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Wyświetlanie 1-8 z 8
Tytuł:
ŚLĄSKIE CENTRUM, ŚLĄSKIE DZIEDZICTWO, ŚLĄSKIE WYDAWNICTWA
THE SILESIAN CENTRE, HERITAGE AND PUBLICATIONS
Autorzy:
Kalina, Anna
Powiązania:
https://bibliotekanauki.pl/articles/536890.pdf
Data publikacji:
2004
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Śląskie Centrum Dziedzictwa Kulturowego
śląskie wydawnictwa
„ Żywieckie projekty Karola Pietschki”
„Zabytkowa architektura municypalna i przemysłowa Raciborza”
Opis:
The activity pursued by the Silesian Cultural Heritage Centre could be perceived as an example worthy of emulation by other regions. Numerous books issued by the Centre combine assorted features which render them interesting both for professionals and laymen. The discussed topics, the presentation of the material, and the graphic layout are the prime reasons why the readers are offered valuable publications documenting and promoting cultural heritage of the region of Silesia. Consequently, the books are addressed not only to readers professionally associated with research into testimony of the past, but also to rank and file inhabitants of the region. We may even hazard the opinion that it is precisely the latter who comprise the basic public. The inclusion of introductions and summaries translated into Czech and German expands the potential readership. The article discusses four books recently issued by the Centre: “Żywieckie projekty Karola Pietschki – architekta arcyksięcia Albrechta Fryderyka Habsburga” (Designs by Karol Pietschka – the Architect of Archduke Albert Frederic Habsburg – in Żywiec), an album prepared by Bożena Husar and Dorota Firlej; “Zabytkowa architektura municypalna i przemysłowa Raciborza” (Historical Municipal and Industrial Architecture in Raciborz) by Alicja Gałecka-Paduchowa, a third book by this author about the region of Raciborz; “Nie zachowane kościoły drewniane Górnego Śląska” (Nonexistent Wooden Churches in Upper Silesia) by Piotr Siemko; “Grodziska Górnego Śląska i Zagłębia Dąbrowskiego z lotu ptaka” (The Strongholds of Upper Silesia and the Dąbrowa Basin – Aerial Views) by Wojciech Gorgolewski and Eugeniusz Tomczak.
Źródło:
Ochrona Zabytków; 2004, 3-4; 259-263
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ambony śląskie z lat 1550-1650 : stan zachowania
THE SILESIAN CHURCH PULPITS FROM THE YEARS 1550—1650; STATE OF THEIR PRESERVATION
Autorzy:
Pokora, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/537546.pdf
Data publikacji:
1975
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
ambony śląskie
protestantyzm na Śląsku
kazalnice śląskie
ambony z kamienia
ambony drewniane
polichromie na ambonach
konserwacja ambon
Opis:
The author deals with a number of problems connected with the state of preservation of historical monuments which played and important part in the history of art of the Renaissance and Mannerism Pediod, namely the church pulpits. The pulpits erected within the period of 1550—1650 in Silesia were, as a rule, built for Protestant churches and constituted extremely essential component parts of their furniture, It is therefore easily understandable that they were the elements of ecclesiastic fittings that required artistic forms adequate to their particular position inside the temple. The author quotes a series of statistical data concerning the number of the preserved pulpits. He states that within the area of Silesia about 100 historic pulpits of which 11 are built of stone and one of brick can be found. This number constitutes more than one-third of all historic pulpits in Polish churches. Then the author proceeds to the discussion of considered materials of which the Silesian pulpits were executed; wood is to. be the most frequently applied material — decorated either with polychrome paintings or ornamental carvings. On some pulpits there are also decorations in the form of canvas paintings. About 10 per cent of the pulpits preserved were built of stone, e.g. sandstone, alabaster, serpentine, but those which were constructed of both stone and timber may also be found. No cataloque of the historic church pulpits still existent in the province of Wrocław and in part by of Zielona Góra, where 85 per cent of a total amount of those coming from the period of 1550—1650 are grouped, no later than that prepared by H. Lutch at the end of the 19th centrury is avaibable at present. A journey made by the author in 1974 during which he visited more than 80 localities within the area in question enabled him to find out that the conditions of preservation of the prevailing number of pulpits are satisfactory. However, the original polychrome paintings on wooden pulpits are considered to be most decayed. In many of them baldaquins and some details of carved decorations are missing. During the last 15 years a couple of pulpits got lost. Another problem with which the author deals concerns hazards associated with incompetent renovation or restoration of pulpits carried out without the knowledge of conservaton authorities. To, some up the above remarks he gives a list ot objects requiring urgent treatment by restorers. Still another problem that he discusses regards re storations of the objects existing in our days that have been carried out during the past centuries or are being carried out in our times. Critical comments has been made by the author with concern to restoration of some pulpits an/d the repeateng failures emphasised as, for instance, the overpainting of original inscriptions or applying an improper palette and the like. In conclusion of his article the author advanced a suggestion that a wide action of inventorying of historical monuments should be started in Silesia and expresses his hope that the present article has sufficiently proved the urgent need to introduce a new organizational model for the field conservation authorities. According to his view it is indispensable that with conservation of each movable historical monument a t least two experts i.e. an art historian and a practicizing restorer should be entrused.
Źródło:
Ochrona Zabytków; 1975, 3-4; 198-216
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Początki zamków w Polsce" - konferencja naukowa Wrocław, 6-8 października 1972
Autorzy:
Zarębska, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/536535.pdf
Data publikacji:
1973
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
konferencja „Początki zamków w Polsce”
badania nad budownictwem obronnym
zamek średniowieczny jako dzieło sztuki
grody śląskie
Źródło:
Ochrona Zabytków; 1973, 1; 72-74
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy warto przywrócić podcienia wokół rynku w Gryfowie Śląskim
VAUT-IL RECONSTITUER LES PORTIQUES AUTOUR DE LA PLACE DU MARCHÉ À GRYFÓW ŚLĄSKI?
Autorzy:
Pudełko, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/538093.pdf
Data publikacji:
1963
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Gryfów Śląski
rynek w Gryfowie Śląskim
zabudowa przyrynkowa w Gryfowie Śląskim
rekonstrukcja podcieni w Grygowie
śląskie domy podcieniowe
Opis:
Dans l’article on a tra ité la question d’une eventuelle reconstitution des portiques autour de la place du marché à Gryfów Śląski, qui ont été murés vers la fin du XIXe et au commencement du XXe siècle. L ’au teu r est d ’avis qu ’au point de vue technique cela ne devait pas procurer des difficultés considérables, mais p o u rra it rencontre r une opposition de la p a rt des usufruitiers des boutiques aménagées dans les anciens portiques. Cependant, la reconstitution des portiques au ra it — d ’après l’au teu r — augmenté sous le rap p o rt a rch ite c tu ra l la b eauté de la ville e t contru b u e ra it à faire de Gryfów un centre de tourisme particulièrement attractif.
Źródło:
Ochrona Zabytków; 1963, 4; 17-27
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„ARCHITEKTURA RENESANSOWYCh DWORÓW NA DOLNYM ŚLĄSKU” Ekspozycja w Muzeum Architektury we Wrocławiu
“THE ARCHITECTURE OF RENAISSANCE MANOR HOUSES IN LOWER SILESIA” Exhibition at the Museum of Architecture in Wrocław
Autorzy:
Oszczanowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/536665.pdf
Data publikacji:
2009
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Muzeum Architektury we Wrocławiu
Architektura renesansowych dworów na Dolnym Śląsku
Krzysztof Eysymontt
dwór renesansowy
Dolny Śląsk
Łużyce
dwory śląskie
Opis:
Apresentation entitled “The Architecture of Renaissance Manor Houses in Lower Silesia” was opened to the public on 18 February 2010 at the Museum of Architecture in Wrocław. The author of the scenario is Krzysztof Eysymontt, who for years worked in an inventory of this type of residential architecture; the curator is a representative of the Museum – Beata Fekecz-Tomaszewska, and the author of the graphic design is Renata Stahl-Wojtowicz. The presentation is composed predominantly of tables depicting more than sixty examples of this architectural form, specific for Silesia. Each contains a brief commentary concerning the presented building, its ground plan and suitable iconographic documentation. The display is supplemented with excellent archival photographs (mainly from the 1960s and 1970s) and an extensive selection of contemporary photographs, mainly taken by Krzysztof Eysymontt. The introduction to the presentation informs that during the sixteenth and seventeenth century there were more than 200 gentry manor houses in Silesia and Lusatia, erected in the course of 150 years. Over a hundred have survived up to our times. Unfortunately, no other fragment of the historical cultural and artistic heritage of Silesia has been subjected to such damage, degradation and oblivion. The manor houses were first the victims of barbaric devastation, conducted with an ideological underpinning during the socialist era and ”exploitation” by state owned farms, and then in the 1990s subjected to thoughtless and unsupervised ”commercialisation”. This is the reason why we should appreciate the current transformations in the approach to these historical monuments, which, reconstructed, meticulously conserved and taken care of, can function in our reality by fulfilling assorted functions without, at the same time, losing any of their historical qualities. Inventory photographic documentation of the early modern Silesian manor house offers invaluable iconographic and research material; the exposition has been enhanced by an addition of assorted museum exhibits, including elements of the outfitting and decoration of the Silesian residences: ceramic tile stoves, fragments of stucco, ceiling beams and fireplaces. All the exhibits originate from the Museum of Architecture in Wrocław. In turn, the reconstruction of the outfitting of the early modern Silesian manor, entitled ”The Outfitting of a Manorial Chamber in the Sixteenth-seventeenth Century”, includes exhibits from the Museum’s own collections, the National Museum in Wrocław and private collections, such as a table, a sideboard, a tapestry, glassware, pewter and zinc artefacts, and an oil portrait. The exceptional attraction of the display lies in the first public presentation of the outcome of research carried out in 2008-2009 in the manor in Ciechanowiec, which led to the discovery of extremely valuable polychromes depicting mythological scenes, lavish ornamental forms, inscriptions and a portrait frieze. The titular presentation should be regarded as both interesting and useful – slight errors in the descriptions of particular monuments do not diminish the value of the whole undertaking.
Źródło:
Ochrona Zabytków; 2009, 1; 8-11
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Imitacje tkanin brokatowych w śląskim warsztacie malarskim Mistrza lat 1486/1487
Imitations of Brocade Fabrics in the Silesian Workshop of the Master from 1486/1487
Autorzy:
Flik, Józef
Olszewska-Świetlik, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/536356.pdf
Data publikacji:
2001
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
imitacja tkanin brokatowych
malarstwo śląskie
Mistrz lat 1486/1487
technika i technologia malarska Mistrza lat 1486/1487
technika brokatów wytłaczanych
technika imitacji brokatów
brokaty wytłaczane
Opis:
The article concerns the technology of imitating embossed brocades applied in the painting workshop of the Master from 1486/1487. Paintings executed in this workshop retained numerous examples of imitations of brocade textiles fashionable during the Middle Ages. Material serving the execution of imitations is defined with the assistance of micro–chemical and instrumental investigations such as: spectral emission analysis, energy dispersion X–ray analysis with the application of an electronic micro–probe and gas chromatography. The conducted analyses, supported by the authors’ knowledge about old technologies and techniques, made it possible to define the way of executing imitations of embossed brocades in the workshop of the Master from 1486/1487, similar to the one described in the treatise Liber Illuministarius, kept in a Munich library. The outcome of the research provides valuable information about technologies and techniques employed in paintings by the Master from 1486/1487. Furthermore, they constitute source and comparative material useful for the establishment of the tradition of using imitation textiles by means of the embossed brocade technique in Polish and European painting.
Źródło:
Ochrona Zabytków; 2001, 1; 49-55
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stan zachowania kamienno-metalowych płyt nagrobnych na Śląsku
THE STATE OF PRESERVATION OF THE STONE AND METAL EFFIGIES IN SILESIA, POLAND
Autorzy:
Pokora, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/538310.pdf
Data publikacji:
1974
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
śląskie płyty nagrobne
płyty nagrobne w Lubiążu
płyty nagrobne z Wrocławia
auricalcum
płyta nagrobna księcia Przemka ścinawskiego
płyta nagrobna Konrada żagańskiego
płyta biskupa Nankera
płyta Marcina Bożywoja
Opis:
The report presented by the author deals with the tomb effigies made of stone and metal that may be still found within the area of Lower Silesia. Such effigies have, for example, survived to our days in Lubiąż and Wroclaw. The effigies of Lubiąż, executed ca. 1312 are depicting the princes of the Piast family, namely Bolesław the Tall (died in 1201), Przemko of Ścinawa (died in 1289), Konrad of Żegań (died in 1304) and also the knight Marcin Buzwoy (recte: Bożywoj; died ca. 1315). The apitaphial sculptures of Wroclaw are exclusively effigies of clergymen, and among them of Bishop Nanker (died in 1341), Stefan of Lubusza (died in 1345), the abbess Anna Piast (died in 1343) and the nun Margareth (died in 1343). Of the above effigies the first two coming from Wrocław Cathedral are at present kept in the Holy Cross Church whereas the other two, forming a double-effigy in St. Clara Church, Wrocław. The author of the present report quotes the results of the recent investigations supplying a basis for assumption that the effigies from Lubiąż are to be counted to those most early in their class on the Continent and are quite negligibly later than the first known European monument of that kind, namely the effigy of Sir John d’Abernon (died in 1277) in Stoke d’Abernon Church, Surrey. Apart from that fact alone the Silesian effigies have their quite particular place in the history of the Polish mediaeval art, among the others, due to the techniques applied in their execution. All they have been executed in the way described below. The effigy of a person buried and the architectural framing with an inscription on it was formed of the flat metallic plates (auricalcum) finished by the engraver’s work and then inserted in the suitably shaped hollows in a rectangular sandstone plate. Thus, quite a specific kind of incrustation was obtained, namely stone with metallic applications. In the whole Europe, the British Isles excluded, up to our times were preserved no more than a dozen or so of such mediaeval effigies. After the above remarks and a more detailed discussion of technique applied for execution of the Silesian tomb effigies the author deals in detail with their state of preservation. Here he finds the place to point to highly artificial separation of the individual parts of that monuments composed of both metal and stone. Some metallic applications from the effigies of Lubiąż are kept in the National Museum, Wroclaw whereas the remaining preserved elements in their original positions in Lubiąż. Much the same is the case with the effigy of Bishop Stefan of Lubusza whose metallic effigy is kept in the Archidiocesal Museum, Wrocław and the remaining parts of the tomb in the Holy Cross Church. It is the author 's proposal to integrate the preserved fragments into the wholes. To make his conclusions still more convincing the author expressed a view that the stone and metallic effigies, and in particular in the event of Silesian tombs, cannot be handled correctly enough until the metallic parts will remain separated from those made of stone. According to his opinion the integrated and properly restored relics should be located in their original positions, i.e. in Cistercian Church in Lubiąż and in Wrocław Cathedral. When dealing with the state of preservation of the Silesian effigies the author forwarded some proposals as to conservation of each of their seven specimens at the same time emphasising the necessity to investigate both stone material and metal parts in these tombs.
Źródło:
Ochrona Zabytków; 1974, 1; 45-56
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czerwone laki w malarstwie śląskim Mistrza lat 1486/1487
Red Lake in Silesian Paintings by the Master from 1486/1487
Autorzy:
Olszewska-Świtlik, Justyna
Nowik, Witold
Powiązania:
https://bibliotekanauki.pl/articles/538097.pdf
Data publikacji:
2001
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
czerwone laki
malarstwo śląskie
Mistrz lat 1486/1487
kościół w Strzegomiu
ołtarz ze Strzegomia
badania czerwonych barwników
analiza barwników
analiza pigmentów
rodzaje czerwonego barwnika organicznego
marzanna barwierska
Opis:
The article presents a precise definition of the types of red lake and methods of their analysis. The organic dye was examined with the help of highly efficient liquid chromatography combined with spectrometry in ultra violet and visible light (HPLC–DAD). The substrate was identified predominantly with the application of instrumental methods: X-ray fluorescence (XRF) and energy dispersion X-ray analysis using an electronic micro–probe (SEM-EDS). The samples originated from paintings ascribed to a Silesian workshop, which in 1486–1487 executed a retable for the church of St. Peter and Paul in Strzegom. The anonymous author was given the name of Master from 1486/1487. For the sake of comparison the research also included samples from The Offering of Christ in the Temple, a work by the Nürnberg–based artist H. Pleydenwurff from the former retable in the church of St. Elizabeth in Wroc³aw, dated as 1462. The outcome of the investigations supplement knowledge concerning the type of material used in mediaeval Silesian painting, and constitutes a source of information useful for a future and more precise distinction of the individual features of Polish and European workshops of the period.
Źródło:
Ochrona Zabytków; 2001, 1; 36-48
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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