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    Wyświetlanie 1-5 z 5
    Tytuł:
    In the Old Cinema. Stefan Grabiński and Expressionism
    Autorzy:
    Majewska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1916712.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Stefan Grabiński
    expressionism
    film
    cinema
    weird fiction
    Lviv
    Opis:
    Stefan Grabiński, a famous Polish author of weird fiction, who is known especially for his collection of short stories Demon ruchu (The Motion Demon, 1919), lived and worked in a period marked by a new artistic style – expressionism. Although Grabiński came from Lviv, often regarded as a province in Poland after the Great War, he could have a contact with the latest ideas concerning art and philosophy. Indeed, both in his short stories and in his novels may be found some traits typical for the expressionist poetics as, for example, a subjective perspective, a color sensitivity or a tendency to violent and dynamic use of formal elements. Grabiński was fascinated by a German literature – he read Gustav Meyrink, E.T.A. Hoffmann and an expressionist magazine “Der Orchideengarten”. Moreover, he liked going to the cinema where he could watch, for example, a famous German expressionist film – The Cabinet of Dr. Caligari. The only text by Grabiński which was adapted into film in his life was a short story Kochanka Szamoty  (Szamota’s Mistress, 1922). Although this seemed to be a great material for an expressionist film, the director – Leon Trystan – decided to realize it in an impressionist poetics.
    Źródło:
    Nauka; 2020, 4
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between blasphemy and desire for the sacred. Modernist litanies à rebours
    Autorzy:
    Majewska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/703058.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Baudelaire
    Huysmans
    Dubus
    Swinburne
    modernism
    litany
    blasphemy
    Satan
    God
    Opis:
    In the second half of the 19th century in the European culture appears an increased interest in evil. This phenomenon is widely spread particularly in France and England. In his famous volume of poems Les Fleurs du Mal  Charles Baudelaire publishes The Litanies for Satan where the Devil replaces God as the addressee of a blasphemous prayer. Joris-Karl Huysmans, an author of the novel Là-bas, describes a black mess and a litany addressed to Satan who seems to be closer to sinful people than perfectly indifferent God. A poet from the Huysmans’ artictic circle, Édouard Dubus, devotes his litany to a „Lady of grace and immorality” – a blasphemous double of Mary, mother of Jesus. An English poet Charles Algernon Swinburne writes Dolores, a poem addressed to „Our Lady of Pain” and recognised as the apogee of the satanic litany. In all these cases the choice of a litany as a literary genre results in acceptance of a vision of the world broaden with spirituality. In spite of their seemingly blasphemous plots, all these texts express a deep hunger for the sacred – the hunger that could not be satisfied with official religion.
    Źródło:
    Nauka; 2017, 3
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A forgotten dramatic trilogy by Stefan Grabiński
    Autorzy:
    Majewska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/704169.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Grabiński
    Wyspiański
    All Souls’ Day
    modernism
    theatre
    metaphysics
    rationalism
    Opis:
    The article treats about a forgotten play Zaduszki (All Souls’ Day) by Stefan Grabiński, widely known as the author of fantastic literature and horror stories. The play Zaduszki consists of three parts: 1. Strzygoń. Klechda zaduszna; 2. W dzień zaduszny; 3. Sen Krysty. Misterium zaduszne. First of them is written in folk dialect. The second one, sometimes named „the longest one-act play ever staged in Polish theatre”, considers a problem of a fault and a punishment. The third one, similarly to the first one, presents folk beliefs in supernatural phenomena which take place on All Souls’ Day. Moreover, it partly resembles a mystery play. Although the trilogy got an unfavourable reception (it was shown only seven times in Juliusz Słowacki Theatre in Kraków), it may be considered as an ambitious attempt to match the heritage of Stanisław Wyspiański – according to Grabiński, the greatest authority in the field of theatre.
    Źródło:
    Nauka; 2019, 2
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Bunch of Body and Blood – Tennessee Williams’ Suddenly Last Summer
    Bukiet z ciała i krwi – Suddenly Last Summer Tennessee Williamsa
    Autorzy:
    Majewska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/2121304.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    american theatre
    Tennessee Williams
    Suddenly Last Summer
    psychoanalysis
    cruelty
    the sacred and the profane
    homoeroticism
    Opis:
    The Marceli Nencki Foundation for Supporting Biological Sciences is a non-go- vernmental organization that conducts public benefit activities. The statutory goal of the Foundation is to support scientific, popularization, and educational efforts in the field of biological sciences. The Foundation focuses its activities primarily on students and young scientists who wish to bring biological sciences closer to young people and foster their creative development. Close cooperation with the Nencki Institute and the promotion of its scientific heritage result in many joint initiatives, including lectures, workshops, study visits, Art and Science, and co- organized scientific conferences. The Foundation began its activities on Novem- ber 14, 2012. Its founders were professors from Nencki Institute and members of the Polish Academy of Sciences.
    Źródło:
    Nauka; 2021, 4; 159-171
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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