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Wyświetlanie 1-2 z 2
Tytuł:
W stulecie hekatomby. Cmentarze wojenne z lat 1914-1918 w dawnej Galicji Zachodniej jako unikatowy zespół sepulkralny. Dzieje, twórcy, symbolika, stan zachowania, problemy ochrony
On the hecatomb’s hundredth anniversary. War cemeteries from the years 1914-1918 in former Western Galicia as a unique funerary complex. History, creators, symbolism, state of preservation, protection issues
Autorzy:
Partridge, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/539702.pdf
Data publikacji:
2015
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
I wojna światowa
operacja gorlicka
groby żołnierskie
cmentarze wojenne
symbolika
architektura
dewastacja
ochrona
World War I
the Gorlice operation
soldiers’ graves
war cemeteries
symbolism
architecture
devastation
protection
Opis:
The military operations during World War I in the territory of the former Western Galicia, that is, today’s Małopolska (Lesser Poland), were conducted with interruptions from November 1914 until the beginning of May 1915. It is estimated that over 60 thousand solders died in the fights lasting, with interruptions, six months and other 30 thousand died of wounds before the end of the war. On 3 November 1915, the Austro-Hungarian Ministry of War with a seat in Vienna established nine Troops for War Graves in the territory of the Monarchy, of which three branches were formed in Galicia (Kraków – Western Galicia, Przemyśl – Middle Galicia, Lvov – Western Galicia). Kriegsgräber Abteilung des K.u.K. Militarkommandos Krakau, that is, Troops for War Graves at the Garrison Headquarters in Kraków was led by Captain (later Major) Rudolf Broch, and the conception officers: Captain Ludwig Brixel and Captain Hans Hauptmann cooperated with him. The task of the Troop was not only to tidy up battlefields, but also creating war cemeteries which would serve as an example for other Austro-Hungarian regions where war activities were still pursued, as well as to arrange war burials and commemorate the heroism of fallen soldiers. Within nearly three years, from 1916 to 1918, about 400 military cemeteries were established in the territory of the present-day Małopolska. The places of fights were divided into ten Cemetery Districts: I “Nowy Żmigród” (31 cemeteries), II “Jasło” (31 cemeteries), III “Gorlice” (54 cemeteries), IV “Łużna” (27 cemeteries), V “Pilzno” (26 cemeteries), VI “Tarnów” (62 cemeteries), VII “Dąbrowa Tarnowska” (13 cemeteries), VIII “Brzesko” (52 cemeteries), IX “Bochnia” (46 cemeteries), X “Limanowa” (36 cemeteries) and the Eleventh Cemetery District “Kraków Fortress” (22 cemeteries) which, as it was situated in the place under the command of the Fortess and, at the same time, was subject to the Troop for War Graves, was under a kind of a double superiority. Each of the districts was administered by an officer with technical or artistic education and an artistic administrator. Their duties included examining the area, supervising a selection of the place, a technical design, an artistic concept, ensuring the supply of building materials. In total, there were over people serving at the Troop, including drafters, photographers, various craftsmen, gardeners, as well as carefully selected designers, architects, sculptors. The people employed there were individualists favouring various artistic trends, originating from several important academic centres – Vienna, Munich, Kraków. The most famous of them included: a Slovakian architect Dušan Jurkovič, an Austrian sculptor Heinrich Scholz, Austrian architects: Hans Mayr, Gustav Ludwig, Emil Ladevig, Gustav Rossmann, Polish, Czech and Austrian artists: Wojciech Kossak, Alfons Karpiński, Henryk Uziembło, Adolf Kašpar, Franz Poledne, Leo Perlberger. That international team, designing and building the cemeteries, with a full respect, as well as the respect for the enemies, Russians, ensured a dignified burial of tens of thousands soldiers. The cemeteries created were rich in symbols, of which none is identical with others in spite of using the same architectonic elements. The idea of unification of graves was given up; instead, sophisticated cemetery solutions were employed. On the monuments, plaques with special inscriptions were fixed. Trees and plants with a symbolic meaning were planted around the graves. As a result, a unique cemetery complex was created in our land, which refers to many funerary traditions, with traces of Egyptian, Greek and Roman architecture. Apart from popularizing activities, publishing special series of postcards, stamps and cemetery medals, a special album was published in which all memorials were catalogued and described. It also functioned as a guide which would help the families of the deceased during their visits to the graves of their relatives in Galicia. In addition, special concrete signposts leading to each cemetery were provided. After the end of war activities, the war cemeteries in Galicia went under the administration of the Polish state. In the interwar period, some of the graves were liquidated, thus reducing the number of cemeteries of the complex in Galicia to about 380. Many graves were destroyed and forgotten in the period of People’s Polish Republic. However, since 1989, war cemeteries in Małopolska have been gradually saved and conserved thanks to state funds and the cooperation of local governments with the representatives of Austrian Black Cross, as well as other initiatives. The memory of them is also restored. In the Western and Middle Europe, there are many places of memory and cemeteries from World War I. They mark the lines of former trenches and are a manifestation of cruelty of the global conflict. They differ from the war cemeteries in Małopolska, since they were built after the war, concentrating fallen soldiers, unifying, creating national cemeteries where soldiers from enemy armies are sought in vain. In that context, the war cemeteries situated in present-day Małopolska are unique on the European scale, a testimony of humanism and respect towards the death of both own and enemy soldiers.
Źródło:
Ochrona Zabytków; 2015, 1; 95-129
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Artystyczna działalność Gustava Ludwiga w Kriegsgräber Abteilung Krakau i projekty cmentarzy wojennych w X Okręgu Cmentarnym „Limanowa” na tle jego twórczości architektonicznej
Gustav Ludwig’s artistic activities in Kriegsgräber Abteilung Krakau and designs for war cemeteries in the ‘Limanowa’ 10th Cemetery District against the backdrop of his architectural work
Autorzy:
Partridge, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/21151082.pdf
Data publikacji:
2023
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
architektura
sztuka
cmentarze wojenne
I wojna światowa
sztuka sepulkralna
detal architektoniczny
architecture
art
war cemeteries
First World War
sepulchral art
architectural detailing
Opis:
Artykuł prezentuje sylwetkę i dokonania artystyczne jednego z najciekawszych austriackich architektów – Gustava Ludwiga (1876–1952), którego twórczość dotąd nie została opracowana. Przed I wojną światową pracował on ze swoim bratem Aloisem Ludwigiem przy projektowaniu wielkich hoteli w południowym Tyrolu, a także budynków mieszkalnych w Wiedniu, Düsseldorfie i Kolonii. Wspólnie tworzyli firmę „Brüder Ludwig”, w której młody architekt zdobył potrzebne później doświadczenie. Podczas I wojny światowej wcielony został do Kriegsgräber Abteilung Krakau i stworzył na terenie dawnej Galicji Zachodniej 37 założeń cmentarnych, głównie w X Okręgu Cmentarnym „Limanowa”. Do najciekawszych jego realizacji należą cmentarze położone w samej Limanowej lub jej okolicach: nr 366 Limanowa, nr 368 Limanowa-Jabłoniec oraz nr 357 Kamionka Mała-Orłówka i nr 365 Tymbark. Najważniejsze cechy stylowe jego projektów to znakomite wyczucie krajobrazu Beskidu Wyspowego i okolic Limanowej, otwarcie na lokalne tradycje architektury ludowej oraz bogata stylistyka odwołująca się do cytatów zaczerpniętych z wielkiej architektury i symboliki przemijania, pełnej respektu dla żołnierskiej ofiary. Niniejszy artykuł stanowi wstęp do dalszych badań nad spuścizną tego architekta i jest próbą odpowiedzi na mnożące się pytania.
This article gives a profile and presents the artistic achievements of one of Austria’s most interesting architects, Gustav Ludwig (1876–1952), whose work has not yet been fully studied. Before the First World War, he worked with his brother Alois Ludwig on the design of large hotels in South Tyrol, as well as residential buildings in Vienna, Düsseldorf and Cologne. Together they formed the firm ‘Brüder Ludwig’, where the young architect gained the experience he later needed. During the First World War, he was conscripted into the Kriegsgräber Abteilung Krakau and conceived 37 cemetery layouts in former Western Galicia, mainly in the ‘Limanowa’ 10th Cemetery District. His most interesting projects include cemeteries located in or around Limanowa itself: no. 366 Limanowa, no. 368 Limanowa-Jabłoniec, as well as no. 357 Kamionka Mała-Orłówka and no. 365 Tymbark. The most important stylistic features of his designs are his excellent sense of the landscape of the Beskid Wyspowy mountain range and the Limanowa area, his openness to the local traditions of folk architecture and features rich in stylistics alluding to great architecture and the symbolism of transience, full of respect for the soldiers’ sacrifice. This article is an introduction to further research into the legacy of this architect and attempts to answer the mounting questions.
Źródło:
Ochrona Zabytków; 2023, 1; 163-192
0029-8247
2956-6606
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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