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Wyszukujesz frazę "Caliban" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
“Forward and Backward”: Actants and Agency in Marlowe’s “Doctor Faustus” and Shakespeare’s “The Tempest”
Autorzy:
Sawyer, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2048123.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Posthumanism
Actant
Agency
Prospero
Doctor Faustus
Mephistopheles
Ariel
Caliban
Transmedial
entanglement
daemons
Robert Boyle
Thomas Hobbes
Aristotle
Opis:
This essay presents a posthumanist reading of Shakespeare’s The Tempest and Marlowe’s Doctor Faustus, two plays which feature a scientist/magus who attempts to control his environment through personal agency. After detailing the analogy between the agency of posthuman figures and the workings of computerized writing machines, as Katherine Hayles has proposed, my essay shows how Kott’s writing, especially his notion of the “Grand Mechanism” of history, anticipates the posthumanist theories that are currently dominating literary assessments. His critique of The Tempest makes this idea perfectly clear when he disputes the standard notion that Prospero represents a medieval magus; he instead argues that Prospero was more akin to Leonardo DaVinci, “a master of mechanics and hydraulics,” one who would have embraced revolutionary advances in “astronomy” as well as “anatomy” (1974: 321).
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 24, 39; 105-119
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Performing Calibanesque Baptisms: Shakespearean Fractals of British Indian History
Autorzy:
Chatterjee, Arup K.
Powiązania:
https://bibliotekanauki.pl/articles/1812144.pdf
Data publikacji:
2021-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
Caliban
Peter Pope
Catherine Bengall
John Talbot Shakespeare
genealogy
New Historicism
anecdotes
fractals
London
Opis:
This paper uncovers new complexity for Shakespearean studies in examining three anecdotes overlooked in related historiography—the first Indian baptism in Britain, that of Peter Pope, in 1616, and its extrapolation in Victorian history as Calibanesque; the tale of Catherine Bengall, an Indian servant baptised in 1745 in London and left to bear an illegitimate child, before vanishing from Company records (like Virginia Woolf’s invention Judith Shakespeare vanishing in Shakespeare’s London); and the forgotten John Talbot Shakespear, a Company official in early nineteenth-century Bengal and descendant of William Shakespeare. I argue that the anecdotal links between Peter, Caliban, Catherine, Judith, Shakespear and Shakespeare should be seen as Jungian effects of non-causal “synchronic” reality or on lines of Benoit Mandelbrot’s conception of fractals (rough and self-regulating geometries of natural microforms). Although anecdotes and historemes get incorporated into historical establishmentarianism, seeing history in a framework of fractals fundamentally resists such appropriations. This poses new challenges for Shakespearean historiography, while underscoring distinctions between Shakespeareanism (sociological epiphenomena) and Shakespeare (the man himself).
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 59-74
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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