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    Wyświetlanie 1-3 z 3
    Tytuł:
    GÓRNOŚLĄSKI ZBIÓR PIEŚNI CAŁOROCZNYCH (1811–1821) W ŚWIETLE BADAŃ ŹRÓDŁOZNAWCZYCH
    THE UPPER SILESIAN ZBIÓR PIEŚNI CAŁOROCZNYCH (1811–1821) [COLLECTION OF CHURCH SONGS FOR ALL THE YEAR] IN THE LIGHT OF THE STUDY OF THE SOURCE
    Autorzy:
    Reginek, Antoni
    Powiązania:
    https://bibliotekanauki.pl/articles/947272.pdf
    Data publikacji:
    2017
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    śpiewy religijne
    pieśń kościelna
    górnośląskie kancjonały
    religious chants
    church song
    Upper Silesian cantionals
    Opis:
    Ancient collections of religious songs constitute a valuable source in research on church song, its genesis and vitality. These valuable resources are now complemented with an unknown earlier, handwritten cantional from the collection of Silesian Library in Katowice entitled Zbiór pieśni całorocznych [Collection of Church Songs for All the Year]. According to the title page, this collection was completed by two organists from Upper Silesia, Jakub Mordan from Tworóg and Jan Damroth from Warszowice in the years 1811–1821. It contains 342 songs, mainly lyrics, all in Polish. Over 50 works are accompanied by music notation, with harmonization in the style of organ accompaniment Many songs are accompanied by references to melodies of other church chants, in the form of contrafactum. The collection contains church chants of various themes grouped in 17 sections arranged according to the structure of the church year. Its outstanding feature is an unusually great number of Christmas carols, Passion songs and songs connected with the cult of saints. The cantional contains also over 50 psalm songs, mainly translated by Jan Kochanowski. A comparative analysis indicates certain connections in the repertoire with the printed Wroclaw cantional from 1734 but at the same time confirms differences and original creativity.
    Źródło:
    Musica Ecclesiastica; 2017, 12; 87-112
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    PROBLEMATYKA ŹRÓDŁOZNAWCZA W KONTEKŚCIE ŚPIEWNIKA KOŚCIELNEGO KS. JANA SIEDLECKIEGO
    THE ISSUE OF THE STUDY OF SOURCE TEXTS IN THE CONTEXT OF THE CHURCH SONGBOOK BY REV. FR. JAN SIEDLECKI
    Autorzy:
    Kałamarz, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/947217.pdf
    Data publikacji:
    2017
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    ogólnopolski śpiewnik liturgiczny
    polska pieśń kościelna
    Śpiewnik kościelny
    ks. Jan Siedlecki
    Polish national liturgical songbook
    Polish church song
    Church Songbook
    Fr. Rev. Jan Siedlecki
    Opis:
    The Church Songbook by Rev. Fr. Jan Siedlecki is not a homogenous publication in terms of its 41 editions over 140 years. From the beginning, it contained both the old and the new songs. The author did not pay too much attention to the documentation of their origins and neither did Rev. Fr. Michał Marcin Mioduszewski CM from whose collection Rev. Fr. Siedlecki borrowed the old songs. The situation changed along with the new editor-in-chief, Rev. Fr. Wendelin Świerczek CM. It was him who raised the bar to a new high in the 1928 anniversary edition of the critical edition of the songbook, which he oversaw until the end of his life (he passed away in 1974). The shape of various editions was influenced by changing editors. In the 41st edition of Rev. Fr. Siedlecki’s songbook from 2015, there are 243 songs for which the source are the previous editions. In addition, for 170 songs, the source are Fr. Rev. Mioduszewski’s songbooks. 102 songs in this edition of the songbook have been printed for the first time. The other ones originate from other sources. From this simple analysis, it follows that for 515 songs out of 840 in the 41st edition, the source is the songbook of Fr. Rev. Siedlecki or the songbook of his predecessor, Fr. Rev. Mioduszewski. Many church songs sung in Poland owe their functioning to the songbook of Fr. Rev. Jan Siedlecki (his individual editions). Thus, the decision of the Conference of the Polish Episcopate, by which the 41st edition was approved as the Polish national liturgical songbook, has to be recognised as historical justice or, if you will, a natural consequence.
    Źródło:
    Musica Ecclesiastica; 2017, 12; 23-33
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    NIEZNANA AUTORKA TEKSTÓW POPULARNYCH PIEŚNI KOŚCIELNYCH – S. ANUNCJATA NATALIA ŁADA FNS
    UNKNOWN AUTHOR OF LYRICS OF POPULAR CHURCH SONGS – SR. ANUNCJATA NATALIA ŁADA FNS
    Autorzy:
    Kałamarz, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/947260.pdf
    Data publikacji:
    2017
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    Śpiewnik eucharystyczny
    polska pieśń kościelna
    s. Anuncjata Natalia Łada
    Franciszkanki Najświętszego Sakramentu
    klaryski od Wieczystej Adoracji
    Eucharistic Songbook
    Polish church song
    Sr. Anuncjata Natalia Łada
    Franciscan Sisters of the Poor
    Clares of Perpetual Adoration
    Opis:
    Many songs used in Polish churches were created in monastic environments. Unfortunately, over the years, the identity of their creators has been unknown. When entering an order, a monk or a nun took a new name and stopped using their surname, the products of their activities having been dedicated to God and thus were anonymous. Today, we are unable to determine with absolute certainty the authorship of lyrics and melodies of songs. Not infrequently, high probability, at which we arrive in the course of examining archives and through deduction, has to be sufficient for us. One of the environments in which church songs still used today were created was the order of the Poor Clares of Perpetual Adoration, previously functioning under the name of Franciscan Sisters of the Eucharist. Amongst them, a special place is reserved for Sister Anuncjata Natalia Łada to whom we owe the creation of lyrics of such songs as, inter alia, Let’s Love the Lord, because His Heart… (Kochajmy Pana, bo Serce Jego), The Beautiful Flower of Nazareth (Nazareński śliczny kwiecie), The Hidden Jesus (Jezusa ukrytego), In Your Wonderful Temples (O jak są miłe Twe Przybytki), Have Mercy, my Jesus (Miłosierdzia, Jezu mój), O Have Mercy, Mercy our Lord! (O miłosierdzia, miłosierdzia, Panie!), O Come All Ye Faithful (Przyjdźcie do mnie wszyscy), O the Holy Feast, Jesus! (O święta Uczto, Jezu!), You Make us Rejoice (Ty każesz weselić się), O the Holy Blood! (O Krwi najdroższa!), The Welcoming Song of Joy (Pieśnią wesela witamy), O my Soul (Duszo moja), O the Beloved Joseph! (O Józefie ukochany!). The talented composer of melodies was Sister Gabriela Olga Kołaczkowska. Also, the founder of the Polish branch of the order, Sister Maria Ludwika Nałęcz-Morawska, is the author of one song O the Silent White Host (O milcząca Hostio biała), or, as others want it, two songs.
    Źródło:
    Musica Ecclesiastica; 2017, 12; 113-122
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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