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Wyświetlanie 1-2 z 2
Tytuł:
Andrea Gabrieli’s music in Milan: dissemination, adaptation, assimilation
Autorzy:
Toffetti, Marina
Powiązania:
https://bibliotekanauki.pl/articles/473812.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Musica Iagiellonica
Tematy:
Andrea Gabrieli, Milan, dissemination, adaptation, assimilation, sacred
contrafacta
Opis:
In spite of various clues pointing to the fact that Andrea Gabrieli’s fame had reached Milan during his lifetime, his name appears very rarely in studies on music in Milan between the end of the 16th century and the start of the 17th. This article follows up these clues and reflects on some aspects of the transmission and reception of Andrea Gabrieli’s music in Milan, taking into consideration firstly the reprinting in Milan of some of his collections and the presence of his compositions in local music publications (such as Orfeo Vecchi’s second book of 5-voice motets), and then examining how his madrigals are treated in the collections of contrafacta by Aquilino Coppini and Geronimo Cavaglieri published or assembled in Milan. Lastly, it addresses some aspects of the active and creative reception of his music, illustrating the characteristics of some compositions from the musical environment in Milan that reveal the assimilation of technical-stylistic features that can be traced to Gabrieli’s output.
Źródło:
Musica Iagellonica; 2017, 8; 9-33
1233-9679
2545-0360
Pojawia się w:
Musica Iagellonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Gli aversari de la vera fede”. Un’ipotesi sul Terzo libro dei madrigali a cinque voci di Marc’Antonio Ingegneri
Autorzy:
Mangani, Marco
Powiązania:
https://bibliotekanauki.pl/articles/473826.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Musica Iagiellonica
Tematy:
musical patronage, Marc’Antonio Ingegneri, Italian madrigal, Claude Le
Jeune, French chanson, Milan, Antonio Londonio, Parma, Ottavio Farnese, Alessandro
Farnese, Margherita Farnese, Flanders.
Opis:
A hypothesis about Marc’Antonio Ingegneri’s Terzo Libro de’ Madrigali a Cinque Voci (1580) is formulated, according to which the collection can be regarded as made up of two different layers, each with its own patronage context. While the first half of the book fits well the requests of its actual dedicatee, Antonio Londonio, the second half might have been intended for the Farnese court of Parma, with its starting piece, the political-religious madrigal Santa Chiesa di Dio, celebrating the victories gained in the Flanders by the Duke’s son Alessandro over the Protestants; it seems instead very unlikely that in 1580 Santa Chiesa could refer (as recently asserted) to the battle of Lepanto, won in 1571 by don Giovanni d’Austria (who had died in 1578), given the propitiatory character of its text. A role for Margherita Farnese is finally guessed in the Italian diffusion of Etienne de la Boétie’s sonnet J’ai senti les deux maux, set to music by Ingegneri in the style of a French chanson at the end of his Terzo Libro: the reading adopted by Ingegneri differs in fact from all printed versions of La Boétie’s text, but its identical to that which was to be set to music by Claude Le Jeune while the French composer was in the service of the Duke of Anjou.
Źródło:
Musica Iagellonica; 2018, 9; 31-49
1233-9679
2545-0360
Pojawia się w:
Musica Iagellonica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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