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    Wyświetlanie 1-4 z 4
    Tytuł:
    ODBUDOWA I PRZEBUDOWA DOBRZAN – DZIEŁO DAVIDA GILLY’EGO
    THE RECONSTRUCTION AND EXPANSION OF DOBRZANY - THE WORK OF DAVID GILLY
    Autorzy:
    Biranowska-Kurtz, Alicja
    Powiązania:
    https://bibliotekanauki.pl/articles/537294.pdf
    Data publikacji:
    2006
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    DOBRZANY
    GILLY DAVID
    Opis:
    Pomerania is a specific terrain both due to its location and the fact that after the second world war only a part of this region was incorporated into the Polish state. Wartime incurred enormous and frequently irreversible damage to historical architecture; this is the reason why old iconography and the search for even the minutest details of the activity of the past inhabitants make it possible to understand not only the history of Pomerania but also the preserved architectural-town planning realisations. Important initiatives include an analysis of the cadastral plan and projects for rebuilding the town of Dobrzany, devised in 1871 by the eminent German constructor David Gilly. The article discusses his work in Dobrzany, the new town-planning premises, house designs and extant examples of realisations. The author also included an abbreviated biography of David Gilly, recognising as particularly significant his projects for that part of historical Pomerania which today lies within Polish frontiers.
    Źródło:
    Ochrona Zabytków; 2006, 4; 23-32
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    MARIA JOLANTA SOŁTYSIK, „NA STYKU DWÓCH EPOK. ARCHITEKTURA GDYŃSKICH KAMIENIC OKRESU MIĘDZYWOJENNEGO” Wyd. Alter Ego, Sławomir Kitowski, Gdynia 2003, s. 260
    AT THE MEETING POINT OF TWO EPOCHS. THE ARCHITECTURE OF GDYNIA TOWN HOUSES FROM THE INTER-WAR PERIOD Wyd. Alter Ego Sławomir Kitowski, Gdynia 2003, 260 pp.
    Autorzy:
    Kłoczko, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/537961.pdf
    Data publikacji:
    2004
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Maria Jolanta Sołtysik
    „Na styku dwóch epok…”
    architektoniczny krajobraz Gdyni
    analiza kamienic Gdyni
    Opis:
    Relatively recently researchers dealing with the history of architecture have become interested in Polish residential architecture from the inter-war period. Up to now, they have dealt predominantly with local attempts at the implementation of the idea of the garden city and co-operative architecture of the period – residential estates composed of uniform blocks of flats, almost universally regarded at the time as a symbol of modernity. The monographic study about the town houses of Gdynia, written by Maria Jolanta Sołtysik, presents a little known construction of the epoch – the traditional private-owned tenement house endowed with avantgarde architectural forms. The author defined the described architectural topic as “multi-storey, brick town house within a compact settlement, distinguished as regards ownership and architecture, and co-creating, together with the lot, a configuration of the traditional town-planning block and street”. Having delineated an extensive historical-architectural, town - planning, legal and social background of the period, the author conducted a functional-stylistic analysis and classification of the town houses in Gdynia. Each of the distinguished groups is accompanied by a catalogue of the buildings enlisted in it. The general part of the book contains a brief history of the European town house and discusses the transformations which occurred within architecture, especially residential, “at the meeting point of two epochs” – the twilight of historicism and the birth of contemporary architecture. The author proposed a thorough characterisation of the architectural trends and currents, placing emphasis on the fact that one of the most important transformations of the period was a new conception of the town and flat, which transferred the designers’ attention from the facade to the plan, function and construction of the building. Each of the described phenomena is illustrated with examples from Gdynia and other Polish and European cities. In the history of residential architecture in Gdynia M. J. Sołtysik distinguished three stylistic periods (1926-1930, /1927/1930-1933, 1934-1939), discussed in detail in successive chapters. The descriptions are accompanied by tables arranging the buildings according to types and inner planning, as well as photographs, drawings of the facades, and typical schemes of the plans. Special attention is due to tables listing architects and builders active in Gdynia, and offering fundamental information about the people who created the shape of the city and the designs. The presentation of each of the periods in the architecture of Gdynia is supplemented by a catalogue of the more interesting realisations. The catalogues contain descriptions of particular buildings together with the address and precise date, investors, designers and builders, a brief architectural depiction of the facade and interior design as well as a stylistic analysis. Valuable supplements include photographs – contemporary and/or archival – as well as tracings of facade projects and the plans of at least a single storey. Many of the descriptions are accompanied by additional data, provided in brackets and discussing the part played by the given building or its owner in the history of the town. A detailed examination of the development of the Gdynia town house, conducted against a widely drawn background, the variegated contents, and a demonstration of stylistic and typological links with buildings erected at the time in other Polish and European towns, render the discussed book valuable for all those interested in inter-war architecture. Indubitably, closer acquaintanceship with the publication or even a careful glance at the illustrations could prove to be a fascinating adventure for the residents and lovers of Gdynia, and a source of inspiration for researchers specialising in inter-war architecture as well as designers hoping to refer to tradition. It could also convince the reader about the aesthetic and functional merits of architecture which emerged “at the meeting point of two epochs”.
    Źródło:
    Ochrona Zabytków; 2004, 3-4; 243-248
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dawne sanatorium w Trzebiechowie. Dzieło Henry’ego van de Velde – z perspektywy dekady – odkryte na nowo
    Former sanatorium in Trzebiechów. The work of Henry van de Velde – from the perspective of the decade – discovered anew
    Autorzy:
    Bielinis-Kopeć, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/537783.pdf
    Data publikacji:
    2014
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    Henry van de Velde
    Trzebiechów
    konserwacja wnętrz
    restauracja wnętrz, sanatorium
    wnętrza z początku XX wieku
    Opis:
    Ten years have already passed by since the discovery of the unknown work of Henry van de Velde – interior decor and furnishings of the former sanatorium in Trzebiechów – was announced, which took place in 2003. It was the grandson of the last head of the sanatorium before the outbreak of the WWII, who picked up the trail of the artist and followed information relating Henry van de Velde to the sanatorium in Trzebiechów, erected between 1902-1905 from the funds of the Ducal Family of von Reuss. As deep as in the Archives of the Prussian Cultural Heritage Foundation in Berlin, he discovered the lists of the artist to Duchess Marie Alexandrine von Reuss. This proved the authorship of the Belgian, additionally confirmed by the later stylistic and comparative analysis. The discovery complemented the catalogue of works of Henry van de Velde and had wide repercussions throughout Europe. Conservation research in the buildings of the former sanatorium has been commenced soon after, followed by renovation as well as conservation works in the years 2004-2012, resulting in revealing the interiors in original colouring from the dawn of the 20th century. The 150th anniversary of the Belgian artist birthday, celebrated in 2013 in many European countries, including Poland, was a great opportunity to remind of the only work of van de Velde at the territory of our country. Henry van de Velde was a versatile man of art. His works include such domains as painting, architecture, furniture and textile design, book covers, posters, ceramic, china and metalwork designs, ladies clothing. He was also the author of studies on the theory of art. Van de Velde had a great impact on development of the European art of the 20th century and is considered one of the most recognized representatives of the Modernism. In 1902, Henry van de Velde arrived to Weimar, to take the position of the counsellor for art, industrial design and craft at the court. The Weimar period is considered to be the one of the most significant in his career. His Weimar designs include, among others, redevelopment of the house of philosopher Friedrich Nietzsche into archive, the buildings of the School of Art and the Arts and Crafts School, as well as a house for his family, called Hohe Pappeln – a true manifesto of the New Style, by which the artist expressed drastically its clear departure from imitating the historical styles. The most significant works delivered during the Weimer period include construction of villa for the manufacturer H. Esche in Chemnitz, for Dr. W. Leuring in Scheveningen in Holland, for P. Schulenburg in Gera, redevelopment of villa for T. Koerner in Chemnitz and interiors in the sanatorium in Trzebiechów. Henry van de Velde’s output consists in more than 300 designs, including works of art and complex architectural structures. He designed 48 buildings along with their complete furnishings and interiors, following the idea with of combining different areas of artistic creation into a single work of art, in line with the vision behind the Gesamtkunstwerk. The list of his works depicts more than 100 interior designs, for the most from Belgium, Germany and Holland. The most outstanding are the interiors of the Folkwang Museum in Hagen, Nietzsche Archive in Weimar, H. Esche’s villa in Chemnitz, K.E. Osthaus’s villa (Hohenhof) in Hagen and sanatorium in Trzebiechów. Research performed in recent years revealed that the commission taken up by Henry van de Velde in Trzebiechów covered complex designs of vast majority of representative interiors, including colouring and decorative ornaments for staircases in two largest buildings of the complex, i.e. main building and the administrative and residential building called The Doctor’s House, accompanied by halls, social rooms for both ladies and gentlemen, billiards room and dining room situated in the main building. The artist designed also door and window woodframes, stairs, floors, floor finishing, panelling, etc. The designs covered many domains, from constructional solutions (structure of pseudo-ceiling in a dining room and side staircase in the main building) to minor details, such as ferrules or door and window handles. Both the scale and quality of the artistic output visible in the sanatorium in Trzebiechów and well-preserved original elements of the historical building make it one of the most distinguished works of Henry van de Velde. Regular research and conservation and reconstruction works performed in recent years brought to light and allowed to maintain the original elements of the historical building. That is why we may consider the former sanatorium in Trzebiechów, aspiring to the rank of the ‘monument of history’, as the work of art of the European scale.
    Źródło:
    Ochrona Zabytków; 2014, 2; 119-138
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    WYSTRÓJ WNĘTRZ DAWNEGO SANATORIUM W TRZEBIECHOWIE DZIEŁO HENRY’EGO VAN DE VELDE STAN BADAŃ I PRAC KONSERWATORSKICH W LATACH 2004-2005
    INTERIOR DECORATION IN THE FORMER SANATORIUM IN TRZEBIECHOW THE WORK OF HENRY VAN DE VELDE STATE OF RESEARCH AND CONSERVATION IN 2004-2005
    Autorzy:
    Bielinis-Kopeć, Barbara
    Markowski, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/538220.pdf
    Data publikacji:
    2006
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    SANATORIUM IN TRZEBIECHOW (ARCHITECTURE & CONSERVATION)
    VAN DE VELDE HENRY
    Opis:
    A physiotherapy-diet sanatorium founded by Prince Heinrich VII Reuss-Köstritz and his wife, Princess Marie Alexandrine, was opened in Trzebiechow in 1905. The author of the project was Max Schündler, an architect from Zwickau. The decorations and outfitting of the stately interiors were entrusted to the Belgian artist Henry van de Velde. Extant parts of the former sanatorium include the buildings of the complex and the park. The absence of significant repair during the inter-war period proved conducive for the preservation of numerous elements of the original outfitting and interior design. In 2004 the connection of the monument with the name of the celebrated Belgian artist proved decisive for the inauguration of studies, and a year later – for the first conservation-restoration undertakings aimed at recreating the original colours of the interiors, whose essential element consists of the perfectly preserved window and door joinery, the stair balustrades, the panelling and the benches. The conducted research disclosed the original intense colours either harmonising or contrasting with the walls and ceilings embellished with original ornamental motifs. The eight discovered decoration motifs of the interior constitute the most extensive set of the artist's preserved works in Europe; in 2005 they were subjected to conservation. Both the investigations and the conservation and restoration carried out in the Trzebiechow sanatorium have not been completed. Nonetheless, it may be said with full conviction that such a copious programme of interior design by Henry van de Velde has not been found elsewhere, a fact which enhances the rank of this particular complex among the cultural resources not only of Poland but also on a European scale.
    Źródło:
    Ochrona Zabytków; 2006, 3; 5-28
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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