appearing in the flooring fla g -sto - nes. In both these interiors the interesting and v a lu a ble works of modern art have proved to be too strong accents prevailing over the monuments of the past. In turn, the paintings in the Council’s Great Hall being entirely deprived of ancient accents are not in teresting enough and do not produce sufficiently strong artistic accent within this spacious interior. Making an assessment on the whole of works carried out in interiors the author has emphasized the fo llo wing features: (1) a decided requirement of the most careful conservation of all monuments even at the cost of considerable extension of the period of preservating operations, (2) a careful attitude toward authentic relics expressed also in the confined reconstructions, (3) an open attitude toward the modern decorative art, (4) broadly discussed conservation programme and the analysis of the progress of works in a wide circle of experts representing distinct fields and milieux. The author considers the Gdańsk r ea lization as right in principle apart from an objectionable manner of introducing some modern hallmarks. His opinion represents an important statement in discussion on the conservation of ancient art and its relationship to that modern.
    Źródło:
    Ochrona Zabytków; 1970, 4; 252-266
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konserwacja malowideł ściennych w Sali Radnych w Ratuszu w Świdnicy
    CONSERVATION DES PEINTURES MURALES DANS LA SALLE DU CONSEIL MUNICIPAL DE L’HÔTEL DE VILLE À ŚWIDNICA
    Autorzy:
    Leszczyńska, Renata
    Powiązania:
    https://bibliotekanauki.pl/articles/536102.pdf
    Data publikacji:
    1968
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Ratusz w Świdnicy
    malowidła ścienne w ratuszu w Świdnicy
    polichromia „Sąd Ostateczny”
    „Jawnogrzesznica w świątyni”
    „Ukrzyżowanie”
    Sala Radnych w Świdnicy
    Opis:
    Dans la salle des conseillers de l’Hôtel de Ville à Świdnica, l’on a découvert en 1960 des peintures murales de la Haute Renaissance, datant de la première moitié du XVI-e siècle. Elles représentent: le Jugement Dernier, La femme adultère, la Crucification ainsi que des motifs d’ornementation florale. Les traitements de conservation furent effectués en 1966—67. L’endommagement des peintures étant fort avancé, les lacunes à remplir furent considérables dans la scène de la Crucification — environ 50°/o de la surface peinte, la perte d’adhérence des couches susjacentes du surpeint et du mortier — de 30 à 60°/o de la surface totale des murs, de nombreuses craquelures, fêlures et autres endommagements de la surface et des couleurs. Les analyses chimiques ont révélé que les peintures furent exécutées par la technique „al secco”. Au cours du traitement de conservation l’on a employé comme remplisseur des fêlures la résine époxyde. Les lacunes furent enduites de mortier de chaux sableux avec l’émulsion aqueuse du polyacetate de vinyle. Après avoir rempli les lacunes du mortier on l’a recouvert d’une couche d’endudt sec. Les peintures elle-mêmes n’ont pas été repeintes, seules les petites lacunes ont été pointilées par traits verticaux. La peinture polychrome fut enduite d’une émulsion aqueuse à 5fl/o du polyacetate de vinyle comme couche de protection.
    Źródło:
    Ochrona Zabytków; 1968, 4; 24-28
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zagadnienie odbudowy Zamku - jako rekonstrukcji jego formy i wnętrza
    LE PROBLÈME DE LA RECONSTRUCTION DU CHATEAU DU POINT DE VUE DE LA FORME EXTÉRIEURE ET DE L’INTÉRIEUR
    Autorzy:
    Jan, Zachwatowicz
    Powiązania:
    https://bibliotekanauki.pl/articles/535752.pdf
    Data publikacji:
    1949
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Zamek Warszawski jako głowmy akcent historycznej dzielnicy Warszawy
    wartości architektoniczne
    koncepcja odbudowy Zamku
    rożnorodność elementów architektonicznych Zamku Warszawskiego
    elewacja gotycka dawnego Zamku Książąt Mazowieckich
    wieloboczna bryła epoki Wazów
    elewacja Saska
    elewacja Stanisławowska
    wykorzystanie ogromnych zasobów zachowanych fragmentów architektonicznych
    proporcje bryły
    zachowane detale kamieniarskie
    zagadnienia odbudowy wnętrz
    dawna Sala Poselska
    przydatność użytkowa
    zachowane fragmenty architektury wnętrza z Sali Rycerskiej
    boazerie z płaskorzeźbami
    złocone listwy przyścienne z motywem liści laurowych
    Sala Konferencyjna
    autentyczne fragmenty fresków
    Opis:
    Le château royal est le principal monument historique de Varsovie. Il a fallu des siècles pour le construire, aussi, sa reconstruction doit-elle fidèlement reproduire son aspect historique avec toutes les retouches de style. On pourra alors utiliser une grande partie des f ragment, authentiques d’architecture qui seront posés sur l’ancien emplacement. D’autre part, la reconstruction doit se faire selon la technique et le matériel les plus modernes. Ainsi, le château ressuscité ne perdra rien de sa valeur essentielle au point de vue de l’architecture et en tant que monument historique. Il en est de même des intérieurs qui ont été reconstruits à l’aide de tous les nombreux fragments authentiques, sauvés du désastre, de décoration, — dos meubles sau vés et conservés, d ’objets décoratifs di spersés en de nombreuses collections et magasins, de sorte que. une fois la forme extérieure du château reconstruite, on en trouverait le corrélatif en une suite d’intérieurs historiques de grande beauté et qui constituent notre acquit culturel. J.es unties parties du château déviaient être reconstruites en des formes neutres ou qui puissent être rattachées à celles (pie nous présente le matériel i conographique. Naturellement, il faut, lues de la reconstruction des intérieurs, appliquer les procédés de la technique la plus moderne afin de donner au château une pleine valeur utilitaire. Ainsi comprise, la reconstruction du château en tant que monument de la culture et de l’histoire polonaise, sera en même temps une nouvelle et magnifique acquisition technique et culturelle de la Pologne Populaire.
    Źródło:
    Ochrona Zabytków; 1949, 4; 274-282, 288
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies