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Wyświetlanie 1-15 z 16
Tytuł:
Chłopskie warownie z XVII w. w Hyżnem i Kosinie
Autorzy:
Kotula, Franciszek
Powiązania:
https://bibliotekanauki.pl/articles/537587.pdf
Data publikacji:
1959
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
najazdy tatarskie
Hyżne
warownie chłopskie z XVII w.
schematyzm przemyski
obronny kościół w Hyżnem
grodzisko w Hyżnem
Kosina
kościół św. Stanisława Biskupa w Kosinie
warownia kosińska
Źródło:
Ochrona Zabytków; 1959, 2; 101-112
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konserwacja sukni dworskiej z początku XVII w.
CONSERVATION OF AN EARLY 17TH CENTURY COURT DRESS
Autorzy:
Faust, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/539117.pdf
Data publikacji:
1977
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
konserwacja tkanin
konserwacja ubioru
konserwacja sukni dworskiej księżnej Magdaleny Sybilli
dublowanie tkanin
czyszczenie materiałów
Opis:
The dress, made after the Spanish fashion, is adorned with metal thread bobbin lace laid in stripes : on the sleeves and at the lower edge of the skirt — horizontally, and on the bodice and upper part o f the skirt — vertically. The lace is additionally decorated with sequins. The inner sleeves and the lining of the upper ones, have an ornament of flat string embroidery and seuqins. The dress is made of fabrics of various kinds : satin of two colours, golden — the cover o f the dress, and vermillion-rose — the lining of the upper sleeves and the inner sleeves ; vermillion-rose taffeta. The taffeta and satin were both woven of natural silk thread and coloured with natural dyes. Linen cloth o f natural colour was also used (as lining of the bodice and inner sleeves) ; and so was the impregnated linen cloth, the metal thread lace and plaitwork border. The dress was dirty, especially on the shoulders, sleeves, upper part of the skirt and lower edge of the lining. The satin was damaged and frayed in many spots. Similar damages were to be seen on the pink satin of the inner sleeves and on the lining of the outer ones. The lining of the skirt (pink taffeta) was very dirty and, at its lower edge, torn, frayed and ragged, with some fragments missing. There were to be seen there traces of the action of moisture and a number of damp patches. Similar damp patches were to be found on the back of the satin o f the skirt. Some o f the damaged parts had previously been mended ded — probably in the 19th century — with a thick cotton thread. Those repairs were incorrect and caused additional damage to the original fabric. The lace and sequins were very dirty as well, blackened, oxidized and, in many spots, ripped away from the satin. The threads fastening the sequins were frayed or broken as a result of which the latter got detached. Prior to the proper conservation proceedings photographs were taken of the whol« dress and its details so as to depict its condition and damages. In the course o f conservation further documentary photographs and slides were taken, illustrating the more interesting fragments of the proceedings involved. Moreover, the dress as such was subject to detailed measurements and described. Patterns of its respective parts were duly made. Throughout conservation the respective stages of the work done were daily recorded in greater detail. A searching analysis of all the possibilities of cleaning and preservation of the fabric and metal thread lace was carried out and the method chosen, most appropriate for the given kind of fabric and yarn. Next, some parts of the dress were detached, in the spots where that was necessary for a correct execution of cleaning and preservation. Nevertheless, a number o f original seams remained intact. This applies to those o f the bodice, the seams of upper sleeves (unsewn but over the length o f 8 cm), the seams o f inner sleeves and five seams of the skirt. The respective parts of the dress were cleaned with distilled water with an addition o f a decoction o f soap-root (radix saponariae), due attention being paid to all the descriptions and measurements made previously. The metal lace was cleaned as well and so were the sequins adorning the lace and the metal thread border. The fabric properly dried and steamed, the operation of its doubling was taken up, however, only with regard to the destroyed, frayed or worn parts o f the gown. Cotton batiste of linen weave was used as underiayer. A thin silk thread was used in doubling and the cotton and flax ones in stiching the parts of the dress together. Direct dyes were used for dyeing the conservation materials. Apart from doubling the satin and taffeta the proceedings discussed also embraced repairing and conservation o f the damaged lace and sequins.
Źródło:
Ochrona Zabytków; 1977, 3-4; 145-151
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konserwacja gremiale haftowanego z XVII w.
RESTORATION OF THE EMBROIDERED GREMIAL DATING FROM THE 17TH CENTURY
Autorzy:
Faust, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/535084.pdf
Data publikacji:
1975
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
gremiale
gremiale z Muzeum Narodowego w Krakowie
gremiale haftowane
dublowanie tkaniny
Opis:
The gremial, or a square-shaped piece of cloth placed on a bishop’s lap when he was seated at Mass, has been made from the bright green coloured silk satin and decorated with the slightly raised floral ornaments. The border is filled with an ornament composed of irregular runners with flowers. In the style of decorative motifs clearly apparent are the Turkish influences. The embroidered gremial was in 1973 sent to Laboratory for Restoration of Old Textiles, National Museum, Cracow exhibiting a far advanced deterioration as e.g. rotted satin warp, decayed embroidery threads, worn out yarn in ornaments, etc. The restoration was carried out by the author of the present report who prior to restoration proper subjected a number of dyes to trials aimed at establishing of their fastness. As the first step the old mends were removed and the whole cloth sewn onto a cotton gauze. The cleaning was carried out in a bath prepared from the fuller’s herb (Radix Saponariae officinalis) and distilled water. The cotton gauze underlay has been removed from the dried cloth which in turn was relined on a thin cotton cloth layer thus providing reinforcement to the original cloth background. The restoration was completed by securing the cloth with a new lining and then prepared for hanging.
Źródło:
Ochrona Zabytków; 1975, 2; 125-129
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
REWALORYZACJA XVII-WIECZNEGO PARKU W TRZEBINACH KOŁO LESZNA
THE REVALORISATION OF THE SEVENTEENTH-CENTURY PARK IN TRZEBINY NEAR LESZNO
Autorzy:
Wróbel, Marek
Powiązania:
https://bibliotekanauki.pl/articles/537648.pdf
Data publikacji:
2003
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Trzebiny
park w Trzebinach
Zespół pałacowo-parkowy
Rekonstrukcja parku
Opis:
Trzebiny, a village of mediaeval origin (mentioned in 1360) and Polish-German lineage, is located in south-western Greater Poland, in the commune of Święciechowa, 9 kilometres to the west of Leszno. From the 1920s to 1945 Trzebiny lay in the western borderlands of the Republic, and during the inter-war period it adjoined the German state frontier. The owners of the landed estates, the von Lessen family, left Trzebiny for the Reich, fearing the approaching front. The post-1945 influx of a new population became one the reasons for the rapid devastation of the abandoned palace and park. The reconstruction of the historical complex, initiated in 1982, was completed in 1987 – a period which we describe as stage I. It also encompasses the garden premises featured in the regular part of the park and the park sculptures, damaged during the post-war period and reconstructed in 1993. Stage II, which took place in 1996-1999 and 2001-2003, supplemented the plants and formed and enlarged the rows of trees. A reconstructed fountain, a copy of Bernini’s Triton Drinking from a Corncupia, was placed in the southern part of the regular section of the park. In the landscape part of the park the tree crowns were pruned, dry branches and boughs were removed, and the tension lines were repaired. At the same time, an archeological reconnaissance of the terrain discovered relics of prehistorical settlements (the Lusatian culture) as well as settlements from the Late Middle Ages and the modern era. A mediaeval tower-manor house was found on the spot of the present-day “Four seasons” bower. Relics of a seventeenth - eighteenth-century residential development were registered to the south of the palace, near the historical complex of ponds. Flagstones, visible in the Duncker lithograph, were disclosed during plantings carried out in the 1990s in the south-western part of the park. The palace-park complex is located in the valley of the Krzycki Rift. One of the fragments of the old river-valley was transformed into a pond. Melchior Gurowski, who commissioned the construction of the “old manor” completed in 1680-1690, is considered to have been the builder of the object (mentioned in 1709), while the project is ascribed to an architect from the circle of Jan Catenazzi. The park surrounding the manor house was described as an Italian garden. The successive owners, members of the Nieżychowski family, rebuilt the park in about the middle of the eighteenth century. This is the period of the origin of the stone sculptures whose fragments were discovered in the park. After 1860, axial elements of the classical Italian garden became obliterated in the course of work conducted by the Von Leesens. As a result, the garden assumed the shape of a landscape park embellished with sculptures and flower beds. The park, whose area totals 6,1 hectars, contains trees of assorted ages, the most ancient being about 200 years-old. The varied species in the ground cover include lilies of the valley, goldilock and periwinkle. Squirrels are among the permanent residents of the park, and tree crowns offer nesting to black woodpeckers, nightingales, wood pigeons and the tawny owl. The regular layout of the park was recreated in the area of the presumed Italian garden, and nineteenth- century stone statues were situated in place of the Baroque originals, with an obelisk featuring the von Leesen coat of arms in the centre. The borderlines of the regular part of the park were enclosed by a row of hornbeam and stone pedestals scattered symmetrically on both sides. The reconstruction of the park is being continued up to this day. At present, chief tasks include cleaning the pond, rendering the culverts patent, and the construction of a river bar in the Krzycki Rift. The park in Trzebiany attracts numerous visitors and is a special favourite of young couples who take souvenir photographs against its background. Once a year, at the beginning of December, a cross country race is arranged for children under the motto: “running amidst historical monuments”.
Źródło:
Ochrona Zabytków; 2003, 3-4; 127-136
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
KONSERWACJA XVII-WIECZNYCH MALOWIDEŁ W CELACH NOWICJACKICH KLASZTORU OJCÓW BERNARDYNÓW W LEŻAJSKU
CONSERVATION OF SEVENTEENTH-CENTURY MURALS IN THE NOVITIATE CELLS OF THE BERNARDINE MONASTERY IN LEŻAJSK
Autorzy:
Obruśnik, Andrzej Efrem
Powiązania:
https://bibliotekanauki.pl/articles/536843.pdf
Data publikacji:
2009
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
klasztor w Leżajsku
klasztor Ojców Bernardynów
malowidła ścienne
polichromia
fresk suchy
konserwacja malowideł
Opis:
One of the essential recent phenomena in the conservation of historical monuments in Poland was the discovery of seventeenth-century murals in the novitiate cells of the Bernardine monastery in Leżajsk. The murals embellish seven interiors with a cross vault, placed along a second- -storey corridor of the western wing of the building. For centuries they had been concealed under later layers lime, sand-lime finish, paint and plaster. The characterstic feature of the murals is great stylistic diversity. The themes of the figural depictions are religious or allegoric, accompanied by plant-geometrical inscriptions. The south wall of cell no. 1 is decorated with traces of a landscape sequence including a figure of a monk, while the west wall – with a drawing of a monk and on the window embrasure – a monogram of the Holy Family. The north wall features the Madonna and Child surrounded by angels, a town panorama and, in many places, fragments of geometric ornaments. The east wall of cell no. 2 displays horizontally arranged lines, a figure of St. Margaret and within the door embrasures – the Golgotha with a figure of Satan and an emblem of death. The south wall contains a figural and genre scene as well as a wreath with the monogram ”IHS”. The west wall features a symbol of the Name of Mary and an outline of a clock. The north wall is decorated with a text of a prayer, fragments of a wreath, a genre scene and a figure of a man. Cell no. 3 displays a predominance of geometrical ornaments. The west wall shows the contour of a Latin cross and a figure of Franciscan, the west wall – a figure of a (statuesque) woman, and the south and north walls – inscriptions and individual figural accents as well as monograms of the names of Jesus and Mary. The east wall of cell no. 4 is adorned with a painted portal, a cornice and a motif of flowers in vases. The upper part of the south wall preserved fragments of inscriptions and a radial gloria with the monogram “IHIS”. The motifs on the west wall include the Golgotha, a clock face and three rosettes. The upper part of the north wall contains a Marian emblem surrounded with a nimbus and flanked by bouquets of flowers in vases, while the lower part is composed of a scene with a monk portraying in front of a cross. In cell no. 5 angels had been painted above the door, with an allegory of death to the left of the door, a figure of monk and an owl within the door embrasures, and the Crucifixion encircled by relics of lesser scenes. The west wall preserved a depiction of the five wounds of Christ while the north wall features fragments of angels and the emblem ”IHS”. Each wall has an inscription along the ceiling arch. The east wall in cell no. 6 is covered with figural, plant-ornament motifs, inscriptions and monograms of Christ and the Mother of God. The left door embrasure is embellished with a figure of a Franciscan, while the south wall has a Marian monogram encircled with a decorative rosette, a wreath, a Latin inscription and lesser monograms. Similar elements are to be found on the west wall. The upper part of the north wall shows two monograms of Christ, a Marian monogram and a monogram of St. Joseph, while the lower one – two wall hangings, a rosette and lesser monograms and genre scenes. In cell no. 7 murals are extant on the east wall. Legible elements include the inscription ”MEMENTO MORI”, fragments of plant-geometrical ornaments and architectural motifs. The murals were executed in the al secco technique. Due to extensive gaps produced by repairs, redesigning and mechanical damage, their state of preservation is highly unsatisfactory. The examination revealed 23 technological strata and 14 chronological ones. The first stage of conservation consisted of disclosing the murals, their fixation, the removal of putties and the reinforcement of the structure of the base as well as supplementing, cleaning and introducing the uniform colour of the original plaster. In the case of certain gaps conservators applied retouching. Niches in the north walls and window embrasures were restored in all cells. The mural in cell no. 1 on the left door embrasure was lifted off the wall by means of the stacco method due to threats connected with repairconstruction undertakings. A fragment with a mural on the east wall to the left of the door in cell no. 3 was removed in a similar way and placed on the west wall. After the conservation, the group stratigraphy of the murals revealed eight technological layers. The titular murals deserve further thorough studies.
Źródło:
Ochrona Zabytków; 2009, 1; 12-37
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konserwacja sgraffita z XVII wieku na kamienicy w Trzebiatowie
CONSERVATION OF THE 17TH CENTURY SGRAFFITO DECORATION ON THE TOWN HOUSE AT TRZEBIATÓW
Autorzy:
Wójcik, Stefan
Powiązania:
https://bibliotekanauki.pl/articles/535992.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
sgraffito
malowidło słonia
kamienica w Trzebiatowie
konserwacja sgraffita w Trzebiatowie
„pająki” zabezpieczające
Opis:
The co n ten ts of th e p re s e n t re p o r t consists in conse rv a tio n of th e 17th c e n tu ry sg ra ffito decoration (256X312 cm) on a w a ll of th e town house in Z a ja z dowa s tre e t a t Trzeb iatów. The su b je c t of th is wo rk is an e lep h a n t w ith its k eeper. The sg ra ffito in q u e stion was a lre a d y two times su b d u ed to co n se rv a tio n tre a tm e n ts , n amely in 1895 an d in 1914. As a r e s u lt of th e s e tw o re s to ra tio n s a lm o st one q u a r te r of o rig in a l p la s te r was lo st an d th e th u s p ro d u c ed losses w e re filled w ith lim e -sa n d and cemen t m o rta rs , an d la te r on coated w ith two lay e rs of oil p a in t o v e r-p a in tin g s. The chemical in v e s tig a tio n s c a rrie d out on th e p re s e rved p o rtio n s of sg ra ffito h av e shown th a t th e lime- -s a n d p la s te r 1 cm th ick was la id in one la y e r an d th e n coloured g rey by m e an s of charcoal. On this g ro u n d was co n seq uen tly laid a th in g ro u n d c o n ta ining yellow ochre an d th e hollow cut d raw in g was made. P rio r to s ta rtin g th e co n se rv a tio n it h a s beer, sta te d th a t some 50 p e r cen t of p la s te r had b liste red an d c ra ck ed th u s showing n um e ro u s losses w h e re a s th e en tire su rfa c e was stro n g ly p o llu ted w ith ta r and flak in g p a in t th a t both caused th a t th e d raw in g is a t p re s e n t poorly legible. D u rin g th e p re s e n t co n se rv a tio n all th e la te r p la s te r su p p lem en ta tio n s and o v e r-p a in tin g s w e re removed. The oil p a in t was removed by means of p a ra f fin p a ste with a n a dm ix tu re of organic solvents. The b liste red p la s te r was fix ed w ith aq ueous solution of “P rim a l AC-33” (a k in d of ac ry lic resin) w ith an add itio n of sodium p e n ta c h lo ro p h e n o la te while th e m a jo r b lis te rs w e re a d d itio n a lly re in fo rc ed w ith th e use of copp e r w ire “sp id e rs ” fix ed w ith epoxide resin. To fix th e p a in tin g th e whole was s a tu ra te d w ith lime w a te r. The p la s te r losses w e re filled w ith lim e -sa n d m o rta r co ntaining an a dm ix tu re of charcoal. On completion of th e ab ove tre a tm e n ts a new lime p rim e r, con ta in in g yellow ochre has b een laid an d th e missing fragm e n ts of d raw in g w e re reco v ered . The re to u ch e s w e re e x e cuted w ith h o rizo n ta l yellow ochre lines w ith th e use of lime w ith “P rim a l AC-33” an d sodium p e n ta c h lo rp h en o la te addition.
Źródło:
Ochrona Zabytków; 1972, 3; 197-203
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Budowa techniczna XVII-wiecznych malowideł ściennych w cerkwi św. Jerzego w Wielkim Tyrnowie (Bułgaria)
THE STRUCTURE OF THE 17TH CENTURY MURAL PAINTINGS IN ST. GEORGE ORTHODOX CHURCH AT WELIKO TURNOVO, BULGARIA
Autorzy:
Brochwicz, Zbigniew
Dymitrowa Wałkowa, Mładost
Powiązania:
https://bibliotekanauki.pl/articles/539538.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
cerkiew św. Jerzego w Wielkim Tyrnowie
malowidła w cerkwi w Nowym Tyrnowie
Wielkie Tyrnowo
Wielka Panagia
Gody w Kanie Galilejskiej
hydroksyprolina
analiza mikrometryczna
spoiwo węglanowe
Opis:
The su b je c t of in v e stig a tio n s discussed by th e a u th o r a re fo rm in g th e 17th c e n tu ry m u ra l p a in tin g s in St. G eorge o rth o d o x ch u rch a t Turnovo, Bulgaria. As a re s u lt o f d e ta iled e x am in a tio n s th e s tru c tu r e of p a in tings p re s e n t in naos and n a rth e x has b een s e ttled as w e ll a s th a t of th e p a in tin g s in an aisle connecting th e b o th p a rts of th is sa c red building. The p a in tin g s w e re ex e cu ted on th e d ry p la s te r by th e use of a m ix ed g lu e -tem p e ra te ch n iq u e . As th e b inder, fin a lly id e n tifie d by p a p e r ch rom a to g rap h y , was used the m ix tu r e of g lu tin glue an d egg yolk emulsion. In th e p a in te d p o rtio n s of h um a n fle sh and o th e r a re a s th e y e llow coloured p re -p a in te d lay e rs have been found, c o n ta in in g th e same b in d e r as th e p a in te d lay e r p ro p e r. In th e rem a in in g p o rtio n s of polychromy th e p a in te d la y e r was laid d ire c tly on p la ste r. Th e p a le tte of pigm en ts u sed can be d escrib ed as one r a th e r limited . Within th is p a le tte a re p rev a ilin g th e e a r th p igm en ts lik e ochres, iron red s and g re en e a rth . The ra n g e of a rtific ia l pigm en ts is re p re s en te d by p lum b o -p lum b ic oxide P b 3C>4. In add itio n , th e m a la ch ite g re en C uC 0 3*Cu(0H)2 was sp o rad ic a lly en c o u n te re d b u t in all in stan c e s as an a dm ix tu re to o th e r pigments. As th e w h ite colour th e lime w h ite C aC 0 3 w a s used an d th e only id en tified black colour w a s p re p a re d from ch a rre d wood. Th e p a in tin g s in naos an d n a rth e x a re m a rk ed ly d iffe rin g as to th e ir ch a ra c te r. The firs t of th em a re m u ch d a rk e r , more “s a tu r a te d ” w ith colour, much m o re re s is ta n t to th e a c tio n of w a te r an d th u s b e tte r p re s e rv e d w h e re a s th e la tte r a re lig h te r, have the p a s te l tone, a re re a d ily w a sh ab le an d by f a r more d amag ed . The above fe a tu re s may be considered as an ev id en c e th a t th e p a in tin g s in n a rth e x co n ta in a th in n e r b in d e r. As th e su p p o rt fo r p a in tin g s th e d o u b le -la y e r lim e - c a rb o n a te p la s te rs were used, v e ry ty p ic a l as to th e ir s tru c tu r e d e riv ed from trad itio n s of th e B y z an tin e p a in tin g school. In th e bottom p la s te r la y e rs as a fille r h a s b een found a k in d of no m o re p re c ise ly id en tified s traw (11—14 p e r cent) wh ile in th ose n e a re r to th e su rfa c e th e cu t flax fib re s (3 to 8 p e r cent). Th e lime b in d e r h a s been found in n e a rly th e same am o u n ts b oth in bottom lay e rs (58 up to 67 p e r cent) an d in u p p e r lay e rs (71 to 72 p e r cent). As th e basic fille r, however, m ic ro -c ry sta llin e fra gm e n ts were fo u n d in am o u n ts not exceeding 20 p e r cent. The san d g ra in s a re p re s e n t in q u ite negligible q u a n titie s (ab o u t 1 p e r cent) and, sim ila rly to p o tte ry fra gm e n ts an d ch arcoal, th e y should be co n sid e red as r a th e r co n tam in a tio n s only. The p resen ce of c h rom a - to g ra p h ic a lly id en tified sta rc h m a tte r (flour) has also been sta ted in p la ste rs. In ad d itio n to technological ex am in a tio n s a n um b e r of te s ts to re c o n s tru c t th e b in d e r w e re c a rrie d o u t w ith th e aim to d e te rm in e its p ro p e rtie s an d also th e ap p lic ab ility from th e p a in te r ’s p o in t of view. The o th e r a im of th e se in v e stig a tio n s consisted in confirm in g of re su lts a chieved and d e te rm in in g w h e th e r th e b in d e r m ix ed in th is m a n n e r could, in fa c t, be used fo r th e ex e cu tio n of p a in tin g s in St. George o rth o d o x church. F o r th e te s ts a m ix tu re of liq u id ified g lu tin g lue (gelatine) and th e egg yolk was used. The glu tin g lu e was liq u ified by mean s of a sm a ll q u a n tity of lime p a ste in w a rm condition. Du rin g th e te s ts v a rio u s p ro p o rtio n s of th e a fo re -m en tio n ed b in d e rs we re app lied . The re su lts of th e se in v e stig a tio n s h av e p ro v ed s a tis fa c to ry an d mo re still th ey e n tire ly confirm ed th e po ssib ility th a t n am e ly such a b in d e r has been ap p lied in th e 17th c e n tu ry p a in tin g s in St. George o rth o d o x ch u rch a t Turnovo.
Źródło:
Ochrona Zabytków; 1972, 3; 143-159
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pochodzący z końca XVII wieku poewangelicki kościół szkieletowy pw. Bożego Ciała w Jasieniu w świetle badań architektonicznych
The late seventeenth-century half-timbered post-Evangelical Corpus Christi Church in Jasień in the light of architectural research
Autorzy:
Wałdoch, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/31343034.pdf
Data publikacji:
2024
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
architektura szkieletowa
technika budowlana
badania architektoniczne
Pomorze Zachodnie
Jasień
half-timbered architecture
construction technology
architectural research
Western Pomerania
Opis:
Najstarszy zachowany na ziemi bytowskiej, pochodzący z końca XVII wieku poewangelicki kościół pw. Bożego Ciała w Jasieniu należy do zespołu sakralnej architektury szkieletowej Pomorza Zachodniego. Pomimo dużego zainteresowania tym obiektem nie stanowił on dotąd przedmiotu szerszych analiz badawczych. Niniejszy artykuł prezentuje wyniki przeprowadzonych w ostatnich latach nieinwazyjnych badań architektonicznych, które objęły strukturę ścian korpusu nawowego i wieży oraz więźb dachowych. Wraz ze szczegółową analizą tekstów źródłowych i literatury badania te pozwoliły zgłębić wiedzę o historii budowlanej kościoła, zrekonstruować jego pierwotną formę oraz scharakteryzować technikę, w jakiej go wzniesiono. Pokłosiem tego jest również analiza porównawcza, która nie tylko dowodzi, że kościół w Jasieniu pod wieloma względami wyróżniał się na tle innych obiektów z obszaru badawczego, lecz także rzuca pewne światło na zagadnienie form i rozwiązań konstrukcyjnych stosowanych na przełomie XVII i XVIII wieku w sakralnej architekturze szkieletowej Pomorza Zachodniego.
The oldest surviving post-Evangelical Corpus Christi Church in Jasień, (in Bütow Land – Pol. ziemia bytowska) dating from the end of the seventeenth century, belongs to the group of half-timbered sacred architecture in Western Pomerania. Despite the great interest in this building, it has not yet been the focus of more extensive studies. This article presents the results of non-invasive architectural research carried out in recent years, which included the structure of the walls of the nave and tower, as well as the roof trusses. Together with a detailed analysis of source texts and literature, this research has made it possible to deepen our knowledge of the history of the church’s construction, reconstruct its original form and describe the techniques used to build it. This work has also resulted in a comparative analysis, which not only shows that the church in Jasień stood out in many respects from other buildings in this field of research, but also sheds some light on the issue of forms and construction solutions used in the half-timbered sacred architecture of Western Pomerania at the turn of the seventeenth and eighteenth centuries.
Źródło:
Ochrona Zabytków; 2024, 1; 115-132
0029-8247
2956-6606
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Najstarszy plan miasta Lublina z połowy XVII wieku i jego konserwacja
Autorzy:
Gawarecki, Henryk
Lenart, Bonawentura
Powiązania:
https://bibliotekanauki.pl/articles/537866.pdf
Data publikacji:
1954
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
plan Lublina z XVII wieku
najstarszy plan miasta
Karol Bekiewicz
„Miasto Lublin w Murze”
plan na skórze cielęcej
konserwacja planu Lublina
konserwacja pergaminu z planem
Źródło:
Ochrona Zabytków; 1954, 3; 197-199
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Zbornik Zaštite Spomenika Kulture", R. XVII, 1966; R. XVIII, 1967 : [recenzja]
Autorzy:
Lenard, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/537457.pdf
Data publikacji:
1969
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
"Zbornik Zaštite Spomenika Kulture” 1966-67
ochrona zabytków etnologicznych
most na rzece Unie
włoskie trulla
cerkiew w Gradac
Źródło:
Ochrona Zabytków; 1969, 3; 238-241
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Müemlékvédelem", R. XVI, 1972; R. XVII, 1973; R. XVIII, 1974 : [recenzja]
Autorzy:
Koch, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/537719.pdf
Data publikacji:
1978
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
"Müemlékvédelem" 1972-1974
Ochrona Zabytków na Węgrzech
kształcenie konserwatorów węgierskich
krajobraz balatoński
ochrona zabytków a urbanizacja
ochrona zabytków w Budapeszcie
koncepcje architektoniczne Sopronu
kaplica na górze Kapos
Źródło:
Ochrona Zabytków; 1978, 4; 283-288
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Archeologiczny kilometr Wisły”. Dziedzictwo narodowe wydobyte z Wisły w ramach interdyscyplinarnych badań
“Archaeological kilometre of the Vistula river”. National heritage unveiled as part of interdisciplinary studies
Autorzy:
Kowalski, Hubert
Powiązania:
https://bibliotekanauki.pl/articles/538940.pdf
Data publikacji:
2015
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Villa Regia
Pałac Kazimierzowski w Warszawie
dziedzictwo narodowe
zabytki wydobyte z Wisły
niski stan Wisły
macewy z cmentarza brodnowskiego
taszka
piechur XVII-wieku
marmurowe dekoracje rzeźbiarskie
szwedzki transport
rzeźbiarskie dekoracje architektoniczne
Opis:
In August 1656 a transport filled with marble stolen from Villa Regia (now Casimir Palace) sailed away from Warsaw. Around two and a half kilometres later, due to low water level in the Vistula river, the boats ran aground. This event as well as a threat of attack from John Casimir’s army entering Warsaw triggered a decision on sinking the load. Some pieces of marble were thrown into the water, some were left on sandy islands. A couple of days later, the representatives of Warsaw authorities already began safeguarding the abandoned items. Some objects were hoisted from the Vistula’s bed and buried at the river bank. The area for studies has been determined on the basis of 17th-century reports and archive materials from the beginning of the 20th century. The National Heritage Board of Poland joined the research in 2011. In sum, during archaeological works, nearly 20 tons of sculpted architectural decorations have been extracted. These objects were removed from the bottom in the area of several hundred square metres. We can suppose that hundreds of priceless monuments still remain in the delimited area. Due to the specificity of the bottom of the examined area, we presume that plenty of objects rest at a depth between several dozen centimetres and several metres. The research area corresponds to a natural stone reef and clay-stone thresholds, which means that a part of the sunk transport is found in a layer mixed with stones, gravel and sand. It results from previous studies that locating the above mentioned objects requires technologies that are unfortunately not available yet. However, what is important is the fact that parts of the same transport that were buried at the bank or in 17th-century sand patches can become naturally exposed by the flowing water. Taking into account the previous archaeological studies around the 517th kilometre of the Vistula river and the presence of a number of incidental national heritage objects, it seems legitimate to claim that a new archaeological site needs to be established in this very area. A Vistula reef along with stone thresholds creates a natural sieve in this place, which retains objects that definitely must include monuments that are priceless to our culture. In this place, during a three-day battle, hundreds of soldiers lost their lives and hundreds of military items, fragments of armament or cannons with their instrumentation were brought to rest on the bottom. It seems immensely important to safeguard protection to this “archaeological” kilometre of the river for the next decades.
Źródło:
Ochrona Zabytków; 2015, 2; 239-244
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 16

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