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    Wyświetlanie 1-2 z 2
    Tytuł:
    After Brandi – Umberto Baldini and the modern Theory of Conservation-Restoration in Itay
    Autorzy:
    Bonsanti, Giorgio
    Powiązania:
    https://bibliotekanauki.pl/articles/113837.pdf
    Data publikacji:
    2019
    Wydawca:
    Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
    Tematy:
    Italian Theories of Conservation-Restoration
    Methodology of Conservation-Restoration
    Italian Re-integration Methods
    Theory and Practice of Conservation-Restoration
    Opis:
    Giorgio Bonsanti, as a contemporary witness of Umberto Baldini’s professional activities in Florence and his successor as Soprintendente of the Opificio delle Pietre Dure, gives an overview of the closely intertwined situation in theory and practice of conservation-restoration at Baldini’s time. He analyses terms and principles of Baldini’s Theory and Methodological Unity and emphasises this theory as well as the related methods of reintegration as a development of Brandi’s Theory and the methods of the Istituto Centrale per il Restauro in Rome. Furthermore, he shortly outlines actual Italian positions in theory and practice of conservation-restoration.
    Źródło:
    Ochrona Dziedzictwa Kulturowego; 2019, 8; 29-36
    2543-6422
    Pojawia się w:
    Ochrona Dziedzictwa Kulturowego
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dealing with authenticity in the conservation and restoration of wall paintings and architectural surfaces
    Autorzy:
    Schädler-Saub, Ursula
    Powiązania:
    https://bibliotekanauki.pl/articles/114004.pdf
    Data publikacji:
    2019
    Wydawca:
    Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
    Tematy:
    wall paintings
    architectural surfaces
    authenticity
    history of conservation-restoration
    Theory and Practice of Conservation-Restoration
    Lacunae
    Methods and Techniques of Reintegration
    reconstruction
    Opis:
    Authenticity is a key term in the modern theory and practice of heritage preservation. The great influence of this term began with the Venice Charter and increased in the following decades until this day, as numerous documents and publications have dealt with issues concerning the concept and significance of authenticity. However, the term is characterized by a certain vagueness, despite its central role in the international debate. This article presents three case studies related to the conservation-restoration of wall paintings and architectural surfaces in Germany and Italy and uses them to clarify some central theoretical issues, intertwining them with practical needs and demands. The multi-layered meanings of authenticity in the practice of conservation-restoration can range from the respectful preservation of the handed-on conditions and appearance of a work, with all material remains of its reception and interpretation, to the critical evaluation of historical restorations based on scholarly value judgments, and even to the reconstruction e. g. of architectural surfaces as a method for the sustainable protection of historical findings and a good way to visualize historical presentations and hand on traditions of craftmanship. For such a broad spectrum of meanings, the term authenticity can become a helpful umbrella term in interdisciplinary and transdisciplinary communication, well-known and appreciated by all experts and by the public. In order to avoid the use of the term authenticity as a catch-all that can mean everything or nothing, the relationship with case studies can bring awareness about the broad palette of these approaches and how the theory and practice of heritage preservation are always interconnected.
    Źródło:
    Ochrona Dziedzictwa Kulturowego; 2019, 8; 301-324
    2543-6422
    Pojawia się w:
    Ochrona Dziedzictwa Kulturowego
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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