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    Wyświetlanie 1-3 z 3
    Tytuł:
    “Making Things Look Disconcertingly Different”: In Conversation with Declan Donnellan
    Autorzy:
    Fayard, Nicole
    Powiązania:
    https://bibliotekanauki.pl/articles/648223.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Declan Donnellan
    Cheek by Jowl
    Shakespeare in Europe
    Translation
    Direction
    Archetypes
    Brexit
    Opis:
    In this interview acclaimed director Declan Donnellan, co-founder of the company Cheek by Jowl, discusses his experience of performing Shakespeare in Europe and the attendant themes of cultural difference, language and translation. Donnellan evokes his company’s commitment to connecting with audiences globally. He keeps returning to Shakespeare, as his theatre enables the sharing of our common humanity. It allows a flesh-and-blood carnal interchange between the actors and the audience which directly affects individuals. This interchange has significant consequences in terms of translation and direction.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2019, 19, 34; 139-159
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Je suis Shakespeare: The Making of Shared Identities in France and Europe in Crisis
    Autorzy:
    Fayard, Nicole
    Powiązania:
    https://bibliotekanauki.pl/articles/648227.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Shakespeare in France
    Eric Ruf
    Jérôme Hankins
    Cultural production and social change
    European crisis
    Heterotopia
    Shakespeare myth
    Postcolonialism
    Opis:
    This essay investigates the ways in which Shakespearean production speaks to France and wider European crises in 2015 and 2016. The Tempest and Romeo and Juliet were directed by Jérôme Hankins and Eric Ruf respectively in December 2015 and reflected significant contemporaneous issues, including: (1) two Paris terrorist attacks which sent shock waves throughout France and Europe; (2) the belief that shared identities were under threat; (3) concerns over shifting power dynamics in Europe. The portrayal of these issues and their reception bring into question the extent to which cultural productions can help to promote social change or shape perceptions of national and pan-European events. This essay focuses on whether the plays successfully complicate binary narratives around cultural politics in a context of crises by creating alternative representations of difference and mobilities. It concludes that appropriating Shakespeare’s cultural authority encourages some degree of public debate. However, the function of Shakespeare’s drama remains strongly connected to its value as an agent of cultural, political and commercial mobility, ultimately making it difficult radically to challenge ideologies.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2019, 19, 34; 31-53
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Introduction: Shakespeare and/in Europe: Connecting Voices
    Autorzy:
    Fayard, Nicole
    Powiązania:
    https://bibliotekanauki.pl/articles/648229.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Group conflict
    Exclusion
    Europe
    Politics
    History
    Religion
    Social
    Reception
    Opis:
    Recent Shakespearean productions, just like current European crises, have highlighted the exclusionary nature of European identity. In defining the scope of this special issue, the aim of this introduction is to shift the study of Shakespeare in/and Europe away from the ideological field of “unity within diversity” and its attendant politics of negotiation and mediation. Instead, it investigates whether re-situating Shakespearean analysis within regimes of exclusionary politics and group conflict attitudes helps to generate dynamic cultural and social understandings. To what effect is Shakespeare’s work invoked in relation with the tensions inherent in European societies? Can such invocations encourage reflections on Europe as a social, political and/or cultural entity? Is it possible to conceptualize Shakespearean drama as offering an effective instrument that connects―or not―the voices of the people of Europe?
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2019, 19, 34; 9-30
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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