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Wyszukujesz frazę "conservation and restoration" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
Conservation versus reconstruction. Do we need other or new criteria conserving architectural surfaces of the 20th Century?
Autorzy:
Danzl, Thomas
Powiązania:
https://bibliotekanauki.pl/articles/973879.pdf
Data publikacji:
2019
Wydawca:
Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
Tematy:
20th century architecture
conservation and restoration of architectural surfaces
modern building materials
Opis:
Until today, in most European countries there is no juridical definition or legal recognition of the profession of the conservator-restorer. This fact means an almost complete lack of specific regulations anticipating conservation-restoration activities and stipulating the quality of these activities. The absolute need for qualified professionals, for a legal status, for an evaluation of the dynamics in a conservation–restoration project and finally for an analysis of the essential methodological steps of the conservation project require evidence of professional responsibility, competence and qualification. At the very beginning of the conservation of 20th century architecture, the professional figure of the architect wasn´t discussed in his historically grown leading position. The task of the conservator-restorer and of the conservation sciences at that time was to take part in a planning process that often started with a “reconstruction concept” for regaining the lost “original” design of the architecture. It seemed to be more important to reconstruct “ideas” than to follow the traces of the authentic materials, and to document and conserve them. Often this was justified with the alleged “special status” of modern architecture which was supposed to be too fragile and too ephemeral to be conserved in the same way as other historical monuments. This article wants to illustrate that effective “project management” based on a shared and transparent theoretical fundament is able to bring about a conciliation of the apparently diametrically opposed opinions and concepts of “Conservation” and “Reconstruction”.
Źródło:
Ochrona Dziedzictwa Kulturowego; 2019, 8; 89-102
2543-6422
Pojawia się w:
Ochrona Dziedzictwa Kulturowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
After Brandi – Umberto Baldini and the modern Theory of Conservation-Restoration in Itay
Autorzy:
Bonsanti, Giorgio
Powiązania:
https://bibliotekanauki.pl/articles/113837.pdf
Data publikacji:
2019
Wydawca:
Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
Tematy:
Italian Theories of Conservation-Restoration
Methodology of Conservation-Restoration
Italian Re-integration Methods
Theory and Practice of Conservation-Restoration
Opis:
Giorgio Bonsanti, as a contemporary witness of Umberto Baldini’s professional activities in Florence and his successor as Soprintendente of the Opificio delle Pietre Dure, gives an overview of the closely intertwined situation in theory and practice of conservation-restoration at Baldini’s time. He analyses terms and principles of Baldini’s Theory and Methodological Unity and emphasises this theory as well as the related methods of reintegration as a development of Brandi’s Theory and the methods of the Istituto Centrale per il Restauro in Rome. Furthermore, he shortly outlines actual Italian positions in theory and practice of conservation-restoration.
Źródło:
Ochrona Dziedzictwa Kulturowego; 2019, 8; 29-36
2543-6422
Pojawia się w:
Ochrona Dziedzictwa Kulturowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dealing with authenticity in the conservation and restoration of wall paintings and architectural surfaces
Autorzy:
Schädler-Saub, Ursula
Powiązania:
https://bibliotekanauki.pl/articles/114004.pdf
Data publikacji:
2019
Wydawca:
Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
Tematy:
wall paintings
architectural surfaces
authenticity
history of conservation-restoration
Theory and Practice of Conservation-Restoration
Lacunae
Methods and Techniques of Reintegration
reconstruction
Opis:
Authenticity is a key term in the modern theory and practice of heritage preservation. The great influence of this term began with the Venice Charter and increased in the following decades until this day, as numerous documents and publications have dealt with issues concerning the concept and significance of authenticity. However, the term is characterized by a certain vagueness, despite its central role in the international debate. This article presents three case studies related to the conservation-restoration of wall paintings and architectural surfaces in Germany and Italy and uses them to clarify some central theoretical issues, intertwining them with practical needs and demands. The multi-layered meanings of authenticity in the practice of conservation-restoration can range from the respectful preservation of the handed-on conditions and appearance of a work, with all material remains of its reception and interpretation, to the critical evaluation of historical restorations based on scholarly value judgments, and even to the reconstruction e. g. of architectural surfaces as a method for the sustainable protection of historical findings and a good way to visualize historical presentations and hand on traditions of craftmanship. For such a broad spectrum of meanings, the term authenticity can become a helpful umbrella term in interdisciplinary and transdisciplinary communication, well-known and appreciated by all experts and by the public. In order to avoid the use of the term authenticity as a catch-all that can mean everything or nothing, the relationship with case studies can bring awareness about the broad palette of these approaches and how the theory and practice of heritage preservation are always interconnected.
Źródło:
Ochrona Dziedzictwa Kulturowego; 2019, 8; 301-324
2543-6422
Pojawia się w:
Ochrona Dziedzictwa Kulturowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ethics and basic principles of restoring historical stone monuments
Autorzy:
Łukasiewicz, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/113883.pdf
Data publikacji:
2019
Wydawca:
Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
Tematy:
stone conservation
ethics and principles of restoration
Opis:
The paper discusses ethical guidelines in relation to the conservation of historical monuments made of stone. The presented rules consider the building stone specificity and its susceptibility to various corrosion factors and the character of deteriorated areas in that kind of historic monuments. The basic conservation rule sounding Primum non nocere is deconvoluted to more particular principles like: (i) to preserve authentic historical matter as a carrier of artistic, scientific and historical value of the object, (ii) to provide minimal scale of intervention, (iii) to provide the reversibility of the methods and particularly materials used from conservation or reconstruction works, (iv) to provide distinguishability of reconstructions parts and (v) to provide the integrity of the work of art. The adaptability of these particular rules to the of conservation of stone artistic artefacts is also presented.
Źródło:
Ochrona Dziedzictwa Kulturowego; 2019, 8; 175-184
2543-6422
Pojawia się w:
Ochrona Dziedzictwa Kulturowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Giotto’s Stigmatization of Saint Francis: an approach for the reconstruction of the image
Autorzy:
Lanfranchi, Maria Rosa
Powiązania:
https://bibliotekanauki.pl/articles/113893.pdf
Data publikacji:
2019
Wydawca:
Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
Tematy:
wall painting
Giotto’s Stigmatization
conservation-restoration
historical and stylistic consideration
reintegration
Opis:
For the conservation restoration of Giotto’s Stigmatization, painted in the transept of Santa Croce, it was considered the possible new retouching of forms replaced by some old reconstruction, totally out of context after cleaning. The logical process followed in this specific case study was based on the drawing repetitions demonstrated by Giotto in his creations. The nature of the proposal of our of retouching it’s guaranteed by the reintegration technique that allows to recognize the new reconstructed forms and the reversible binder (watercolours) will allow a future cancellation of the fills.
Źródło:
Ochrona Dziedzictwa Kulturowego; 2019, 8; 159-174
2543-6422
Pojawia się w:
Ochrona Dziedzictwa Kulturowego
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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